It is quite impossible that he should have killed himself. He has been murdered. About half an hour ago. By a long knife passed under the left shoulder-blade into the heart."On a fog-bound London night, a soirée is taking place in the studio of artist Laurence Newtree. The guests include an eminent psychiatrist, a wealthy philanthropist and an observant young friend of Newtree's, John Christmas. Before the evening is over, Newtree's neighbour is found stabbed to death in what appears to be an impossible crime. But a mysterious man in a fez has been spotted in the fog asking for highly unlikely directions...The resourceful John Christmas takes on the case, unofficially, leading to an ingenious solution no one could have expected, least of all Inspector Hembrow of Scotland Yard.The Studio Crime is the first of Ianthe Jerrold's classic whodunit novels, originally published in 1929. Its impact led to her membership of the elite Detection Club, and its influence can be felt on later works by John Dickson Carr, Ngaio Marsh and Dorothy L. Sayers among others.This edition, the first in over eighty years, features a new introduction by crime fiction historian Curtis Evans.

    There was a heavy crash and fall, and the parson lay motionless and livid, while lilies from a vase fell, like a wreath, across his chest. The Rev. Ulder, everyone agreed, was the parish priest from hell. In addition to tales of drunkenness and embezzlement, the repellent cleric had recently added blackmail to his list of depravities. There was scandal in the district, plenty of it, and Ulder had the facts. Until, that is, a liberal helping of morphia, served to him in the Bishop’s Palace, silenced the insufferable priest – for good.Was it the Bishop himself who delivered the fatal dose? Was it Soames, the less-than-model butler? Or one of a host of other inmates and guests in the house that night, with motives of their own to put Ulder out of the way? Young Dick Marlin, ex-military intelligence and now a Church deacon, finds himself assisting Chief Constable Mack investigate murder most irreverent.Arrest the Bishop? was first published in 1949. This new edition, the first in many decades, includes a new introduction by crime fiction historian Martin Edwards.

    When her corpse is discovered near a Welsh sporting lodge that is hosting a group of fly fishing enthusiasts, it seems one of them has taken an interest in her too - of the murderous kind. For impaled in the palm of her hand is a salmon fishing fly, so deep that the barb is completely covered. Her face is blue. It is thought at first she died of natural causes, but the detective Mr. Winkley, of Scotland Yard, almost immediately suspects otherwise. And what happened to the would-be magician’s monkey that disappeared so soon after Mrs. Mumsby’s death?Bleeding Hooks was the second of Harriet Rutland’s sparkling mystery novels to feature the detective Mr Winkley. First published in 1940, this new edition features an introduction by crime fiction historian Curtis Evans.‘Once again a top-ranking yarn, in a story where the author introduces murder into a fishing paradise in Wales. Lots of rod and line marginalia add to incisive characterization and well hidden crime for a superior story.’ Kirkus Reviews'Murder method interesting, characters well drawn and likeable, sleuth unobtrusively slick and finish dramatic.' Saturday Review

    By the time lunch was over, the rumour began to spread that Mr. Smith’s death had not been due to natural causes. The bibulous Mr Smith was no pillar of virtue. Crossing the Atlantic Ocean on the Enriqueta, he met someone he knew on board at midnight – and was strangled. Chief Inspector Shand of the Yard, a fellow traveller on the luxury liner, takes on the case, ably assisted by his friend Jasper Mellish. At first the only clue is what the steward saw: a bandaged face above a set of green pyjamas. But surely the crime can be connected to Mr Smith’s former – and decidedly shady – compatriots in Buenos Aires?The Murder on the Enriqueta (1929: originally called The Strangler in the US) is a thrilling whodunit, including an heiress in peril and a jazz age nightclub among its other puzzle pieces. This new edition, the first in many decades, includes an introduction by crime fiction historian Curtis Evans.Unless I’m much mistaken, you will find yourself unwillingTo lay aside a yarn so crammed with situations thrilling.(To say nothing of a villain with a gruesome taste in killing.) — Punch

    Indeed, as Detective Chief Inspector W.T. Challoner soon discovered, seven people had good cause to murder him. Everyone ought to have done it, but by the evidence nobody had. The seven suspects, all with excellent motives for killing the hateful Eric Crowther. So it was not lack of evidence but rather a surfeit of it which sent Challoner and his son Jerry half across Europe in pursuit of the trail. He collected their secrets. And he used them. But whick of these long-time sufferers had found the courage to pull the trigger? And should this benefactor really be prosecuted?NOTE: White Cottage Mystery was her first mystery, published as newspaper serial 1927; first published in book form 1975.

    But the following morning he had seemingly vanished into thin air. Now Scotland Yard are struggling to find evidence of foul play in the absence of tangible clues. A national newspaper is offering a reward for information about the Minister’s disappearance - whether Bygrave be dead or alive. Anthony “Algernon” Vereker, Lord Bygrave’s friend and executor, joins Scotland Yard in their investigation of the mystery. So begins the first of five ingenious and effervescent detective novels featuring Vereker, an amiable and eccentric artist with a razor-sharp mind. Missing or Murdered (1929), is republished here for the first time in over 70 years. It includes a new introduction by crime fiction historian Curtis Evans.‘This is not only a detective story of considerable ingenuity, but it is also a well-written tale with good characterisation."Times Literary Supplement

    Among the guests are an actress, a journalist, an artist, and a mystery novelist. The unlucky thirteenth is John Foss, injured at the local train station and brought to the house to recuperate – but John is nursing a secret of his own.Soon events take a sinister turn when a painting is mutilated, a dog stabbed, and a man strangled. Death strikes more than one of the house guests, and the police are called. Detective Inspector Kendall’s skills are tested to the utmost as he tries to uncover the hidden past of everyone at Bragley Court.This country-house mystery is a forgotten classic of 1930s crime fiction by one of the most undeservedly neglected of golden age detective novelists.

    In the driving seat of the burnt-out car were the remains of a body...An accident, said the police. An accident, said the widow. She had been warning her husband about the danger of the car for months. Murder, said the famous detective Lord Peter Wimsey--and proceeded to track down the killer. This is vintage Sayers, a collection of her finest crime and detection stories.

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.

    Vandam begins an investigation into the dead man, Albert Smith, which takes the case from the wilds of South Africa to mountains and glens of Scotland, where a near-identical crime has been perpetrated… ABOUT THE AUTHOR Freeman Wills Crofts, the ‘King of Detective Story Writers’, was one of the pre-eminent writers in the golden age of British crime fiction. Acclaimed by his contemporaries, Agatha Christie and Raymond Chandler, he wrote more than 30 detective novels and was a founder member of the hugely influential DETECTIVE CLUB. Crofts’s most famous creation was Scotland Yard detective, Inspector French (‘As near the real thing as any sleuth in fiction’ THE SUNDAY TIMES). Born in Dublin, Crofts became an engineer and wrote his debut novel, THE CASK: A DETECTIVE STORY (‘An imaginatively ingenious mystery’ THE EVENING STANDARD) in 1919 during a long absence from work due to illness. He became a full-time writer in 1929 and moved to England with his wife Mary to live in Guildford. He died in 1957. PRAISE FOR FREEMAN WILLS CROFTS ‘One of the classics of modern crime fiction’ NEW YORK TIMES ‘Exactly what a detective novel should be – ingenious, lucid, reasonable, intricate and exciting’ THE DAILY TELEGRAPH ‘The author who goes from strength to strength with every book he writes. The construction is flawless’ THE DAILY MAIL ‘Yet another instance of his unfailing ingenuity’ TIMES LITERARY SUPPLEMENT ‘If there is a better writer of detective stories alive, I would like to know his name’ GLASGOW CITIZEN ‘A detective novel by Freeman Wills Crofts is always an event’ THE DAILY EXPRESS ‘Freeman Wills Crofts’ crimes are solved with dogged diligence and attention to detail… they seem to have improved with age.’ THE INDEPENDENT ‘Supremely good’ YORKSHIRE POST ‘Freeman Wills Crofts is the only author who gives us intricate crime in fiction as it might really be, and not as the irreflective would like it to be’ THE OBSERVER ‘Brilliant… will delight all lovers of detective fiction’ THE DAILY TELEGRAPH

    The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura.Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever.

    1929 genteel country house guests are shocked by the death of their famous guest, world traveler Mountjoy, in a bathtub. Suspects include his quiet (but extremely competent) fiancee Eleanor, pompous Alastair and forceful son Garde, engaged to lovely Dorothy, plus curious naturalist Carstairs.

    Now an Edgar Award Nominee!This is the first book about the Detection Club, the world’s most famous and most mysterious social network of crime writers. Drawing on years of in-depth research, it reveals the astonishing story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction.Detective stories from the so-called “Golden Age” between the wars are often dismissed as cosily conventional. Nothing could be further from the truth: some explore forensic pathology and shocking serial murders, others delve into police brutality and miscarriages of justice; occasionally the innocent are hanged, or murderers get away scot-free. Their authors faced up to the Slump and the rise of Hitler during years of economic misery and political upheaval, and wrote books agonising over guilt and innocence, good and evil, and explored whether killing a fellow human being was ever justified. Though the stories included no graphic sex scenes, sexual passions of all kinds seethed just beneath the surface.Attracting feminists, gay and lesbian writers, Socialists and Marxist sympathisers, the Detection Club authors were young, ambitious and at the cutting edge of popular culture – some had sex lives as bizarre as their mystery plots. Fascinated by real life crimes, they cracked unsolved cases and threw down challenges to Scotland Yard, using their fiction to take revenge on people who hurt them, to conduct covert relationships, and even as an outlet for homicidal fantasy. Their books anticipated not only CSI, Jack Reacher and Gone Girl, but also Lord of the Flies. The Club occupies a unique place in Britain’s cultural history, and its influence on storytelling in fiction, film and television throughout the world continues to this day.The Golden Age of Murder rewrites the story of crime fiction with unique authority, transforming our understanding of detective stories and the brilliant but tormented men and women who wrote them.

    “Everybody liked John!”“I’m afraid it is evident that someone did not.”The note left beside Dr. John Basted's corpse simply read: ‘It was the man with the dark beard.’Dr. Basted hadn't approved of his daughter Hilary's fiance. So when Hilary's father is found shot dead inside his own office, the door-key turned from the inside, the fiance Basil Wilton becomes a chief suspect for Scotland Yard. Yet how could the crime have been engineered?Now an important lacquered box is missing; a former colleague of Basted's has suddenly shaved his beard; and the doctor’s ex-secretary has come mysteriously into money. Before Inspector Stoddart of the Yard can form conclusions, another murder takes place, again credited to the “Man with The Dark Beard”...The Man With the Dark Beard is the first of Annie Haynes’ Inspector Stoddart mysteries, originally published in 1928. It is a sparkling lost classic from the early golden age of crime fiction.“Miss Haynes, I think, improves steadily – this is the best detective story she has yet written.” Time and Tide.

    Beneath the so normal surface run sinister undercurrents of rivalry and jealousy. Then comes tragedy. An accident? Or is it murder? Respectable, law-abiding Miss Pym discovers some vital evidence - but should she reveal it?