When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods’ priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief.Hild is the king’s youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world—of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next—that can seem uncanny, even supernatural, to those around her. She establishes herself as the king’s seer. And she is indispensable—until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future.Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age—all of it brilliantly and accurately evoked by Nicola Griffith’s luminous prose. Recalling such feats of historical fiction as Hilary Mantel’s Wolf Hall and Sigrid Undset’s Kristin Lavransdatter, Hild brings a beautiful, brutal world—and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby—to vivid, absorbing life.

    Thomas More (1478-1535) was a renowned statesman; the author of a political fantasy that  gave a name to a literary genre and a worldview (Utopia); and, most famously, a Catholic martyr and saint.Born into the professional classes, Thomas More applied his formidable intellect and well-placed connections to become the most powerful man in England, second only to the king. As much a work of history as a biography, The Life of Thomas More gives an unmatched portrait of the everyday, religious, and intellectual life of the early sixteenth century. In Ackroyd's hands, this renowned "man for all seasons" emerges in the fullness of his complex humanity; we see the unexpected side of his character--such as his preference for bawdy humor--as well as his indisputable moral courage.

    She is aware of, and resents, the gaze of an unusual young man, a stranger, who seems to judge her, and find her wanting. The encounter will change her life.The strange young man is Daniel Deronda, brought up with his own origins shrouded in mystery, searching for a compelling outlet for his singular talents and remarkable capacity for empathy. Deronda's destiny will change the lives of many.

    S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.

    A novel tells the story of a man who leads an ordinary, uneventful life, until overnight he becomes the trustee of his 10-year-old niece, and involved in the search for some missing money.

    But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

    . .In the heart of Elizabethan England, Richard Shakespeare dreams of a glittering career in one of the London playhouses, a world dominated by his older brother, William. But he is a penniless actor, making ends meet through a combination of a beautiful face, petty theft and a silver tongue. As William’s star rises, Richard’s onetime gratitude is souring and he is sorely tempted to abandon family loyalty.So when a priceless manuscript goes missing, suspicion falls upon Richard, forcing him onto a perilous path through a bawdy and frequently brutal London. Entangled in a high-stakes game of duplicity and betrayal which threatens not only his career and potential fortune, but also the lives of his fellow players, Richard has to call on all he has now learned from the brightest stages and the darkest alleyways of the city. To avoid the gallows, he must play the part of a lifetime . . . .Showcasing the superb storytelling skill that has won Bernard Cornwell international renown, Fools and Mortals is a richly portrayed tour de force that brings to life a vivid world of intricate stagecraft, fierce competition, and consuming ambition.

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Somerset Maugham's ode to the powerful forces behind creative genius. Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leave the lives of those closest to him in tatters. Through Maugham's sympathetic eye, Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans' lives it sometimes demands.

    Grace Bennett has always dreamed of moving to the city, but the bunkers and blackout curtains that she finds on her arrival were not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London.Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war.

    Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.