Not since The Diary of Anne Frank has a young voice so vividly expressed the capacity for humanity and heroism in the face of Nazi brutality.

    In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    Their only recourse was to write letters back and forth. And write they did, often every day. In a way they were just picking up where they left off in 1918, at the end of their first long separation because of the Great War that swept Bernard away to some of Europe’s bloodiest battlefields. The thousands of letters between them were part of an inheritance that ultimately came into the hands of their grandson, Ian Buruma. Now, in a labor of love that is also a powerful act of artistic creation, Ian Buruma has woven his own voice in with theirs to provide the context and counterpoint necessary to bring to life, not just a remarkable marriage, but a class, and an age.   Winifred and Bernard inherited the high European cultural ideals and attitudes that came of being born into prosperous German-Jewish émigré families. To young Ian, who would visit from Holland every Christmas, they seemed the very essence of England, their spacious Berkshire estate the model of genteel English country life at its most pleasant and refined. It wasn’t until years later that he discovered how much more there was to the story.   At its heart, Their Promised Land is the story of cultural assimilation. The Schlesingers were very British in the way their relatives in Germany were very German, until Hitler destroyed that option. The problems of being Jewish and facing anti-Semitism even in the country they loved were met with a kind of stoic discretion. But they showed solidarity when it mattered most. As the shadows of war lengthened again, the Schlesingers mounted a remarkable effort, which Ian Buruma describes movingly, to rescue twelve Jewish children from the Nazis and see to their upkeep in England.    Many are the books that do bad marriages justice; precious few books take readers inside a good marriage. In Their Promised Land, Buruma has done just that; introducing us to a couple whose love was sustaining through the darkest hours of the century.

    But in the attic in this particular house, a treasure trove of historic importance is found. Rarely does this become an actuality, but when Helene Elias died, no one could put a price on what she left behind. Helene Elias was born Helene Frank, sister to Otto Frank, and therefore aunt to Anne Frank. Ensconced upstairs in the house she inherited from her mother, and eventually passed on to her son, Buddy Elias, Anne’s cousin and childhood playmate, was the documented legacy of the Frank family: a vast collection of photos, letters, drawings, poems, and postcards preserved throughout decades—a cache of over 6,000 documents in all. Chronicled by Buddy’s wife, Gertrude, and renowned German author Mirjam Pressler, these findings weave an indelible, engaging, and endearing portrait of the family that shaped Anne Frank. They wrote to one another voluminously; recounted summer holidays, and wrote about love and hardships. They reassured one another during the terrible years and waited anxiously for news after the war had ended. Through these letters, they rejoiced in new life, and honored the memories of those they lost.  Anne’s family believed themselves to ordinary members of Germany’s bourgeoisie. That they were wrong is part of history, and we celebrate them here with this extraordinary account.  Insert Authors’ photo: © Jürgen BauerMirjam Pressler is one of Germany’s most beloved authors. She was the German translator of Anne Frank’s diary.

    'Why aren't you doing something? Do you know what the British are calling us? Hitler's canary! I've heard it on the radio, on the BBC. They say he has us in a cage and we just sit and sing any tune he wants.'"Bamse's family are theater people. They don't get involved in politics. "it had nothing to do with us," Bamse tells us. Yet now he must decide: should he take his father's advice and not stir up trouble? Or should he follow his brother into the Resistance and take part in the most demanding role of his life?

    The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis.

    No objective historian, declared the judge, would manipulate the documentary record in the way that Irving did. Richard J. Evans, a Cambridge historian and the chief advisor for the defense, uses this pivotal trial as a lens for exploring a range of difficult questions about the nature of the historian's enterprise. For instance, don't all historians in the end bring a subjective agenda to bear on their reading of the evidence? Is it possible that Irving lost his case not because of his biased history but because his agenda was unacceptable? The central issue in the trial -- as for Evans in this book -- was not the past itself, but the way in which historians study the past. In a series of short, sharp chapters, Richard Evans sets David Irving's methods alongside the historical record in order to illuminate the difference between responsible and irresponsible history. The result is a cogent and deeply informed study in the nature of historical interpretation.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    The Rudomin family has been arrested by the Russians. They are "capitalists' enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia.For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future.

    G.M. Gilbert, the prison psychologist, had an unrivaled firsthand opportunity to watch and question the Nazi war criminals. With scientific dispassion he encouraged Göering, Speer, Hess, Ribbentrop, Frank, Jodl, Keitel, Streicher, and the others to reveal their innermost thoughts. In the process Gilbert exposed what motivated them to create the distorted Aryan utopia and the nightmarish worlds of Auschwitz, Dachau, and Buchenwald. Here are their day-to-day reactions to the trial proceedings; their off-the-record opinions of Hitler, the Third Reich, and each other; their views on slave labor, death camps, and the Jews; their testimony, feuds, and desperate maneuverings to dissociate themselves from the Third Reich's defeat and Nazi guilt. Dr. Gilbert's thorough knowledge of German, deliberately informal approach, and complete freedom of access at all times to the defendants give his spellbinding, chilling study an intimacy and insight that remains unequaled.

    With the war, both became pioneering test pilots and were awarded the Iron Cross for service to the Third Reich. But they could not have been more different and neither woman had a good word to say for the other.Hanna was middle-class, vivacious, and distinctly Aryan, while the darker, more self-effacing Melitta came from an aristocratic Prussian family. Both were driven by deeply held convictions about honor and patriotism; but ultimately, while Hanna tried to save Hitler's life, begging him to let her fly him to safety in April 1945, Melitta covertly supported the most famous attempt to assassinate the Fuhrer. Their interwoven lives provide vivid insight into Nazi Germany and its attitudes toward women, class, and race.Acclaimed biographer Clare Mulley gets under the skin of these two distinctive and unconventional women, giving a full--and as yet largely unknown--account of their contrasting yet strangely parallel lives, against a changing backdrop of the 1936 Olympics, the Eastern Front, the Berlin Air Club, and Hitler's bunker. Told with brio and great narrative flair, The Women Who Flew for Hitler is an extraordinary true story, with all the excitement and color of the best fiction.

    For the past two decades, the Fortunoff Video Archive at Yale University has sought to preserve the human side of this inhuman era by videotaping testimonies from those who lived through the Nazi regime, a project that has led to an acclaimed documentary film and this extraordinary book.Fifty-five years after the end of World War II, the Holocaust continues to cast a dark shadow. For the past two decades, the Fortunoff Video Archive at Yale University has sought to preserve the human side of this inhuman era by videotaping testimonies from those who lived through the Nazi regime, a project that has led to an acclaimed documentary film and this extraordinary book. The Wall Street Journal called the documentary "eloquent and unsparing," and Daily Variety said it was "a staggeringly powerful record." The Washington Times said that Witness "gives new meaning to the term documentary. [It is] as pure a document as I have ever seen on television." In Witness: Voices from the Holocaust, Joshua M. Greene and Shiva Kumar weave a single and compelling narrative from the first-person accounts of twenty-seven witnesses, including camp survivors, American military personnel, a member of the Hitler Youth, a Jesuit priest, and resistance fighters. The vivid and detailed memories of these witnesses testify to the continuing impact of this human catastrophe, and their impassioned words lend immediacy to events that resonate to this day.

    On that day 600 prisoners armed with stolen guns and grenades attacked the Nazi guards, burned the camp, and fled into the nearby Polish forests. Of these, forty survived to bear witness to man's courage in the face of the greatest evil human history has produced.

    He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book. Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the survivors was Hans Neumann, who, to escape the German death net, traveled to Berlin and hid in plain sight under the Gestapo’s eyes. What Hans experienced was so unspeakable that, when he built an industrial empire in Venezuela, he couldn’t bring himself to talk about it. All his daughter Ariana knew was that something terrible had happened. When Hans died, he left Ariana a small box filled with letters, diary entries, and other memorabilia. Ten years later Ariana finally summoned the courage to have the letters translated, and she began reading. What she discovered launched her on a worldwide search that would deliver indelible portraits of a family loving, finding meaning, and trying to survive amid the worst that can be imagined. When Time Stopped is a detective story and an epic family memoir, spanning nearly ninety years and crossing oceans. Neumann brings each relative to vivid life. In uncovering her father’s story after all these years, she discovers nuance and depth to her own history and liberates poignant and thought-provoking truths about the threads of humanity that connect us all.

    His sisters carried on the fight without him until the end of the war. André survived three concentration camps and later became a prominent French politician who devoted the rest of his life to reconciliation of France and Germany. His parents and oldest brother were arrested and shipped off on the last train from Paris to Germany before the liberation, and died in the camps. Since then, silence has been the Boulloches’s answer to dealing with the unbearable. This is the first time the family has cooperated with an author to recount their extraordinary ordeal.