Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past.

    A well–received feature is the grouping by codex to emphasize the great importance of manuscript context in interpreting the poems. The full contents of the Exeter Book are represented, summarized where not translated, to facilitate appreciation of a complete Anglo-Saxon book. The introduction discusses the nature of the legacy, the poet's role, chronology, and especially of translations attempt a style acceptable to the modern ear yet close enough to aid parallel study of the old English text. A check–list of extant Anglo-Saxon poetry enhances the practical usefulness of the volume. The whole thus adds up to a substantial and now widely–cited survey of the Anglo–Saxon poetic achievement.

    The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented. RICHARD BARBER's other books include The Holy Grail, King Arthur: Hero and Legend, Arthurian Legends: An Anthology and The Knight and Chivalry.

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    It is been known for centuries as a superb story of adventure and love, honour and betrayal. Only literary critics have neglected it. It is a long and complex work, during the writing of which Malory perfected his art, and the earlier parts, excellent as they are, have not quite the dramatic power and pervasive deep tragic irony of the story of passion, war, and society the constitutes the last quarter of the book; critics have perhaps not appreciated the difference. Representing this last quarter, which has his own natural unity within the larger whole, the present edition focuses more sharply on the greatness of Malory's achievement, and allows the reader to see it and enjoy it more readily.

     Nesta was a consort to King Henry I, wife to Gerald of Pembroke and the captive-lover to Owain of Poweys. She is thought to be the original mother to the Tudor and Stuart Dynasties which Princess Diana and John F Kennedy are both descendants.

    A retelling of the four books of the Mabinogion, a collection of Welsh medieval tales about the feats and exploits of legendary Welsh kings and princes.

    For over 1,500 years, the Arthurian narrative has enthralled writers, artists, and a limitless audience spanning the Western world and beyond - and its appeal continues unabated in our time. No other heroic figure in literature compares with King Arthur in terms of global popularity and longevity; now, each year sees literally thousands of new versions of the story appear across diverse media, from fiction writing and visual arts to film and popular culture. Delve into the historical mystery behind the figure of Arthur, and discover the magnificent breadth of these epic tales.These 24 spellbinding lectures reveal the full scope of the Arthurian tradition, from its beginnings in post-Roman Britain to its extraordinary trajectory across the centuries and its latest incarnations in modern times. Your pathfinder in this world of mythic adventure and romance, Professor Armstrong, is one of the world's leading Arthurian scholars and the current editor-in-chief of the academic journal Arthuriana. Demonstrating both encyclopedic knowledge and an infectious passion for the subject, she leads you in tracing how the myth developed across time, clarifying many misunderstood aspects of the narrative, such as the origins of the Round Table and the figure of Merlin, the illicit love between Lancelot and Guenevere, and the varied manifestations of the magical Holy Grail. You'll discover how the legend was appropriated and assimilated by differing cultures, and how each writer and artist in the tradition reflected and commented, through the Arthurian narrative, on the concerns of their own time and place. The result is an illuminating look at one of the most engaging, entertaining, and influential legendary traditions the world has ever known.Listening Length: 11 hours and 59 minutes

    The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era--and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams's comprehensive history traces how these gods--known as the Tuatha De Danann--have shifted shape across the centuries, from Iron Age cult to medieval saga to today's young-adult fiction.We meet the heroic Lug; the Morrigan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the mist-cloaked sea god Manannan mac Lir; and the ageless fairies who inspired J.R.R. Tolkien's immortal elves. Medieval clerics speculated that the Irish divinities might be devils, angels, or enchanters. W. B. Yeats invoked them to reimagine the national condition, while his friend George Russell beheld them in visions and understood them to be local versions of Hindu deities. The book also tells how the Scots repackaged Ireland's divine beings as the gods of the Gael on both sides of the sea--and how Irish mythology continues to influence popular culture far beyond Ireland.An unmatched chronicle of the Irish gods, Ireland's Immortals illuminates why these mythical beings have loomed so large in the world's imagination for so long.

    

    It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them.Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places.In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

    SIR GAWAIN AND THE GREEN KNIGHT is one of the most important alliterative poems of Medieval literature

    King Arthur and the last of the Romans have long gone but King Urien fights on. When three orphans join his warriors then the tide begins to turn and, despite, overwhelming odds they begin to defeat the Saxon hordes. Based on the history of the period Saxon Dawn is a fast moving story with graphic battles scenes as well complex characters and devious plot twists.

    Included are their history, symbolism, appearance, associated traits, and magickal abilities. More important, however, is the included information on how to use the energies and talents of these creatures to empower your magickal workings, rituals, and meditations. Use the secrets of these creatures to eliminate barriers blocking your magickal and personal progress.

    In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.