David Hockney has worked in almost every medium - painting, drawing, stage design, photography and printmaking. He has undertaken an ambitious experiment with ways of seeing and ways of representing sight - ranging from his paintings, with their challenges to perspective and brilliant colours, to his vivid multi-dimensional photo-collages and his fax art, computer printings and coloured laser prints.

    Until now.Johanna Fiedler, who was the Met’s general press representative for fifteen years, draws upon her insider’s knowledge and rivetingly reveals for the first time the company’s Byzantine inner workings and the personal, social, economic, and artistic struggles that have always characterized the Met.Molto Agitato is a tale with an appropriately operatic cast of characters_haughty blue bloods, ambitious social climbers, determined administrators, stubborn board members, temperamental artists_all maneuvering to use their power and influence to make the Met conform to their own agendas. Fiedler brings to life the early days of the Met, with the imperious Toscanini arriving from Italy and Caruso filling the house; the post-WW II years, when the unions gained strength and plagued the company with strikes; and the ever present passions of tenors and sopranos, clashing offstage as well as on. But most revelatory are Fiedler’s portrayals of James Levine and Joseph Volpe and their practically parallel ascendancies_Levine rising from prodigy to artistic director, Volpe advancing from stagehand to general manager_and their once strained relationship that was compounded by Volpe’s much publicized firing of the soprano Kathleen Battle.With its swift-flowing narrative, Molto Agitato is a wonderfully entertaining and thoroughly engaging account not only of one of the world’s most respected and richest music institutions but also of power, politics, ambition, and egos.From the Hardcover edition.

    By 1980 he had gained and lost two fortunes, had built his plastics company into a cash cow that supported his large extended family in great luxury. Killed in 1985 along with his wife Vera, the police asked Vera's sister if the Woodmans had any enemies, she replied , 'Yes, their sons.' Family Blood follows the investigation of these murders and reveals a story of the American Dream gone wrong. Gerald, behind his facade of charm, piety and filial warmth, was a ruthless, amoral businessman, a philandering husband, a ferociously abusive father, and a compulsive gambler. His sons, Neil and Stewart, inherited his charm and business principles. This is the story of the hidden dynamics of an outwardly successful American family that came to a shocking and violent end. It is also the story of a clan of whose menfolk guarded a dark secret from their wives - and everyone else - for three generations. Further it is the chronicle of two dogged police detectives who exposed the Woodman's sordid secrets to the light of justice.

    So they tapped into their main character's loneliness and allowed him to sing his way out of it. The result was "You Will Be Found," a song that sets in motion a moment that goes viral in the world of the show and in turn helps Evan find connection.And then something happened in the world outside the show: Fans loved the song. It connected. It went viral. People who had never even seen Dear Evan Hansen found the song, and found comfort in its message of hope.This beautifully illustrated edition of the "You Will Be Found" lyrics is for them, and for anyone on the edge of a new chapter in life. It serves as a reminder to anyone who feels lost or uncertain that, as the song says, you are not alone.