Darcy to know each other better and amend their harsh first impression. Miss Bennet’s unguarded behaviour, outspoken and obstinate nature, headstrong opinions and unladylike inclinations for solitary walks do not meet with Mr. Darcy’s image of an accomplished lady. But a pair of fine eyes on a pretty face, a loyal heart, a witty mind and a teasing smile will soon defeat his resistance and overcome his opposition, inducing him to pursue Elizabeth's friendship and then her love. The first lesson he will learn in the process is that taming a wild temper is not an easy task. “Fine Eyes, Wild Temper” is a sweet, novella-length story of approximately 20.000 words, clean and low angst, recommended to those who love Elizabeth, Darcy and pets.

    This may be especially so when the man in question not only possesses the rightful inheritance of said ladies, but is also of a most odious disposition and less than agreeable in appearance. Such was the lot of five young women near the town of Meryton. Not only had they no fortune, their own father, an absentee parent at best, had not the foresight to put aside a single pound should they not have the opportunity marry. For this sole reason, their overbearing mother deemed it necessary for one of her daughters to marry this impossible man. However, a mother’s best laid plans cannot come to pass if the gentleman in question is not only repulsive, but also very, very dead. Desperate times often call for desperate measures. There is a myriad of ways to dispose of an unwanted suitor, all of which may be deemed accidental, for who would ever accuse a young lady of good family? The answer is simple… no one. However, some persons are as extremely difficult to be rid as they are to tolerate in life. The Reverend Mr. Collins, despite his obvious deficiencies when it came to appearance and personality, has an uncanny knack for staying alive but, where there is a will, there is always a way…

    It contains descriptive, intimate scenes and is appropriate for MATURE audiences only! Blurb: The Darcys are finally married at Longbourn and in a great hurry to travel to London. They are both eager to consummate their marriage and to finally become one in the solitude of their town-home. But the moment they have so long awaited is delayed by several circumstances they cannot control, so their patience—and the readers’—must bear a daunting trial. This is a sweet, amusing, low angst, “hot mush” tale about our beloved couple. “Yearning for You” is the first in a series of independent stories of around 25,000 words each that follows Elizabeth and Darcy during the first months of their marriage. Each book can stand on its own. The next two will be published in August and September.

    Darcy has already left Netherfield. Torn by his attraction to Elizabeth Bennet, a woman he cannot marry, he retreats to Scotland, unaware of the social disaster that overtakes the Bennet family. Shunned by friends and neighbors, Mrs. Bennet succumbs and Mr. Bennet moves what is left of his family to London. As Mary and Kitty find husbands, Elizabeth and Jane are left to care for their failing father with little money and less hope for the future. After Mr. Bennet’s death, the sisters continue to live on the bare edge of gentility with fading prospects for happiness in life. But then Elizabeth accidently encounters Mr. Bingley. Both young women are drawn back into his sphere, which includes Mr. Darcy. Once again Bingley is plagued by his sister Caroline, who is as determined as ever to prevent his marriage to Jane, and whose machinations may go farther back than anyone realizes. Darcy is assisting his friend in his renewed courtship of Jane and as Elizabeth finds herself in continual contact with him a friendship grows between them, one Elizabeth tries to believe is platonic, while Darcy knows he is still inescapably in love with her. Torn between a growing attraction to Darcy and the taint of Lydia’s sin, Elizabeth struggles to find a way forward. Darcy has problems of his own. His sister Georgiana has withdrawn from her first Season, refusing to choose a suitor in spite of family pressure. Lady Catherine deBourgh believes she can force Darcy to marry her daughter Anne, and will stop at nothing to achieve her goal. And a threat from the past by Darcy’s old enemy George Wickham arises once more with the potential to ruin not only the Darcys but the Fitzwilliam family as well. Now at a Twelfth Night ball, Darcy is no longer able to deny his love and offers Elizabeth his hand. But Elizabeth, deeply damaged by her experiences, believes herself unworthy of him and rejects him with consequences no one could have predicted, forcing Darcy to face a turning point that will decide his and Elizabeth’s future in one last encounter. Finally, just when matters seem to be settled, Darcy and Elizabeth’s happiness is jeopardized once again by a ghost from the past as Wickham finally seems ready to strike.

    Bennet discovers a way by which he can end the dreaded entail, leaving him free to leave Longbourn where he wishes. Mr. Bennet seizes the opportunity, ensuring his family's support and providing for their future. When the militia arrives in Meryton, they find a Bennet family much changed from what it had been in the past, for the youngest Bennets are better behaved and not out, and the eldest must deal with new and unwanted attention. For Jane Bennet, the difference is striking, for her position as heir to Longbourn ensures interest from quarters she has no desire to receive. And what of the Netherfield party? Business in London delays their arrival in Hertfordshire, and when they do arrive, Mr. Darcy discovers the presence of a hated enemy and finds a woman he can admire. When enemies collide, dangerous situations erupt which have the potential to leave them all changed. Against this backdrop, Mr. Darcy must not only woo the woman he loves, but also protect her against the machinations of an unscrupulous scoundrel.

     Elizabeth Bennet takes her friend's words to heart and when Mr Darcy proposes to her in Hunsford, she doesn't reject his hand. She decides to put her feelings aside and responds in a more reasonable manner. Flattered at his affection and devotion, Elizabeth is drawn to Mr Darcy, realising that they are both well-matched in a sense, and their tempers are complementary to each other. Nevertheless, his condescending attitude and pride still trouble her. And the gentleman himself is indeed very proud of his excellent bride and the mistress of his home. And being very selfish in his love for Elizabeth and grateful to her for his happiness, Mr Darcy doesn't recognise her true sentiments. And he isn't aware that he is forcing his wife to acknowledge that she is depending on him for her finances, her social status, and even her name. Their marriage is just the beginning of getting to know one another. Therefore, the misunderstandings between the young couple increase and their felicity in marriage is soon to be threatened...

    Because of a death bed promise, he will only marry a lady who will unconditionally love the infant and whom he can love. However, in his past searches, Darcy found most society ladies saw only his wealth, connections, and property. How is he to find a lady who sees past what he has and loves who he is?Elizabeth Bennet wants to marry only for love, and of one thing she is absolutely sure, she loves Mr. Darcy’s infant ward. The question is, can she love the man as well. If she does choose to marry, she does not want her mother planning a lavish, overly embellished wedding, so how can she thwart her mother’s plans — through a secret arrangement.Besides the issue of love, what other problems could occur? A mother who will take control of the engagement and wedding arrangements, another lady's jealousy, and a grandmother who wants her infant granddaughter to disappear.Will Elizabeth and Darcy find love and happiness?

    Neither is certain how the other feels, but after a few awkward moments and simple conversation, each realizes something in the other has changed. There are expressions of regret and apologies offered to one another for the things that were said and done that day one year ago. Mr. Darcy extends an invitation to Elizabeth to join him at his London townhome the following day, along with her Aunt and Uncle Gardiner. Both leave the store filled with a sense of renewed hope, anticipation, and excitement. But when Miss Bennet does not show up at his home at the expected hour with no note of explanation, Mr. Darcy begins to doubt all he believed about her character, as well as what actually transpired at the bookstore that day. This novella explores how Darcy and Elizabeth must both discover the truth of what happened that day and what obstacles they must overcome to finally get their happily ever after.

    As spirited Elizabeth tries to accustom herself to the status of poor relation, she longs for her elder sister to have a better fate than marriage to the new master of Longbourn. Jane’s rescuer arrives in the nick of time, along with an unexpected romance for Elizabeth, but the path of true love is not without obstacles. Fortunately, the sisters have fortitude, resourcefulness, and the wisdom gained from reading novels.

    Moments later, Mr. Darcy arrives and asks for her hand in marriage. Thrown by the dreadful news she has just received, Elizabeth cannot respond to him. Once the sickness that claimed her father has finished raging through Hertfordshire, Elizabeth’s family has been decimated, only leaving behind herself, Jane, and Lydia. Numb and aggrieved, Elizabeth agrees to become pledged to Mr. Darcy, but asks that he wait for her period of mourning to be over before they wed. Together, they set off for Pemberley, where Elizabeth must face Lady Catherine’s disapproval, Georgiana’s painful shyness, and the sudden appearance of Mr. Wickham…

    Something buried in his past is always trying to emerge. Unable to overcome his pain, he hides from the world. Until a letter reaches him. Bingley, one of his best friends, is inviting him to spend some time at the coast, in the neighbouring area of Penzance, Cornwall, where he is not just dealing with his business, but also enjoying the first months of his new life as a married man. His bride is an angel-like gentlewoman called Jane, whom he met during a visit to Hertfordshire, last Summer. In case Darcy accepts, Bingley has only one request to make: that he may bring with him one of his new sisters, a Miss Elizabeth, as a favour to his dearest wife. After such a painful summer, and considering he had already missed his friend’s wedding, against all the odds, Darcy decides to accept. What he does not know is that this single decision will change his life forever. First, because he will meet the only woman not just handsome enough to tempt him, but also the one who breaks the walls of his prison, opening for him a door to a happiness he never thought possible. And, second, because he will never be the same ever again after this, which will also be the most terrifying experience of his life. “The Curse of Land’s End” is a story about secrets, intrigue and mysteries which challenges rationality and faith, and demands a courage strong enough to transcend every instinct of self-preservation in the name of honour and love. “You will do nothing in this world without courage, for it is the greatest quality of the mind next to honour.” (Aristotle) Rated Mild+ (Contains up to 10 mild swear words; contains kisses, and mild, non-seductive description of intimacy — 'My Book Rating'). FROM THE AUTHOR Suddenly, I felt compelled to write a story which would take me (and JAFF) far from my comfort zone, and try something new. It was watching ‘Crimson Peak’, a biting-nail horror story, that the inspiration finally came to me. How would it be to write a story about ghosts, combining romance and mystery, but with no ghosts? "The Curse" is set in 1815, a year when Romanticism — a movement marked by the exaltation of feelings of loss and guilt related both to nature and men — was the fashion and drama, an essential component of the works of this time. "Songs of Experience", by William Blake (1794), "The Corsair", by Lord Byron (1814), and "Frankenstein", by Mary Shelley (1818), are all good examples of how committed the authors were in exploring human's woes; sometimes the sombre tone and dramatic plots are almost too depressing to endure. I can understand the bad reviews related to this point. But I cannot regret my choice. As another reviewer said, “we are all entitled to our own opinions”; the good reviews show it. I grant — my choice in writing a story using Romantic features was bold, but, for me, the result was very pleasing, especially considering the happy ending — what is not the norm for the Romantics. I should not be saying this, but it doesn't matter how much Literature I study, I always love a good happy ending. Another important choice was the deep POV of ODC. In P&P, we live the story through the eyes of Elizabeth and do not learn about Darcy’s struggles until very close to the end. I intended to show the huge abyss between his aloof appearance and his troubled mind — but here, he another reason for it.

    A secret from the past sweeps away everything in its path, endangering the very heart of our beloved family—their love for each other.Intrigue and anger, suffering and resentment draws a new map where each family member has to find their new place.In amongst the turmoil, the love Elizabeth denied in Kent unexpectedly emerges even more powerfully, bringing new alliances inconceivable only a few months before.Elizabeth and Darcy cross this tempestuous period hand in hand. Is their love strong enough to restore the peace at Longbourn and drive the two of them towards marriage and happiness?

    . .” William CongreveA month after her wedding, Elizabeth Bennet Darcy had taught herself to be silent, watchful, careful. She moved through the house with eyes downcast, avoiding contact, speaking only when spoken to. She walked through the garden in much the same way, her face hidden from the sun—and from the direct gaze of any servant she might encounter—by the deep brims of the fashionable bonnets she wore.Just four short weeks after their marriage, the deep love between Elizabeth Bennet and Fitzwilliam Darcy is on the verge of collapsing forever. They must join forces to overcome whatever—or whoever—threatens to destroy their home, their love and their very lives.

    Darcy makes a hasty decision. After all, if he cannot have the lady he loves, it little matters whom he marries. Or so he thinks at the time. It is not long before he regrets his choice, but there is no turning back. As a miserable marriage threatens his own happiness and his sister’s, he finds comfort in friendships, including an unexpected one with Elizabeth. When the unthinkable happens, she remains a loyal and valued friend. But what will it take for them to have a second chance at happiness?

     Her sister, Elizabeth, is distraught over the engagement, and although aware of an unspoken attraction between Jane and Mr Bingley, she is powerless to alter her sister’s inevitable future without encouraging a scandal. Elizabeth’s displeasure is often manifest by way of general complaint to the even wealthier and more distinguished Mr Fitzwilliam Darcy, who confesses a propensity for offending wherever he goes. Despite assurances that Jane has made a most suitable match, Elizabeth is determined never to marry for mere security and familial obligations, but her sharp wit and biting tongue produce obstacles in making a fortunate alliance of her own. “My Dear Readers, If you have taken up the delightful chore of reading this novel, I hope that you are as fond of ‘Pride and Prejudice’ and its author, Jane Austen, as I am. I make no claims of being her equal in writing, though I strive to preserve her style and characters in a way that will do justice to those presented to us in the original. I am under no delusion that my adaptation must appeal to every reader of Jane Austen fan-works. Yet I have done my utmost to deliver to you the sort of drama we might expect from a novel of this period; that of familial duty and regret, of sisterly quarrels and affection, enduring friendships, first impressions, and yes, now and then a runaway animal, and a bit of family scandal. For any inaccuracies written in ignorance, I apologise. For liberties taken for the sake of writerly whims, I can only request your indulgence. These liberties may be most apparent in the continuing stories compiled in Volume II, as this is where my novel expands into new territory and ‘Pride and Prejudice’ could not be consulted for material, leaving me to rely on speculation. My original design to end the story by Volume I was thwarted when I found it impossible to do some of our favourite couples and their endings justice under such limitations. My wise editor, fellow author, and eternal friend, Miss Catherine Miller, suggested I take a page from the illustrious Jane Austen herself and expand into a second volume, the better to tell everyone’s stories in the most satisfactory manner. A last word to those astonishing persons who have made it this far. Thank you ever so much for choosing to read this humble author’s adaptation of such a beloved and enduring novel. I know there are a multitude of fan-works to choose from in this sphere, and I am absolutely delighted that you would consider mine worthy of your time and attention. May it prove so! Your Little Scribbler, Madam Beth Poppet”