And who am I? I'm Ray, the world's last robot, famed and feared in equal measure, which suits me just fine--after all, the last place you'd expect to find a Hollywood's best hit man is in the plain light of day. Raymond Electromatic is good at his job, as good as he ever was at being a true Private Investigator, the lone employee of the Electromatic Detective Agency--except for Ada, office gal and super-computer, the constant voice in Ray's inner ear. Ray might have taken up a new line of work, but money is money, after all, and he was programmed to make a profit. Besides, with his twenty-four-hour memory-tape limits, he sure can keep a secret.When a familiar-looking woman arrives at the agency wanting to hire Ray to find a missing movie star, he's inclined to tell her to take a hike. But she had the cold hard cash, a demand for total anonymity, and tendency to vanish on her own.Plunged into a glittering world of fame, fortune, and secrecy, Ray uncovers a sinister plot that goes much deeper than the silver screen--and this robot is at the wrong place, at the wrong time. Made to Kill is the thrilling new speculative noir from novelist and comic writer Adam Christopher.

    Instead, they are taught to persuade. Here the art of coercion has been raised to a science. Students harness the hidden power of language to manipulate the mind and learn to break down individuals by psychographic markers in order to take control of their thoughts. The very best will graduate as "poets", adept wielders of language who belong to a nameless organization that is as influential as it is secretive.Whip-smart orphan Emily Ruff is making a living running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization's recruiters. She is flown across the country for the school's strange and rigorous entrance exams, where, once admitted, she will be taught the fundamentals of persuasion by Bronte, Eliot, and Lowell--who have adopted the names of famous poets to conceal their true identities. For in the organization, nothing is more dangerous than revealing who you are: Poets must never expose their feelings lest they be manipulated. Emily becomes the school's most talented prodigy until she makes a catastrophic mistake: She falls in love.Meanwhile, a seemingly innocent man named Wil Jamieson is brutally ambushed by two strange men in an airport bathroom. Although he has no recollection of anything they claim he's done, it turns out Wil is the key to a secret war between rival factions of poets and is quickly caught in their increasingly deadly crossfire. Pursued relentlessly by people with powers he can barely comprehend and protected by the very man who first attacked him, Wil discovers that everything he thought he knew about his past was fiction. In order to survive, must journey to the toxically decimated town of Broken Hill, Australia, to discover who he is and why an entire town was blown off the map.As the two narratives converge, the shocking work of the poets is fully revealed, the body count rises, and the world crashes toward a Tower of Babel event which would leave all language meaningless. A brilliant thriller that connects very modern questions of privacy, identity, and the rising obsession of data collection to centuries-old ideas about the power of language and coercion, Lexicon is Max Barry's most ambitious and spellbinding novel yet.

    Survivors are being relocated to a new society known as the Alliance. It seems like a dream come true for many of the new citizens. Crime, as well as harmful emotions, such as anger and prejudice have been eliminated, because the Alliance has computerized control over it's citizens from a computer chip that has been implanted in everyone. Eric Lloyd discovers the Alliance's corrupt power structure and vows to destroy it. But can one person change the world?

    Kat was named the prime suspect and, on a string of circumstantial evidence, charged and tried. While the jury found her innocent, not everyone else agreed, and her only choice was to go into hiding. But she carried a dark secret with her, one that made her worry she might actually have had something to do with Sara’s death . . .Now, years later, Kat is still haunted by her sister’s unsolved murder and continues to receive chilling anonymous letters, but she has tried to move on with her life. Until, on the tenth anniversary of Sara’s death, she receives a letter that makes the past impossible to ignore: "What about justice for Sara?" What about justice for Sara? And for herself? Kat realizes that going back to Liberty, Louisiana, might be the only way to move forward and find some peace. And there’s a killer out there who was never caught.But the town she’s come back to is hardly different from the one she left. The secrets and suspicions still run deep. Kat has an ally in Detective Luke Tanner, son of the former Liberty police chief, but he may be her only one. With plenty of enemies, no one to trust and a killer determined to keep a dark secret buried, Kat must decide if justice is worth fighting—and dying—for.

    A confounding investigation. At a time when the King brand has never been stronger, he has delivered one of his most unsettling and compulsively readable stories.An eleven-year-old boy’s violated corpse is found in a town park. Eyewitnesses and fingerprints point unmistakably to one of Flint City’s most popular citizens. He is Terry Maitland, Little League coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son Maitland once coached, orders a quick and very public arrest. Maitland has an alibi, but Anderson and the district attorney soon add DNA evidence to go with the fingerprints and witnesses. Their case seems ironclad.As the investigation expands and horrifying answers begin to emerge, King’s propulsive story kicks into high gear, generating strong tension and almost unbearable suspense. Terry Maitland seems like a nice guy, but is he wearing another face? When the answer comes, it will shock you as only Stephen King can.

    Eleven years later, five come back--with no idea of where they've been.Eleven years ago, six kindergarteners went missing without a trace. After all that time, the people left behind moved on, or tried to.Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max. He doesn't come back. Everyone wants answers. Most of all Max's sister Avery, who needs to find her brother--dead or alive--and isn't buying this whole memory-loss story.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    Yet as this extraordinary novel unfolds, readers will be astonished to discover how he committed the murders and by the end of the book, their sympathies for the killer will be fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, this is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain. Filled with wonderfully gruesome moments and liberal doses of sly humor, this novel is built around three gripping HowDunnits that challenge notions of crime, punishment, power, and freedom.

    But after the bride was left at the altar, the church stood empty when the bomb went off. It wasn't until a stranger tried to run her car off the road, however, that she realized someone wanted her I dead. But who?That's what Detective Sam Navarro needs to find out...fast. As a cop, he knows better than to become attached to the woman he's trying to protect. But as a man...With a nightmare unfolding around them, Sam and Nina decipher the stunning truth. Now they're at the mercy of a brilliant madman who plays for keeps...

    Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    Everything was right there in the open, right there in front of me, but it still took me so long to see the person I had married.It took me so long to hate him.Martine is a genetically cloned replica made from Evelyn Caldwell’s award-winning research. She’s patient and gentle and obedient. She’s everything Evelyn swore she’d never be.And she’s having an affair with Evelyn’s husband.Now, the cheating bastard is dead, and both Caldwell wives have a mess to clean up.Good thing Evelyn Caldwell is used to getting her hands dirty.

    While on vacation in the Florida Keys, Kit resolves to do something risky for once. When she literally bumps into a charming stranger at her hotel, she decides to make good on her promise and act on her attraction. But back in New York, when Kit arrives at his luxury apartment ready to pick up where they left off in the Keys, she doesn't recognize the man standing on the other side of the door. Was this a cruel joke or part of something truly sinister? Kit soon realizes that she's been thrown into a treacherous plot, which is both deeper and deadlier than she could have ever imagined. Now the only way to protect herself, her business, and the people she loves is to find out the true identity of the man who has turned her life upside down. Adrenaline-charged and filled with harrowing twists at every turn, The Wrong Man will keep readers riveted until the final page.

    Marriage to her childhood sweetheart, Martin. Living in a historic mansion in Pennsylvania’s most exclusive borough. And Finn, a teenage son with so much promise. Until…A call for help in the middle of the night leads Sarah and Martin to the woods, where they find Finn, injured, dazed, and weeping near his girlfriend’s dead body. Convinced he’s innocent, Sarah and Martin agree to protect their son at any cost and not report the crime.But there are things Sarah finds hard to reconcile: a cover-up by Martin’s family that’s so unnervingly cold-blooded. Finn’s lies to the authorities are too comfortable, too proficient, not to arouse her suspicions. Even the secrets of the old house she lives in seem to be connected to the incident. As each troubling event unfolds, Sarah must decide how far she’ll go to save her perfect life.

    But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.