It's 1959 and the school bristles with bullies and sadistic staff. Tommy, a quirky loner, obsessed with cowboys and Indians, needs all the bravery he can summon.Salvation comes when his glamorous actress sister is swept off to Hollywood by one of his heroes, TV cowboy Ray Montane. But with the Cold War looming, the sinister side of Tinseltown seeps through and Tommy and Diane soon find themselves in jeopardy. Forty years on, Tommy has to confront his boyhood ghosts when his own son finds himself charged with murder.

    Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over the next century her world changed beyond recognition. She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and fall of Emperor Haile Selassie, revolution and civil war. She endured all these things alongside parenthood, widowhood and the death of children. Aida Edemariam retells her grandmother's stories of a childhood surrounded by proud priests and soldiers, of her husband's imprisonment, of her fight for justice - all of it played out against an ancient cycle of festivals and the rhythms of the seasons.

    Each book is approximately 200 pages, and is written at a 3.0 reading level. Nasreen and Mia are two very different girls. But they stand out at Arondale High. And kids make assumptions about the only Muslim and the new black girl--the only African American--in school. "Who let you into the suburbs?" Samantha asks. Everyone gawks. Nasreen has kept her head down for years. Eighteen months and she's out, she tells herself. Off to college. Mia is bold. Yeah, she wishes she were somewhere else, but she's not going to take the bullying lying down. She has to live her life. Graduate. Get into a good school. The school administrators are ignorant. And worse. The bullying escalates. Both at school and online. The girls come up with a plan to fight back. To regain some dignity. To turn the tables on the bullies.

    Sembène Ousmane, in this vivid and moving novel, evinces all of the colour, passion and tragedy of those decisive years in the history of West Africa.'Ever since they left Thiès, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending. It rolled out over its own length, like the movement of a serpent. It was as long as a life.'

    It is the winner of the Noma Award.

    He has gone on to become one of the most powerful voices for cultural freedom on the whole of the African continent today. Ndebele evokes township life with humor and subtlety, rejecting the image of black South Africans as victims and focusing on the complexity and fierce energy of their lives. "Our literature," says Ndebele, "ought to seek to move away from an easy preoccupation with demonstrating the obvious existence of oppression. It exists. The task is to explore how and why people can survive under such harsh conditions." About Njabulo Ndebele: now Chancellor of Witwatersrand University in South Africa. Ndebele began publishing these stories from exile in Lesotho during the 1980s. Ndebele is now recognised as a major voice in South Africa's cultural life. This is his only fiction collection available in Europe or North America. Ndebele's stories first began appearing in Staffrider magazine, an innovative publishing venture linked to the Soweto branch of South African PEN. Founded after the bloody Soweto riots of the mid-1970s, the magazine took as its symbol the staffriders, un-ticketed commuters from the black townships who every day clung onto or balanced on top of buses and trains to get into the cities to work. Staffrider magazine, and in particular Ndebele's stories, helped define a new tone in black South African literature that went beyond and finally overcame apartheid.

    Laroui uses surrealism, laugh-out-loud humor, and profound compassion across a variety of literary styles to highlight the absurdity of the human condition, exploring the realities of life in a world where everything is foreign.Fouad Laroui has published over twenty novels and collections of short stories, poetry, and essays. Laroui teaches econometrics and environmental science at the University of Amsterdam, and lives between Amsterdam, Paris, and Casablanca.

    And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact.On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun--but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl.Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.

    Redefining what it means to be young, black and beautiful in the the New South Africa. Winner of the European Union Literary Award.

    Having covered the war in Iraq and moved to Mexico City with two babies in nappies, he and his wife Diana thought they understood something about the subject.But when they arrived in Sydney so that Cave could establish The New York Times's Australia Bureau, life near the ocean confronted them with new ideas and questions, at odds with their American mindset that risk was a matter of individual choices. Surf-lifesaving and Nippers showed that perhaps it could be managed together, by communities. And instead of being either eliminated or romanticised, it might instead be respected and even embraced.And so Cave set out to understand how our current attitude to risk developed - and why it's not necessarily good for us.Into the Rip is partly the story of this New York family learning to live better by living with the sea and it is partly the story of how humans manage the idea of risk. Interviewing experts and everyday heroes, Cave asks critical questions like: Is safety overrated? Why do we miscalculate risk so often and how can we improve? Is it selfish to take risks or can more exposure make for stronger families, citizens and nations? And how do we factor in legitimate fears and major disasters like Cave has covered in his time here: the Black Summer fires; the Christchurch massacre; and, of course, Covid?The result is Grit meets Phosphorescence and Any Ordinary Day - a book that will change the way you and your family think about facing the world's hazards.

    Hector is very good at treating patients in need of his help. But he can't do much for those who are simply dissatisfied with life, and that is beginning to depress him. When a patient tells him he looks in need of a vacation, Hector takes a trip around the world to learn what makes people happy—and sad. As he travels from Paris to China to Africa to the United States, he lists his observations about the people he meets. Is there a secret to happiness, and will Hector find it? Combining the winsome appeal of The Little Prince with the inspiring philosophy of The Alchemist, Hector's journey ventures around the globe and into the human soul. Lelord's writing inspires us to consider life's great questions. Uplifting, empowering, and optimistic, this is a fable for our times and all time.

    The ones I want don't want me, and the ones who want me, I don't want."
 -Amelia 
 “I don’t know, I just think there’s too much miscommunication between guys and girls. I mean, no one knows what the fuck is going on. We need to have the discussion. We need to vent it and get it out in the open,” I said, grabbing my drink from the bedside table. _____ sat on the edge of the bed and put his shirt back on. “What do you want to know?” “I just want to know what guys are thinking. I mean we have sex and stuff and nothing lasting ever comes of it,” I said, taking a cigarette out and lighting it. I knew I shouldn’t be smoking in the room, but I was too drunk to care. “I don’t think I should say. We don’t know everything girls are thinking. I think some things are better left unsaid.” “I want to know. I’d prefer shit to be clearer, because I’m always confused,” I replied. I could tell he was still a bit sexually frustrated, but he seemed okay to chat. “Go ahead then, ask what you want. I’ll try give it to you as straight as I can. But don’t hate the messenger,” _____ responded, taking the champagne from my hand and having some. “I won’t, promise. So why do guys act so interested and then not get in touch at all? ?” I asked. Excerpt taken from The Modern Break-Up.

    My role as President didn't give me the satisfaction I was seeking anymore. I wanted to move on but I didn't know how. Until she was dumped on my job. She was feisty and a challenge. One I liked to accept. Yet her secrets were hers. Until they were mine. Now I'm struggling to find the balance I need the most in my life. TRITON: I took care of my sister the best I could after our parents died. I wasn’t the best big brother. I had my club to think about and dealing with a teenager wasn’t high on my list of things to do. Neither was that little surfer girl. She was mouthy and full of passion, something I wanted. But with all good things, it had to come to an end. She had bigger plans for her life and I wasn’t one to keep her tied down. Or was I? RANSOM: I was given this name for a reason. This wasn’t my first go-round with a stuck up little brat. This time was different. Her dad made it personal. I was tired of living in a past that haunted me every day and she was the reason I decided to take control of that. I wasn’t expecting her to change herself. I wasn’t expecting her to change me. NEO: I’m not settled. Something is off that I can’t pinpoint. My mom’s health is declining and I’m the worst son imaginable. Life has kicked me more times than I care to admit. Then I met her. She was a smart mouth that sparked my interest. I made it my mission to know more about her. Until she left me.

    De Botton's essay "Why You Will Marry the Wrong Person" (The New York Times, May 28, 2016), which draws from The Course of Love, was the #1 most emailed article for days.We all know the headiness and excitement of the early days of love. But what comes after? In Edinburgh, a couple, Rabih and Kirsten, fall in love. They get married, they have children—but no long-term relationship is as simple as "happily ever after." The Course of Love is a novel that explores what happens after the birth of love, what it takes to maintain love, and what happens to our original ideals under the pressures of an average existence. You experience, along with Rabih and Kirsten, the first flush of infatuation, the effortlessness of falling into romantic love, and the course of life thereafter. Interwoven with their story and its challenges is an overlay of philosophy—an annotation and a guide to what we are reading.This is a Romantic novel in the true sense, one interested in exploring how love can survive and thrive in the long term. The result is a sensory experience—fictional, philosophical, psychological—that urges us to identify deeply with these characters and to reflect on his and her own experiences in love. Fresh, visceral, and utterly compelling, The Course of Love is a provocative and life-affirming novel for everyone who believes in love.

    This chronicle of a beautiful, brutal journey speaks to anyone who yearns for deeper, truer relationships and a more abundant, authentic life.