Now the formidable Mother Superior of an Irish convent, she has, for some time, been experiencing grave doubts about her vocation. But when she meets Anna Murphy, the youngest-ever boarder, the little girl's solemn, poetic nature captivates her and she feels 'a storm break in her hollow heart'. Between them an unspoken allegiance is formed that will sustain each through the years as the Reverend Mother seeks to combat her growing spiritual aridity and as Anna develops the strength to resist the conventional demands of her background.

    For the past eleven years, which is as far back as he can remember, O'Leary has been sustained by two people: his girlfriend, Mary, traumatized by O'Leary's neuroses, and Nancy Valentine, author of "Ill Fares the Land." Her memoir of an idyllic childhood in Kilbrack ends as she returns to the village after inexplicable banishment and finds it abandoned.Now Mary has left him, and O'Leary finds himself homeless and laboring under an ill-starred fate. With his treasured copy of "Ill Fares the Land," he arrives in the dilapidated village of Kilbrack and finds it hasn't been abandoned at all: thin old Downey, the pharmacist, is still dispensing medicines and advice; Nellie Maguire is still languishing in her pub; and stout Mrs. Cuthbert, still frenzied, arranges for O'Leary to marry her daughter, who has vowed to become a nun.What has happened to Kilbrack? O'Leary's coming will change everything, but in a manner no one -- in his right mind -- could foretell.

    In this chance encounter, she discovers that her immigrant husband of almost fifteen years was not an orphan after all. Instead, his aged mother Jo is alive and residing on the family’s isolated farm in the west of Ireland.Faced with news of her mother-in-law incarnate, the thirty-nine-year-old American prep school teacher decides to travel to Ireland to investigate the truth about her husband Fintan and why he kept his family’s existence a secret for so many years.Between Jo’s hilltop farm and the lakeside village of Gowna, Ellen begins to uncover the mysteries of her Irish husband’s past and the cruelties and isolation of his rural childhood. Ellen also stumbles upon Fintan’s long-ago romance with a local village woman, with whom he had a daughter, Cat. Cat is now fourteen and living with her mother in London. As Ellen reconciles her troubled relationship with Fintan, she discovers a way to heal the wounds of the past.Deeply rooted in the Irish landscape and sensibility, Dance Lessons is a powerful story of loss, regret, and transformation.

    Leading music writer Graeme Thompson explores the fascinating contradictions between Lynott's unbridled rock star excesses and the shy, sensitive 'orphan' raised in working class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to become Ireland's first rock star. Cowboy Song examines his key musical alliances as well as the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth and poetry to hard rock, progressive folk, punk, soul and New Wave. Published on the thirtieth anniversary of Lynott's death in January 1986, Thompson draws on scores of exclusive interviews with family, friends, band mates and collaborators. Cowboy Song is both the ultimate depiction of a multi-faceted rock icon, and an intimate portrait of a much-loved father, son and husband.

    In the wake of its 30th birthday celebrations in 2006, BBC Radio Ulster marked the beginning of a new broadcasting era by embarking on the station’s most ambitious project to date, the recounting of the history of Ireland! For easy digestion, and across the course of a year, the story of the island is told in a series of 240 short documentaries - starting with the Ice Age and the arrival of the first humans through to the outbreak of the Second World War.

    As matters fall into frenzy, and as the lines between fantasy and truth, right and wrong, begin to blur, who will these two fathers choose to protect?Dark, propulsive and thrillingly original, this tale of fierce familial love and sacrifice fizzes with magic and wonder.

    The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    On a cold, gray day in 2005, the cream of the young English rugby crop gathered at a Northampton training ground. Matt Hampson, "Hambo" to his mates, was one of them. His skill, conviction, and dedication had brought him to the cusp of realizing his dream of playing professionally, in an England U21 team that included Olly Morgan, Toby Flood, Ben Foden, and James Haskell. But as the two sets of forwards engaged for a scrum on the training field, the scrum collapsed and Matt, who played tight-head prop, took the full force of two opposing sides. In that moment his life changed forever. Paul Kimmage went to visit Matt as he recuperated, and wrote an award-winning piece on him for the Sunday Times. They struck up a friendship which led to this spectacular book—where Paul tells Matt's whole story, in all its intimate detail. From the build-up to the dreadful day, to Matt's recuperation, to his struggle to adjust back to normal life, this is a story of terrible sadness yet unadorned triumph and joy, of anger yet of reconciliation and peace—and of a boy who became a man.

    The lecturer encouraged the class to 'see history all around you', to 'dig deeper and ask why'.It was from these humble beginnings that Catherine began researching the Tuam Mother and Baby Home in County Galway, which she had passed every day as a child on her way to school. Slowly, she began to uncover a dark secret that had been kept for many years: the bodies of 796 babies had been buried in what she believed to be a sewage tank on the grounds. But who were these children, how did they get there and who had been responsible for looking after them?Determined to ask why, Catherine doggedly set about investigating further. Her quest for justice for the Tuam babies and those who went through that home would span over a decade as, often against fierce resistance, she brought to light a terrible truth that shocked the world, impacted the Vatican, and led to a Commission of Investigation in Ireland.Part memoir, part detective story, Belonging is both Catherine's account, and that of those 796 children for whom she came to care so deeply: one of the tender love of a mother and her child; of pain and trauma; of the unforgettable screams which echoed through the corridors as children were taken from their mothers; and of a mystery which continues to this very day, as so many are still left without answers, still searching to know where, and to whom they belong.

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.