Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her.“God draws a life. And then begins to rub it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

    Brothers George and Rufus Hamilton, in a robbery gone wrong, drunkenly bludgeoned a taxi driver to death with a hammer. It was 1949, and the two siblings, part Mi'kmaq and part African, were both hanged for the killing. Those facts are also skeletons in George Elliott Clarke's family closet. Both repelled and intrigued by his ancestral cousins' deeds, which he only learned about from his mother shortly before her death, Clarke set out to discover just what kind of forces would reduce men to crime, violence and, ultimately, murder. His findings took shape in the 2001 Governor General's Awardwinning Execution Poems and culminates brilliantly in George and Rue. The novel shifts seamlessly back into the killers' pasts, recounting a bleak and sometimes comic tale of victims of violence who became killers, a black community too poor and too shamed to assist its downtrodden members, and a white community bent on condemning all blacks as dangerous outsiders. George and Rue is a book about a death that brims with fierce vitality and dark humour.Infused with the sensual, rhythmic beauty that defines Clarke's writing, it is a remarkable literary debut.

    In it, the heroine tells the story of her moral fall and material rise over the course of the century, carrying her from the farms, mills, drawing rooms (and bedrooms) of New York to the California gold rush.

    . . . It renders a complex and complete human world, which by the end we have learned to love."— The Boston Book ReviewChinatown, Vancouver, in the late 1930s and '40s provides the backdrop for this poignant first novel, told through the vivid reminiscences of the three younger children of an immigrant Chinese family. The siblings grapple with their individual identities in a changing world, wresting autonomy from the strictures of history, family, and poverty. Sister Jook-Liang dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Adopted Second Brother Jung-Sum, struggling with his sexuality and the trauma of his childhood in China, finds his way through boxing. Third Brother Sekky, who never feels comfortable with the multitude of Chinese dialects swirling around him, becomes obsessed with war games, and learns a devastating lesson about what war really means when his 17-year-old babysitter dates a Japanese man.Mingling with life in Canada and the horror of war are the magic, ghosts, and family secrets of Poh-Poh, or Grandmother, who is the heart and pillar of the family. Side by side, her three grandchildren survive hardships and heartbreaks with grit and humor. Like the jade peony of the title, Choy's storytelling is at once delicate, powerful, and lovely.The Jade Peony was selected by the Literary Review of Canada as one of the "100 Most Important Books in Canadian History" in 2005. It was also an American Library Association Notable Book of the Year in 1998, and was winner of the 1995 Trillium Award (shared with Margaret Atwood).

    Twelve episodes in the everyday life of the community of Mariposa

    Beginning in 1949, we follow the Chambers for the next fifty years through the many joys and disappointments of their lives: a childhood accident, a tragic illness ending in death, and a remarriage for Bill. Some of the children choose a traditional route, marrying and having children of their own. One forges her own very new path. The clan expands and changes; marriages fail and careers bloom. But despite the heart-aches and difficulties each member of the family faces, there is never a lack of love to be found. With writing so clear and crisp it rings with honesty and grace, Burnard's characters work their way under your skin and into your heart-an auspicious debut.

    While investigating a suspicious yard sale, M discovers a red chesterfield sitting in a ditch. Looking closer, M finds a running shoe-and a severed foot. Now M is involved in a murder investigation. Meanwhile, older brother K's work for a new political party begins to seem suspicious, while younger brother J navigates the complicated world of young-adulthood, and boss Rhonda demands more and more attention, M must navigate a world of Russian gangsters and neglected wives, biker gangs and suspicious coincidences. On top of everything else, M is determined to track down the owner of that red chesterfield and make sure they get a ticket. The Red Chesterfield is a delightful, unusual novel that upends the tropes and traditions of crime fiction while asking how far one person is willing to go to solve a crime, be it murder or the abandonment of a piece of furniture.

    For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin.Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.

    A series of minority governments, and endless Quebec referendums (designed to lose narrowly, to keep the money coming) have left Canada almost ungovernable. When the Governor General resigns in disgrace and the House of Windsor implodes in London, a media baron launches the idea of a Canadian king or queen elected by lottery.It starts as a joke — except that the lucky winner, King John, a bright and charismatic guy from Toronto, knows exactly what people want. Soon Quebec is gone, while Toronto’s surprise bid to leave Canada is averted by shifting his official residence, the new seat of power, to the Toronto waterfront. Many good things happen, and the politicians go along for the ride. And the blockades of Native lands are ended for good, after John is heroically wounded keeping the peace at risk to his life.His popularity soars and Canadian morale soars with it. Soon the rest of the world is taking notice of this model leader. In the United States, the blue states look enviously northward. Then Canada’s king, ignoring assassination threats, goes on a formal visit to Washington. . .From the Hardcover edition.

    But after her marriage to Andrew fell apart, she ceded most of the raising of the baby to her mother-in-law, the very opinionated Edith Vale, a woman as formidable and steely as her stiff blond bouffant, the veritable helmet that helps her soldier through life. Now, after letting Henry drift away, Susan is determined to make things right, but just as mother and son seem to make headway after embarking on a cross-country road-trip, things take a darker turn. When the family reconvenes in California, everybody must fight to find humor and courage in the face of a situation that threatens to change them all forever.

    Having a fear of germs is inconvenient when you’re on a road-trip adventure. However, needing to know what it’s like to have a mom, and to finally see the beach means more than anything to an eleven-year-old.Some twenty years later, a man Sandy never wanted to see again shows up at her doorstep. When Sandy’s best friend places an ultimate life-changing decision in her hands, Sandy must venture back down the road, this time with the father she hates.Making these decisions will be much easier with Justin, a long-time friend, by Sandy’s side. Yet, Justin’s help only leads to continued mixed emotions Sandy has been fighting for some time.Sandy is searching for what she lost, but will she accept what she finds? A journey rich in history, the truth, and determining forgiveness with a touch of humor is the portrait of life.

    It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk.The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors. Noticing the red ochre they used as protection against mosquitoes, the sailors called them "Red-skins," a name that was to affect an entire continent. As a people, they were never understood.Until now. By adding his novelist's imagination to his knowledge as an anthropologist and a historian, Bernard Assiniwi has written a convincing account of the Beothuk people through the ages. To do so he has given us a mirror image of the history rendered by Europeans. For example, we know from the Norse Sagas that four slaves escaped from the Viking settlement at L'Anse aux Meadows. What happened to them? Bernard Assiniwi supplies a plausible answer, just as he perhaps solves the mystery of the Portuguese ships that sailed west in 1501 to catch more Beothuk, and disappeared from the paper records forever.The story of the Beothuk people is told in three parts. "The Initiate" tells of Anin, who made a voyage by canoe around the entire island a thousand years ago, encountering the strange Vikings with their "cutting sticks" and their hair "the colour of dried grass." His encounters with whales, bears, raiding Inuit and other dangers, and his survival skills on this epic journey make for fascinating reading, as does his eventual return to his home where, with the help of his strong and active wives, he becomes a legendary chief, the father of his people.

    They speak in the shorthand they have invented, complete one another’s sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman—certain that her bond with Chris is strong enough to weather a little side dalliance.As Kathryn and Chris stumble into polyamory, Next Year, For Sure tracks the tumultuous, revelatory, and often very funny year that follows. When Chris’s romance with Emily grows beyond what anyone anticipated, both Chris and Kathryn are invited into Emily’s communal home, where Kathryn will discover new romantic possibilities of her own. In the confusions, passions, and upheavals of their new lives, both Kathryn and Chris will be forced to reconsider their past and what they thought they knew about love.Offering a luminous portrait of a relationship from two perspectives, Zoey L. Paterson has written an empathic, beautiful, and tremendously honest novel about a great love pushed to the edge. Deeply poignant and hugely entertaining, Next Year, For Sure shows us what lies at the mysterious heart of relationships, and what true openness and transformation require.

    Ives's characters plunge into black holes called "Philadelphias," where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which "hello" translates as "velcro" and "fraud" comes out as "freud."At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes "Sure Thing," "Words, Words, Words," "The Universal Language," "Variations on the Death of Trotsky," "The Philadelphia," "Long Ago and Far Away," "Foreplay, or The Art of the Fugue," "Seven Menus," "Mere Mortals," "English Made Simple," "A Singular Kinda Guy," "Speed-the-Play," "Ancient History," and "Philip Glass Buys a Loaf of Bread."

    Jeremy Best, a Manhattan-based trusts and estates lawyer, leads a second life as published poet Jinx Bell.  To his boss’s daughter, Spaulding Simonson, at 33 years old, Jeremy is already halfway to dead.  When Spaulding, an aspiring 19-year-old writer, discovers Mr. Best’s alter poetic ego, the two become bound by a devotion to poetry, and an awareness that time in this world is limited.  Their budding relationship strikes at the universality of love and loss, as Jeremy and Spaulding confront their vulnerabilities, revealing themselves to one another and the world for the very first time. A skilled satirist with a talent for biting humor, Greenland creates fully realized characters that quickly reveal themselves as complex renderings of the human condition – at its very best, and utter worst. I Regret Everything explores happiness and heartache with a healthy dose of skepticism, and an understanding that the reality of love encompasses life, death, iambic pentameter, regret, trusts and estates.