It was a tragedy of errors, in which both sides shared responsibility for a conflict that cost the lives of at least twenty thousand Britons and a still larger number of Americans. The British and the colonists failed to see how swiftly they were drifting toward violence until the process had gone beyond the point of no return.At the heart of the book lies the Boston Tea Party, an event that arose from fundamental flaws in the way the British managed their affairs. By the early 1770s, Great Britain had become a nation addicted to financial speculation, led by a political elite beset by internal rivalry and increasingly baffled by a changing world. When the East India Company came close to collapse, it patched together a rescue plan whose disastrous side effect was the destruction of the tea.With lawyers in London calling the Tea Party treason, and with hawks in Parliament crying out for revenge, the British opted for punitive reprisals without foreseeing the resistance they would arouse. For their part, Americans underestimated Britain’s determination not to give way. By the late summer of 1774, when the rebels in New England began to arm themselves, the descent into war had become irreversible.Drawing on careful study of primary sources from Britain and the United States, An Empire on the Edge sheds new light on the Tea Party’s origins and on the roles of such familiar characters as Benjamin Franklin, John Hancock, and Thomas Hutchinson. The book shows how the king’s chief minister, Lord North, found himself driven down the road to bloodshed. At his side was Lord Dartmouth, the colonial secretary, an evangelical Christian renowned for his benevolence. In a story filled with painful ironies, perhaps the saddest was this: that Dartmouth, a man who loved peace, had to write the dispatch that sent the British army out to fight.

    The might of Richard III's army was pitted against the inferior forces of the upstart pretender to the crown, Henry Tudor, a twenty–eight year old Welshman who had just arrived back on British soil after fourteen years in exile. Yet this was to be a fight to the death—only one man could survive; only one could claim the throne.It would become one of the most legendary battles in English history: the only successful invasion since Hastings, it was the last time a king died on the battlefield. But The Rise Of The Tudors is much more than the account of the dramatic events of that fateful day in August. It is a tale of brutal feuds and deadly civil wars, and the remarkable rise of the Tudor family from obscure Welsh gentry to the throne of England—a story that began sixty years earlier with Owen Tudor's affair with Henry V's widow, Katherine of Valois.Drawing on eyewitness reports, newly discovered manuscripts and the latest archaeological evidence, including the recent discovery of Richard III's remains, Chris Skidmore vividly recreates this battle-scarred world and the reshaping of British history.

    For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable.In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.

    Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts, both actual and literary, for writers who have most effectively memorialized the Great War as an historical experience with conspicuous imaginative and artistic meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac Rosenberg, and Wilfred Owen. In his new introduction Fussell discusses the critical responses to his work, the authors and works that inspired his own writing, and the elements which influence our understanding and memory of war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.Fussell's landmark study of World War I remains as original and gripping today as ever before: a literate, literary, and illuminating account of the Great War, the one that changed a generation, ushered in the modern era, and revolutionized how we see the world. 14 halftones.

    Not only was it the first decisive victory for British troops against the Japanese, more significantly, it demonstrated how the Japanese could be defeated. The lessons learned in this tiny and otherwise insignificant corner of the Far East, set up the campaign in Burma that would follow, as General Slim’s Fourteenth Army finally turned defeat into victory.Burma '44 is a tale of incredible drama. As gripping as the story of Rorke's drift, as momentous as the battle for the Ardennes, the Admin Box was a triumph of human grit and heroism and remains one of the most significant yet undervalued conflicts of World War Two.

    But are these famous stories based on historical events and actual people? And what do they tell us about the character and origins of the Anglo-Saxon world, a culture that helped shape American identity? In his absorbing new book, Michael Wood examines the roots of English history. Peeling back the layers of literary and oral material that have accumulated over the ages, he offers a fascinating series of rich stories--part history, part myth--that, directly or indirectly, touch on questions of English history and identity. He looks back at the legends surrounding Alfred the Great, King Athelstan, the lost library of Glastonbury, and more. Wood's emphasis is the Early Middle Ages, and the first two sections of the book offer deep excursions into particular moments in the history of that era. In addition to recounting some well-known legends, Wood considers the manuscripts and other primary sources of historical information on which they are based, assessing the validity of existing documentation, fleshing out historical contexts, and considering the treatment throughout history of these stories by famous writers, poets, and moviemakers. In the third part of In Search of England, Wood writes about places that illuminate interesting aspects of early England: Tinsley Wood, near Sheffield, which has been claimed as the site of Athelstan's great victory against the Celts in 937; a farmhouse in Devon which has been occupied since Domesday and possibly long before; and the village of Peatling Magna in Leicestershire, scene of an extraordinary confrontation with King Henry III in 1265. These are the places and events that offer a complementary version of the history that is discussed earlier in the book. In Search of England is published at a significant moment. With the European union, and with assertions of independence within the United Kingdom, questions about English national identity have become increasingly topical both there and abroad. Wood offers a potent and revealing account of the origins of a culture that has had a significant impact worldwide. His narrative is a rich unfolding of history and legend reaching to the present day, and a delightfully readable meditation on the roots of the Anglo-Saxon world.

    She was at the very center of the rich culture and clashing politics of the twelfth century. Richest marriage prize of the Middle Ages, she was Queen of France as the wife of Louis VII, and went with him on the exciting and disastrous Second Crusade. Inspiration of troubadours and trouveres, she played a large part in rendering fashionable the Courts of Love and in establishing the whole courtly tradition of medieval times. Divorced from Louis, she married Henry Plantagenet, who became Henry II of England. Her resources and resourcefulness helped Henry win his throne, she was involved in the conflict over Thomas Becket, and, after Henry’s death, she handled the affairs of the Angevin empire with a sagacity that brought her the trust and confidence of popes and kings and emperors. Having been first a Capet and then a Plantagenet, Queen Eleanor was the central figure in the bitter rivalry between those houses for the control of their continental domains, a rivalry that excited the whole period: after Henry’s death, her sons, Richard Coeur-de-Lion and John Lackland (of Magna Carta fame), fiercely pursued the feud up to and even beyond the end of the century. But the dynastic struggle of the period was accompanied by other stirrings: the intellectual revolt, the struggle between church and state, the secularization of literature and other arts, the rise of the distinctive urban culture of the great cities. Eleanor was concerned with all the movements, and closely connected with all the personages; she knew every city from London and Paris to Byzantium, Jerusalem, and Rome.Amy Kelly’s story of the queen’s long life—the first modern biography—brings together more authentic information about her than has ever been assembled before and reveals in Eleanor a greatness of vision, an intelligence, and a political sagacity that have been missed by those who have dwelt on her caprice and frivolity. It also brings to life the whole period in whose every aspect Eleanor and her four kings were so intimately and influentially involved. Miss Kelly tells Eleanor’s absorbing story as it has long waited to be told: with verve and style and a sense of the quality of life in those times, and yet with a scrupulous care for the historic facts.

    Helplessness in the face of disease and human disaster helped to perpetuate this belief in magic and the supernatural. As Keith Thomas shows, England during these years resembled in many ways today's underdeveloped areas. The English population was exceedingly liable to pain, sickness, and premature death; many were illiterate; epidemics such as the bubonic plague plowed through English towns, at times cutting the number of London's inhabitants by a sixth; fire was a constant threat; the food supply was precarious; and for most diseases there was no effective medical remedy. In this fascinating and detailed book, Keith Thomas shows how magic, like the medieval Church, offered an explanation for misfortune and a means of redress in times of adversity. The supernatural thus had its own practical utility in daily life. Some forms of magic were challenged by the Protestant Reformation, but only with the increased search for scientific explanation of the universe did the English people begin to abandon their recourse to the supernatural. Science and technology have made us less vulnerable to some of the hazards which confronted the people of the past. Yet Religion and the Decline of Magic concludes that if magic is defined as the employment of ineffective techniques to allay anxiety when effective ones are not available, then we must recognize that no society will ever be free from it.

    Intellectuals, politicians, scientists, and artists?among them Arnold Toynbee, Aldous Huxley, and H. G. Wells?sought a vision for a rapidly changing world. Coloring their innovative ideas and concepts, from eugenics to Freud's unconscious, was a creeping fear that the West was staring down the end of civilization. In their home country of Britain, many of these fears were unfounded. The country had not suffered from economic collapse, occupation, civil war, or any of the ideological conflicts of inter-war Europe. Nevertheless, the modern era's promise of progress was overshadowed by a looming sense of decay and death that would deeply influence creative production and public argument between the wars. In "The Twilight Years," award-winning historian Richard Overy examines the paradox of this period and argues that the coming of World War II was almost welcomed by Britain's leading thinkers, who saw it as an extraordinary test for the survival of civilization? and a way of resolving their contradictory fears and hopes about the future.

    Yet just a hundred years ago is was the ancestral pile of the Fitzwilliams - an aristocratic clan whose home and life were fuelled by coal mining. Black Diamonds tells of the Fitzwilliams' spectacular decline: of inheritance fights; rumours of a changeling and of lunacy; philandering earls; illicit love; war heroism; a tragic connection to the Kennedys; violent death; mining poverty and squalor; and a class war that literally ripped apart the local landscape. The demise of Wentworth and the Fitzwilliams is a riveting account of aristocratic decline and fall, set in the grandest house in England.

    But Waterloo was one peak only in the career of this phenomenal man, and it is the achievement of this major biography that it reveals the subtlety and full variety of Wellington's genius as well as the fascinating complexity of England in his time.He was born Arthur Wesley, third son of the Earl of Mornington, in 1769--the same year as Napoleon. His family, which belonged to the ruling caste of Englishmen in Ireland, was long on the tradition of proud service to the King and chronically short of funds. Neither his childhood nor his years at Eton were happy; but when he went to Anjou at seventeen, to study at France's Royal Academy of Equitation, he came into his own, learned well, and emerged qualified and cosmopolitan.He joined the British Army as an ensign and, for the next few years, rose through the ranks. He courted Kitty Pakenham but her family would not allow his suit--his family was not rich enough-- so he went to India at the age of twenty-seven still a bachelor.It was in India that he made his name. There he became a scholar and a soldier. He returned a Knight of the Bath, a major-general, a hero to his countrymen and acceptable, at last, to the Pakenhams. (He had courted Kitty by post over the twelve intervening years; it was scarcely surprising that the woman he married proved different indeed from the charming girl he had left.)When he was forty, the youngest lieutenant-general in the army, he took command of the allied armies in the Peninsular War. With Napoleon's downfall, abdication and exile to Elba, the hero of Europe began a gay career as ambassador to Paris. All the ladies, from the formidable Madame de Staël to the melting Signora Grassini, vied--often successfully--for his favors. His behavior with them and as a diplomat caused some disquiet, and there was evident relief when he was dispatched to the Congress of Vienna. When word came of Napoleon's escape, Wellington took command once more, and after the spectacular eve-of-battle ball in Brussels, led the British and Dutch-Belgian armies to triumph at Waterloo.Lady Longford's unique biography draws on new material from private papers and Wellington's own uninhibited correspondence. Wellington: The Years of the Sword is a worthy successor to her superb Queen Victoria: Born to Succeed.