Contemporary and unnerving the story explores the pressures of teenage life as as group of educated, intelligent young people begin to plan for college and the rest of their lives with the step-by-step, dislocated, latent violence simmering under the surface of success revealed.

    When he is hired by a Hollywood studio to write a musical based on the meeting of Byron and Shelley in Geneva, he leaves England and finds new love in Rome, only to be haunted by his past.

    In the face of the false evidence produced by the conniving Iago, Othellocannot trust his wife, and his mistrust leads to the play’s tragic conclusion. In As You Like It, Rosalind, dressed like a boy, falls in love with Orlando. A mistaken-identity comedy follows, with a happy ending (or the ultimate justice served) for those who deserve it. Both plays have been refreshingly updated in the style of manga while maintaining Shakespeare’s beautiful language.

    So now, seven years after wisely and abruptly dumping the "love of her life," Jake Mead, things should be going better for Annie Markham, right? Unfortunately, her life's going nowhere, her family's going mental, and the family business is heading straight down the tubes. Could it get worse? Of course! Jake's back, Annie's getting ready for bankruptcy, and no one's ready for Christmas ... let alone a happy New Year.And no amount of persuasion will ever convince Annie that magic does happen and dreams do come true, not even at the stroke of midnight on December 31 at New York's Plaza Hotel ... will it?

    It is a revision of Thomas Killigrew's play "Thomaso", or "The Wanderer" (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    From Longbourn to Pemberley traces the first year of their lives, as each daughter of Robert Bennet fights for her own happily ever after. This is a boxed set of the previously published A Winter Wrong, A Spring Sentiment, A Summer Shame, and An Autumn Accord designed specifically for readers who want to sit down and enjoy the story as one novel as the novellas were planned to fulfill a story arc this way.

    Mother. Lover. Aunt. Friend.She plays many roles round here. And neverScared to tell the whole of her truth, whetherOr not anyone wants to hear it. WifeOf Willesden: pissed enough to tell her lifeStory to whoever has ears and eyes . . .'Zadie Smith's first time writing for the stage, The Wife of Willesden is a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath's Prologue, brought to glorious life on the Kilburn High Road.Commissioned to celebrate Brent's year as Borough of Culture 2020, The Wife of Willesden will premiere at the Kiln Theatre, London in September 2020.

    0-935906-00-2$5.00 / Javan Press

    And when she’s crying in the bridal room of the church, trying to figure out where it all went wrong, she has an epiphany. Ashley realizes that she’s been the consummate pushover her entire life, and now she’s living a life for everyone but herself. Jessie, Ashley’s carefree friend from college, tells Ashley that she can have any life she wants. All she has to do is manifest it. Ridiculous, Ashley thinks, and not understanding the power of manifestation, she blurts out her dream life to a couple of strangers in an elevator. Thinking nothing of it, Ashley carries on with the life she doesn’t want. But soon her checklist of wishes begins to come true, starting with her dream guy. Could manifestation really work? Could she have the life she’s always dreamed of having? Ashley begins to believe that she can, giving her the courage to take control of her life, but just as she does, her ex shows up and tries to ruin it all. Will she give up and remain the consummate pushover forever or will she stay strong and fight for her dreams and desires?

    The series is written and show-run by Neil himself and stars David Tennant, Michael Sheen, Jon Hamm and Miranda Richardson, to name but a few.**Includes an introduction by Neil Gaiman about bringing GOOD OMENS to the screen**In 1990, dream literary collaborators Terry Pratchett and Neil Gaiman published 'the funniest book they could write' about the end of the world. Now, Neil Gaiman reinvents their groundbreaking classic for 2019 with his original shooting scripts from the show, and gives readers a unique insight into his adaptation and vision for translating this iconic novel to the screen in an introductory essay.This all-new take on a tale about representatives of good and evil who join forces to prevent the coming apocalypse (which is scheduled to happen on a Saturday, just after tea) will be a joy for fans and new readers alike.

    Perfect for fans of Mike Gayle, Matt Dunn and David Nicholls. SYNOPSIS Things that might happen during your first year of parenthood: 1. You’ll get covered in a ‘nuclear’ poo. 2. You’ll be convinced your son is talking with a Japanese accent. 3. You’ll worry that when your son waves, it looks like a Nazi salute. Of course, this might just be Harry Spencer. Taking up where 'This Thirtysomething Life' left off, Harry Spencer and is wife Emily are back and trying to survive their first year of parenthood. It has its ups and downs (and a few bits in the middle), but along the way they begin to understand the true meaning of family and what it takes to be a parent. Featuring a hilarious cast of extras including Harry’s father-in-law Derek, who has a unique problem with Scotch, Steve and Fiona, the parents from children’s entertainment hell, and a yoga instructor with a prominent camel-toe, 'This Family Life' is the ultimate comedy for anyone who is a parent, has a parent, or is thinking about becoming one.

    Hollinthwaite, however, has other ideas and when he forces the two to part Rob is sent away to school while Alena must start work in the local bobbin mill. Life is hard and her love for Rob severely tested. Torn between two men, her indecision is heightened by the knowledge of a tragic secret. Dolly Sutton has problems of a more intimate nature, while shy and unassuming, Sandra Myers finds herself an unlikely campaigner against Hollinthwaite’s destructive plans for the village when he ruthlessly sacks the man she loves.

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.