From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

    She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt.But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.Gorgeous and beautifully wrought, Snowflake is an affecting coming-of-age story about a young woman learning to navigate a world that constantly challenges her sense of self.

    The place people go to fulfill their dreams. But its reality is a cruel one: Opportunities are few and the competition ruthless. Innocent hearts can suddenly turn dark, and the most loyal of friends can become bitter enemies. Desi, Sharon, and Bettina are three black women struggling to make names for themselves amid the glitz, glamour, and deception. Before each woman can be swept away by the intrigue and intensity of the entertainment industry, they must answer to the desperate calls from the ghosts of their pasts. But if they do, will the shadows of infidelity, abandonment, and murder destroy everything they've worked for?

    This he achieved without the use of the stereotypes that characterized virtually all such productions in his day to the detriment of both sides of the question.Sir Nicholas is the rock-solid head of his household and a devout Catholic who helps renegade priests hide from her Majestys men; but across the way lives a Protestant minister with a suspicious eye.The reader will find himself traveling across the English countryside hunting for priests; the next minute witnessing the happenings at the Queens court. In the midst of all this exists the relationship between a young man and a young lady; one a Catholic, the other a Protestant.During the Protestant Reformation, Catholic families suffered persecutions of various types. Families were divided; fathers and sons were thrown into jail; priests were hunted down and killed; neighbor turned against neighbor. But through it all, the few priests that remained were able to sustain and convert many.The tale told in this book is one of suspense, deceit, loyalty, martyrdom, truth and conversion a perfect companion to Come Rack, Come Rope!

    Max is a British Territorial soldier and Zia is a Jewess from the south of France. Zia's grandmother is a wealthy socialite who owns a painting that could embarrass the Nazis. Zia is kidnapped by the Gestapo and Max is hospitalised on the same day. He awakes to find no trace of his beloved who he had planned to marry in England. The Red Cross reported that it was almost certain that Zia was trafficked across the border and delivered to Sachsenhausen Labour Camp at Oranienburg, not far from Berlin on the night of May 26th, 1939. A criminal act, regardless of the forthcoming war. The first warring Germans to step over the border onto French soil did not do so until May 13th, 1940. The Gestapo had kidnapped her 343 days before they attacked France.June 6th, 1944 - four years later, Max is one of 150,000 Allied troops headed towards the Normandy beaches. He has two options - find the woman he could never forget or kill the people responsible for her death. From the very beginning, Berlin had ordered SS Hauptsturmführer Dieter Baumann to deal harshly with their VIP captive but never to kill her. Through three concentration camps, ending in Auschwitz, Zia wishes she had been killed many times over. Traumatized, she has no idea that Max and a few unlikely friends are battling their way through Nazi occupied Europe in a crazy attempt to rescue her. Berlin tries one last ploy to get their hands on her grandmother's painting. Zia's life hangs in the balance when Max meets his own personal nemesis in the guise of an undercover Gestapo officer. This novel explores the dark depths that humans can sink to in times of war. It is for adults only and even then; it is not for readers of a sensitive disposition. Whatever you read in this novel of extraordinary graphic Holocaust content, consider this – it was immeasurably worse, a hundred thousand times so.

    submarines of Wolfpack 351 are low on fuel, torpedoes, and morale. Their only means of escape is a narrow passage teeming with enemy aircraft, mines, and coastal batteries – and guarded by a menacing Japanese fleet led by a legendary admiral hell-bent on stopping them. Facing the imminent destruction of the entire wolfpack, and with few options remaining, the American admirals in Pearl Harbor turn to an aging submarine, the only boat close enough to help. With time running out, the USS Aeneid – a V-boat from another era – must spring the trapped submarines from their watery prison before they meet their fates under the hull-shattering wrath of the enemy’s depth charges.

    He waits with the German war machine for the order from Adolf Hitler to start the western Blitzkrieg--the "lightning war."Six hundred kilometers away, WWI veteran René Legrand plows his fields. He is enjoying the life he has made with his wife and two sons in the peaceful village of Sainte-Mère-Église. Since the end of the last war, he has tried to forget the atrocities he'd witnessed. Most of all, he has tried to forget the horrors he inflicted on others as the deadliest assassin the French Army has ever known, unaware he will soon need the skills of war he once used to perfection.His youngest son, Jean-Pierre, lives the life of a typical thirteen-year-old. He attends school, helps his father in the fields, and tries not to be nervous around the mesmerizing Angelique Lapierre. Events will soon force him to become a man, and along with his father, brother, and a small group of citizens, they harass their German occupiers and help the Allies prepare for the D-Day invasion.Guilty of nothing other than being a Jew, Jean-Pierre's best friend, Alfred Shapiro, flees to Spain with his family. They hope to make it through the treacherous Pyrenees Mountains before the Nazis capture them.Working with the French Resistance, Gabrielle Hall uses her beauty and cunning to obtain military intelligence from the Nazi officers who frequent her café.In Fort Benning, Georgia, Captain James Gavin discusses a plan with Major William Lee to begin the U.S. Army's first parachute brigade. Four years later, General "Jumpin' Jim" Gavin will descend through the night sky and into Normandy, France, along with the greatest invasion force the world has ever seen.These and others are the heroes of Sainte-Mère-Église.

    For years, Percy has had to take care of herself and Mama—a woman who’s been unraveling for as long as her daughter can remember. Fearing Carletta is strung out on meth and that she won’t survive the storm, Percy heads for Shelton Potter’s cabin, deep in the woods of Northern Michigan. A two-bit criminal, as incompetent as he is violent, Shelton has been smoking his own cook and grieving the death of his beloved Labrador, Old Bo.But when Percy arrives, there is no sign of Carletta. Searching the house, she finds Shelton and his girlfriend drugged into oblivion—and a crying baby girl left alone in a freezing room upstairs. From the moment the baby wraps a tiny hand around her finger, Percy knows she must save her—a split-second decision that is the beginning of a dangerous odyssey in which she must battle the elements and evade Shelton and a small band of desperate criminals, hell-bent on getting that baby back.Knowing she and the child cannot make it alone, Percy seeks help from Carletta’s ex, Portis Dale, who is the closest thing she’s ever had to a father. As the storm breaks and violence erupts, Percy will be forced to confront the haunting nature of her mother’s affliction and finds her own fate tied more and more inextricably to the baby she is determined to save.Filled with the sweeping sense of cultural and geographic isolation of its setting—the hills of fictional Cutler County in northern Michigan—and told in Percy’s unflinching style, Sweetgirl is an affecting exploration of courage, sacrifice, and the ties that bind—a taut and darkly humorous tour-de-force that is horrifying, tender, and hopeful.

    She makes herself feel better by obsessively critiquing the behavior of her coworker, Jillian, a rapid cycling, grotesque optimist, whose downfall is precipitated by the purchase of a dog.

    In the end, "Lolita" escapes Humbert's clutches only to marry a deaf man and die in childbirth—her tormentors, in turn, follow their own destinies toward either madness or murder.

    Each title features: - Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

    He is witness to their struggle as modern Indians to hold on to a semblance of truth and sanity in the face of alienation, squalor, violence, and loss of hope. Nagarkar's explosive style and irreverent approach caused an equally explosive reaction when Seven Sixes was first published in 1974. Critics have struggled to reconcile its apparent nihilism with its underlying sense of optimism.