Most of the sites he dug were ahead of industrial development or new housing estates, gravel quarries, roads, etc. The people who did the work were down-to-earth. Some were students, others were professional diggers – but they all knew what they wanted from life and were prepared to work long hours, for very low pay. In the seventies to nineties, Alan and his colleagues lived in abandoned houses or camped out on the edges of industrial estates. They were always covered in mud, were deeply suntanned and drunk (or stoned) on their days off. They were feared by respectable citizens. They were known as Circuit Diggers because they worked the 'circuit', moving from one excavation to another, as new sites were opened, right across Britain.Like others on the circuit, Alan Cadbury is obsessive: he won’t let problems lie, even when he’s slumped drunk in a lonely bedsit, somewhere in the Fens. But there’s another side to him, too: he enjoyes solving mysteries. In the late ‘90s he helped to give a forensic archaeology course and there met Richard Lane, now a senior detective in the Leicestershire force. DCI Lane helps him tackle new cases. But this is his first big one: it involves an 'honour killing', which happened eight years ago in Leicester. Most of the action takes place in the Fens, where Alan has lived all his life. It’s a dark tale of past wrong-doing and modern criminality – on a very large scale. And it’s not without violence and rapid action. Alan’s life may be harsh and at times unpleasant, but it’s not likely to be very long, either.

    Distraught over this humiliating public rebuke, Shapira fled to the Netherlands and committed suicide.Then, in 1947 the Dead Sea Scrolls were discovered. Noting the similarities between these and Shapira’s scrolls, scholars made efforts to re-examine Shapira’s case, but it was too late: the primary piece of evidence, the parchment scrolls themselves had mysteriously vanished.Tigay, journalist and son of a renowned Biblical scholar, was galvanized by this peculiar story and this indecipherable man, and became determined to find the scrolls. He sets out on a quest that takes him to Australia, England, Holland, Germany where he meets Shapira’s still aggrieved descendants and Jerusalem where Shapira is still referred to in the present tense as a “Naughty boy”. He wades into museum storerooms, musty English attics, and even the Jordanian gorge where the scrolls were said to have been found all in a tireless effort to uncover the truth about the scrolls and about Shapira, himself.At once historical drama and modern-day mystery, The Lost Book of Moses explores the nineteenth-century disappearance of Shapira’s scrolls and Tigay's globetrotting hunt for the ancient manuscript. As it follows Tigay’s trail to the truth, the book brings to light a flamboyant, romantic, devious, and ultimately tragic personality in a story that vibrates with the suspense of a classic detective tale.

    New and exciting archaeological discoveries are perpetually being made in Rome. All these are covered in this new edition, which also visits the ancient Roman port city of Ostia and the imperial villa of Hadrian at Tivoli.

    Probes the mystery of the construction and significance of the Great Pyramid of Cheops, suggesting that it enshrines the scientific data of an advanced Egyptian civilization.

    Powerful pharaohs built great cities on the fertile banks of the Nile, and employed thousands of labourers to create lavish tombs and temples such as Thebes and the pyramids of the Giza plateau. The exceptional beauty and scale of ancient Egypt s antiquities still draws millions of visitors to Egypt s museums and monuments each year. The Encyclopedia of Ancient Egypt is a celebration of these wonders, from Tutankhamun s tomb to Cleopatra s obelisks, from ancient papyrus scrolls covered with hieroglyphs to golden amulets in the form of ankhs and scarabs. The book also uncovers ancient Egyptian life from the role of women and the form of an Egyptian wedding banquet, to the weights, measures and currencies used in everyday trading and explores the modern archaelogy taking place on the ancient sites revealing the Egyptians artefacts and tools. With a combination of modern, specially commissioned colour illustrations and images of Egyptian antiquities and treasures alongside a detailed history of the civilisation to put it all into context, the world of the pharaohs is brought to life in vivid detail. For intrigued adults or fascinated children alike, The Encyclopedia of Ancient Egypt provides a wealth of information about the riches of the ancient world."

    Encompassing a grand sweep of human history, A History of the World in 100 Objects begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with objects which characterise the world we live in today. Seen through MacGregor's eyes, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. A stone pillar tells us about a great Indian emperor preaching tolerance to his people; Spanish pieces of eight tell us about the beginning of a global currency; and an early Victorian tea-set speaks to us about the impact of empire. An intellectual and visual feast, this is one of the most engrossing and unusual history books published in years. 'Brilliant, engagingly written, deeply researched' Mary Beard, Guardian 'A triumph: hugely popular, and rightly lauded as one of the most effective and intellectually ambitious initiatives in the making of 'public history' for many decades' Sunday Telegraph 'Highly intelligent, delightfully written and utterly absorbing ' Timothy Clifford, Spectator 'This is a story book, vivid and witty, shining with insights, connections, shocks and delights' Gillian Reynolds Daily Telegraph

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. This authoritative, exciting history is among the most powerful and important accounts of the culture of the South American Indians and the Spanish Conquest.

    From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel–Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism and coexistence.How did this small, remote town become the Holy City, the ‘centre of the world’ and now the key to peace in the Middle East? In a dazzling narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem’s biography is told through the wars, love affairs and revelations of the men and women – kings, empresses, prophets, poets, saints, conquerors and whores – who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient city of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Rasputin and Lawrence of Arabia.Drawing on new archives, current scholarship, his own family papers and a lifetime’s study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique chronicle of the city that is believed will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem, and the only city that exists twice – in heaven and on earth.

    Now palaeontologist Charles Pellegrino presents a wealth of new knowledge about the doomed towns – and brings to vivid life the people, their last moments, and the aftermath.The lessons learned from modern scrutiny of that ancient eruption produce disturbing echoes in the present. Dr Pellegrino, who worked at Ground Zero in the aftermath of the 9/11 attack, shares his unique knowledge of the strange physics of volcanic 'downblast' and 'collapse column', drawing a direct link from past to present, and providing readers with a poignant glimpse into the last moments of the 'American Vesuvius'.

    Accompanied by 75 magnificent colour photographs & over a hundred monochrome illustrations, this definitive text gives meaning & context to the most astonishing archaeological find of all time.

    Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures.For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.

    Sarah Parcak welcomes you to the exciting new world of space archaeology, a growing field that is sparking extraordinary discoveries from ancient civilizations across the globe. In Archaeology from Space, Sarah Parcak shows the evolution, major discoveries, and future potential of the young field of satellite archaeology. From surprise advancements after the declassification of spy photography, to a new map of the mythical Egyptian city of Tanis, she shares her field’s biggest discoveries, revealing why space archaeology is not only exciting, but urgently essential to the preservation of the world’s ancient treasures.Parcak has worked in twelve countries and four continents, using multispectral and high-resolution satellite imagery to identify thousands of previously unknown settlements, roads, fortresses, palaces, tombs, and even potential pyramids. From there, her stories take us back in time and across borders, into the day-to-day lives of ancient humans whose traits and genes we share. And she shows us that if we heed the lessons of the past, we can shape a vibrant future. Includes Illustrations

    The county is one of Europe's most geologically varied areas - a realm where mountain, plain, coast, chalk hills, wetland and heath lie close, often within sight of each other. Morris considers how we discover Yorkshire, whether as modern travellers, through eyes of artists (J. M. W. Turner, William Sawrey Gilpin, Wlliam Callow, Henry Moore) or writers' imaginations (Michael Drayton, Winifred Holtby, J.B. Priestley, Ted Hughes). We travel to strange places, like the county's netherworld of caves, mines and tunnels, and confront dark subjects such as the part played by Whitby and Hull in the emptying of Arctic seas and shores of whales and bears. In contrarian spirit, Morris even finds Robin Hood to have been a Yorkshireman.Yorkshire explores the tumultuous history of God's Own County and asks why it has so often been to the fore in times of conflict or tension (think Wars of the Roses, Northern Rising, Civil War, Cold War, the miners' strike of 1984). Outward-lookingness is a repeating theme. Eighteen centuries ago a province of the Roman Empire was governed from York; in the Viking age a trading axis ran from Dublin through the kingdom of York to the Baltic, along Russian rivers to Byzantium and Baghdad. Both in area and population Yorkshire today is larger than many member countries of the UN, yet remains just an English county. As Richard Morris reveals in this dazzlingly wide-ranging and lyrical history, Yorkshire has always been both a region with a distinct identity inside Britain and a fulcrum in the world.

    The title of his most famous work, Ab Urbe Condita ("From the Founding of the City"), expresses the scope and magnitude of Livy's undertaking. He wrote in a mixture of annual chronology and narrative. Livy claims that lack of historical data prior to the sacking of Rome in 387 BC by the Gauls made his task more difficult. He wrote the majority of his works during the reign of Augustus. However, he is often identified with an attachment to the Roman Republic and a desire for its restoration. His writing style was poetic and archaic in contrast to Caesar's and Cicero's styles. Also, he often wrote from the Romans' opponent's point of view in order to accent the Romans' virtues in their conquest of Italy and the Mediterranean.