But amid this civilization, a shadow took root, one that would stretch its arms across space and time. Amid this ancient civilization's advances, the hideous evil of Phyrexia was born.Years later, a conflict between the brothers Urza and Mishra over the supremacy on the continent of Terisiaire escalates with the discovery of an ancient artifact, a remnant of the Thran, but with it comes the peril that befell them. The classic origin story of planeswalker Urza sets the stage for the new age of Magic. This single volume represents two of the most popular Magic stories.Contents: The Brothers' War [Artifacts Cycle • 1] [Magic: The Gathering • 4] (1998) / novel by Jeff Grubb: Dominarian legends speak of a mighty conflict, obscured by the mists of history. Of a conflict between the brothers Urza and Mishra for supremacy on the continent of Terisiare. Of titantic engines that scarred and twisted the very planet. Of a final battle that sank continents and shook the skies. The Thran [Magic: The Gathering • 11] (1999) / novel by J. Robert King: Before the Brothers' War. Before the five colors of magic. Before history itself, the plane of Dominaira was ruled by the Thran. They built machines and artifacts, the likes of which have never since been seen. But amid this civilization, a shadow took root, one that would stretch its arms across space and time.

    He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.

    John Eliot's search for a missing friend leads him to the seductive Lilah--who will not rest until she has coaxed Eliot's most monstrous impulses out into the open--in this mesmerizing tale set in the back streets of 19th-century London.

    Torn between his loyalty to his family, his faith in God, and his terror of this vicious disease, Jacob Hansen struggles to preserve his sanity amid the chaos and violence around him.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Now, in an electrifying departure, Rucka creates a new kind of hero: a damaged young woman in free fall who’s not only in danger—but dangerous.A Fistful of RainMim Bracca is riding the fast lane straight off the end of the world. Now she’s coming home without a job, without a future, and without a prayer—and only one last chance to get her feet under her, or go down forever. But home has its own terrors, including a past Mim has done everything possible to leave behind.Now that past is coming back with the shocking speed and deadly intent of a sniper’s bullet, aimed to destroy her once and for all. When Mim suffers her first blackout, waking up dazed and bloodied, she’s certain she’s hit rock bottom.She’s wrong. She’s only just begun to fall.The photos are invasive, obscene, and all over the Internet for anyone to see. How they got there, where and when they were shot, and by whom, Mim has no idea. And before the investigation into the matter even begins, a brutal murder makes it clear that whatever Mim thinks her life has been up to now, she’s about to learn it’s all a lie.The kind of lie that will kill.Written with stunning originality, A Fistful of Rain crosses the line separating the guilty from the innocent as it takes us on a breakneck ride of deceit and double cross and—quite possibly—the last twenty-four hours in Mim Bracca’s stormy life.

    "She died, rose, and nearly died again. She comes. The crows know her – the crows guide her. She follows the sound of a crying child. She follows the drag of un-kept promises on her heart." – Chessie – Hallowed Ground"They came in the night with their creak-wheeled wagons and patchwork tents, rolling down through the gulch and up the other side to pitch camp. In Rookwood, they called it 'Dead man's Gulch,' and in Rookwood, names were important. If you walked too far through that God-forsaken, dust-drowned ditch, you were bound to drag your boots through bones. If you felt something sharp dig into your heel, it could be a tooth taking a last bite of something hot and living. The Deacon stood in silent shadows watching their progress, occasionally glancing up into the pale, inadequate light of the waning moon."When a man known only as The Deacon set up camp outside Rookwood, a murder of crows took to unnatural, moonlit flight. The crows came to Rookwood; trouble soon to follow. Things were already strange in that God-forsaken town, but no one could have predicted the forces and fates about to meet in a dust-bowl clearing in the desert. A Preacher. A Demon. An Angel. A Gunslinger.A bargain with the darkness was signed in blood, and broken, and as such deals usually do, it went south. Now the fate of lost lovers, faith healers, ancient Gods and the Devil himself collide in a circle of wagons tended by the damaged and deformed, the saved and the shorn. There's a power come to Rookwood, and this one-horse town is about to be transformed. Such deals are only made and broken…on Hallowed Ground.From Steven Savile, International bestselling author of Silver, The Last Angel, and The Sufferer's Song, and David Niall Wilson, Bram Stoker Award-winner David Niall Wilson, author of Deep Blue, This is My Blood, & Heart of a Dragon, comes a tale of the old west, magic, enlightenment and damnation readers have said is like Stephen King's The Gunslinger meets Daniel Knauf's Carnivale.

    . . about our marriages, our children, and ourselves. Eve Lattimore’s family is like every other on their suburban street, with one exception. Her son Tyler has a rare medical condition that makes him fatally sensitive to light, which means heavy curtains and deadlocked doors protect him during the day and he can never leave the house except at night. For Eve, only constant vigilance stands between an increasingly restless teenage son and the dangers of the outside world.   Until the night the unthinkable happens. When tragedy strikes, it becomes clear that this family is not the only one on the quiet cul-de-sac that is more complicated than it appears. And as Eve is forced to shield her family from harm, there are some crises she cannot control—and some secrets that not even love can conceal.   Deeply moving and stunningly suspenseful, The Deepest Secret is a novel of rare power—a story about hope and forgiveness, about the terrifying ways our lives can spin out of control and the unexpected sacrifices that may save us.

    He is set adrift in the Bay, eventually being picked up by Wolf Larsen.Larsen is the captain of a seal-hunting schooner, the Ghost. Brutal and cynical, yet also highly intelligent and intellectual, he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength.

    Now he will marry a lovely young woman bearing the Bascombe stamp of approval. But on the eve of his wedding, a blizzard sweeps in–bringing with it an icy legend who calls into question everything Oliver believes about the world and his place in it….Pursued by a murderous creature who heeds no boundaries, Jack Frost needs Oliver's help to save both himself and his world–an alternate reality slowly being displaced by our own. To help him, Oliver Bascombe, attorney-at-law, will have to become Oliver Bascombe, adventurer, hero–and hunted. So begins a magnificent journey where he straddles two realities…and where, even amid danger, Oliver finds freedom for the very first time.

    The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

    In a series of variations, Gass gives us a mosaic of a life—futile, comic, anarchic—arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C.It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self—a professor with a fantasy goal: to establish the Inhumanity Museum . . . as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless.Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another.

    Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at a local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades old journal, and a window into her own past.Clara Cartwright, eighteen years old in 1929, is caught between her overbearing parents and her love for an Italian immigrant. Furious when she rejects an arranged marriage, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash, he can no longer afford her care—and Clara is committed to the public asylum.Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results.Illuminating and provocative, WHAT SHE LEFT BEHIND is a masterful novel about the yearning to belong—and the mysteries that can belie even the most ordinary life.

    This is a man who has lied all his life.Roy is a conman living in a small English town, about to pull off his final con. He is going to meet and woo a beautiful woman and slip away with her life savings. But who is the man behind the con? What has he had to do to survive a life of lies? And who has had to pay the price?When Roy meets a wealthy widow online, he can hardly believe his luck. Just like Patricia Highsmith’s Tom Ripley, Roy is a man who lives to deceive—and everything about Betty suggests she’s an easy mark. He’s confident that his scheme to swindle her will be a success. After all, he’s done this before.Sure enough, Betty soon lets Roy move into her beautiful home, seemingly blind to the web of lies he’s woven around her. But who is Roy, really? Spanning almost a century, this stunning and suspenseful feat of storytelling interweaves the present with the past. As the clock turns back and the years fall away, long-hidden secrets are forced into the light. Some things can never be forgotten. Or forgiven.

    Spanning forty years, this is the story of turbulent Tom Wingo, his gifted and troubled twin sister Savannah, and their struggle to triumph over the dark and tragic legacy of the extraordinary family into which they were born.Filled with the vanishing beauty of the South Carolina low country as well as the dusty glitter of New York City, The Prince of Tides is PAT CONROY at his very best.