Having never cooked a day in her life, she is terrified of being found out and banished to the cotton fields as was her mother before her. But when she accidentally burns the freedom papers of Jonathan Mayfield, a handsome free man of color to whom she's attracted, her fear of the fields becomes secondary.A gifted cabinetmaker, Jonathan Mayfield's heart is set on finally becoming a respected businessman by outfitting a bedroom at the palatial Riverwood—until a beautiful new slave destroys his proof of freedom and his fragile confidence along with it. When the mistress of Riverwood orders Dinah to work alongside the sullen Mr. Mayfield, sparks fly setting the two on a collision course. Is their mutual love for God strong enough to overcome deep-seated insecurities and set the couple on a path toward self-acceptance and love for each other?

    He's been her best friend since she was a child, and she can't imagine life without him. What shocks her, however, is the reaction of her mother and father. Annabel knows that her parents disapprove of her forthright opinions, but their displeasure is both unexpected and unaccountable. As they permit the engagement, however, she decides to put it out of her mind. But before she can be married, tragedy strikes, and only then does Annabel learn of the shocking secret that her parents have kept from her. Determined to learn more, she travels to Durham on a personal search that will change everything.

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    Arthur is dead. As Britannia burns a small tribe clings to its colony of Anglia. Across the German Sea powerful enemies covet Engeln itself. But the English are not easily cowed. As Spear-Danes threaten the homeland a hero returns, leading the fightback with ferocity and guile...

    

    Over twelve hundred years ago, Cynethryth ruled with Offa to become one of the most powerful couples in English history. And although she's the only Anglo-Saxon queen to have coinage issued in her name, she is remembered today only for her purported murder of a fellow king. Was she an infamous monster, or is this only how she appeared to the (male) chroniclers of her day? Read her story and you decide, but remember: his-story is not always the same as her-story. (Warning: this book deals with adult topics and situations.)

     In TUESDAY NIGHTS, boxer Michael Cunningham is more interested in building his fortune than finding a wife, but made a promise he would marry by his twenty-eighth birthday. Reminded of the deadline by his sister, Michael realizes he has much to do in the three weeks he has if he’s to propose to Olivia—or she’ll become his sister’s governess! With no time for courtship, banns, or wedding planning, his sister insists Michael ruin Olivia! Despite feeling affection for Michael since the day he rescued her from a rake, Olivia is still shocked—and ruined!—when he climbs into her bed. Once they're married, Michael is sure Olivia despises him, while she is sure he wandered into the wrong bedchamber that fateful Tuesday night. Will a week be enough time for Michael to court Olivia, to convince her of his affections? Or will he regret his last-minute efforts to keep his promise? Only time will tell… When Clarinda married the Earl of Norwick, she thought she was marrying the Fitzwilliam twin who courted her. But it was David's identical twin brother Daniel, the spare heir, who captured her heart with pink roses and delectable kisses. So when the rakish David made her his countess, the embittered Daniel left London to run the earl's estates in Sussex. With David's sudden death comes a reunion of the star-crossed lovers—and Clarinda's randy mother-in-law. Clarinda thinks Daniel despises her for being a fortune hunter—and because she's pregnant with what might be an heir to the earldom. Daniel knows Clarinda despises him, but can't remember what caused the row they had when they last spoke. Meanwhile, David's ghost is paying nocturnal visits to Clarinda while annoying Daniel with instructions to pursue his widow and pleas to discover who caused his untimely death. Who can be in mourning when twin brothers are causing so much trouble? Or is two times the romance worth a bit of sibling rivalry? Twins double the fun in THE WIDOWED COUNTESS. When Lady Julia and her friend Samantha notice an especially handsome groom from their vantage point of a second-story bedchamber window in Mayfield House, they decide the man would make the perfect gentleman. Julia accepts Samantha's challenge to transform the man in time for a ball. Little do they know Alistair Comber is already a gentleman. The estranged second son of an earl works in service in order to make good on a promise he made to a fellow soldier while he was an officer in the British Army. Alistair agrees to Julia's request that he learn how to bow, dance and dress like a gentleman in time for her mother's ball. After all, how hard can it be when MY FAIR GROOM is already a gentleman? How hard indeed!

    It is a dark and cruel place for the workers on this farm. The master, Archie McLachlan, causes fear to run through the hearts of the slaves, except for one woman who speaks up deliberately and without fear whenever she wishes. Her name is Soola, and she fast becomes leader of the slaves and friend to the master's wife Gertrude. The friendship forms a triangle of competition, love, and hatred as "Massa Archie" becomes more and more dangerous, even towards his own son Robert and Soola's son John, even to a point where Soola begins to understand the meaning of fear. But, together, the leaders of the second generation can look for a future where hope might overcome fear.Thus, this story, Part One of a four-part series, not only recounts the family's beginnings at the Inveraray/Dogwood Plantation, but also introduces the second generation, who will appear again in the ensuing volumes. Slavery, the corruption caused by slavery, its close companions, race bigotry and injustice, and the laws and bitter politics that result from them, are featured and discussed throughout. While, in the foreground, the unique relationship between mistress and slave and their respective descendants triggers a wide-sweeping story of love, conflict, heartbreak, and forgiveness.

    

    After all, it's 1825 and this is the land of opportunity!

    Plough the Furrow begins in 1910. Esther Everatt, shunned by her family and desperate for work and a place to say, finds her way to Sam Brumby's farm. Able to work alongside any man, she earns old Sam's grudging respect. Prepared to risk everything to secure her future, Esther marries a local farmhand. But as war arrives she comes to understand that only the truest of love can survive the passing of the seasons. Sow the Seed follows the story of Kate, Esther's daughter. Kate is determined to marry her childhood sweetheart, Danny. But when she reaches eighteen Kate is told the bitter truth of her family's past and the reasons why marriage to Danny can never happen. Heart-broken Kate witnesses many things amidst the chaos and destruction of WWII, which finally lead her to experience a love that allows her to leave the past behind. Reap the Harvest is set in the aftermath of the disastrous Lincolnshire floods of 1953. Kate's daughter Ella finds herself compelled to live at Brumby's Farm with her grandmother, Esther. This story of love, war, secrets and tragedy seems destined to repeat itself in heartache before coming full circle and bringing this glorious trilogy to a close.

    But when she’s involved in an incident involving her half-sister Millie’s new husband, she is forced to keep it secret – the truth could threaten their sisterly bond.Dot is dogged by fear, coming to terms with her mother’s rejection of her. She should be enjoying the happiness she craves with her beloved Cess; instead, she’s trapped in an asylum, haunted by the horrifying cries of inmates. All she wants is to get married, but what chance is there for her if she’s locked away?Millie is trying to build a life with her new husband. But the man she loves is not all he seems . . .Can the Jam Factory girls create the future they all deserve?This historical saga series begins with The Jam Factory Girls.

    The war ends, and Lexie awaits his return. Other soldiers are making it home, but Reese is missing. She leaves New Orleans and travels back to Azalea Plantation in Vicksburg, Mississippi, to await his return, busying herself with restoring the plantation after the war. Lexie clings to faith and hope and refuses to give up on Reese even though she's heard the stories about prisoners-of-war and the explosion of the Sultana. The family decides to visit Azalea Plantation. Will it be for a funeral or a wedding? Reese has still not shown when they are all gathered together. Is it possible for a country to be restored like a plantation home?

    Pretty and outspoken, she often alarmed her best friend Amy by expressing doubts - about parents, teachers and, most of all, religion, which according to their strict 1950s Catholic upbringing in Rivington Cross seemed certain, Amy thought, to send them both to Hell. What, after all, was wrong with being a Protestant, Madeleine would ask? Or a Jew? The good-looking boy they both noticed on their way to school was, it was rumoured, Jewish - his family having fled from Poland at the beginning of the war.Father Sheahan, the whiskey-soaked priest from the local church, had discovered that his secret past was catching up with him, and went in fear of his life. Amy, too, had a secret - a secret which caused her to visit the Bell House, an ancient charnel house outside the village. As they grow up, this place of death becomes a meeting place for the friends, who have to learn that differences in religion can cause unexpected heartache.