A proud artisan, he takes his donkey-drawn cart to the market only to be turned away when the distinctive shop he once sold to now stocks only cheaply manufactured merchandise. As the realities of the marketplace sink in, Mendleman unravels. James Sturm draws a quiet, reflective, and beautiful portrait of eastern Europe in the early 1900s–bringing to life the hustle and bustle of an Old World marketplace on the brink of industrialization. Market Day is an ageless tale of how economic and social forces can affect a single life. An award-winning cartoonist of the books Golem’s Mighty Swing, James Sturm’s America, Satchel Paige: Striking Out Jim Crow, and Adventures in Cartooning, Sturm is a true visionary, having cofounded the Seattle alternative weekly The Stranger and the Center for Cartoon Studies, the country’s premier cartooning school.

    The stakes are high, and for Batman, it’s personal!

    Tank Girl!Join everybody’s favourite beer-swilling, chain-smoking, kangaroo-worrying lunatic as she blitzes her way through a dazzling array of bizarre adventures, including bounty hunting, delivering colostomy bags to Australian presidents, kangaroo boxing... and many more outrageous and mind-warping thrills! Marking the 20th anniversary of Tank Girl, with a new introduction from Alan Martin, and rarely seen material from Jamie Hewlett, this is the start of the ultimate collection. Presented for the first time, in chronological order and in glorious black and white - the way nature intended! Warning: Adults only!

    PUNCH tells the tale of a young boy's loss of innocence results from a horrific confrontation with his past. Spending a summer at his grandfather's seaside arcade, a troubled adolescent harmlessly becomes involved with a mysterious Punch and Judy Man and a mermaid-portraying woman. But when the violent puppet show triggers buried memories of the boy's family, the lives of all become feverishly intertwined. With disturbing mysteries and half-truths uncontrollably unraveling, the young boy is forced to deal with his family's dark secrets of violence, betrayal, and guilt.

    Dense with exclamation marks and lurid colors, R. Sikoryak's parodies remind us of the sensational excesses of the canon, or, if you prefer, of the economical expressiveness of classic comics from Batman to Garfield. In "Blond Eve," Dagwood and Blondie are ejected from the Garden of Eden into their archetypal suburban home; Oscar Wilde's Dorian Gray is reimagined as a foppish Little Nemo; and Camus's Stranger becomes a brooding, chain-smoking Golden Age Superman. Other source material includes Dante, Shakespeare, Dostoyevsky, bubblegum wrappers, superhero comics, kid cartoons, and more.Sikoryak's classics have appeared in landmark anthologies such as RAW and Drawn & Quarterly, all of which are collected in Masterpiece Comics, along with brilliant new graphic literary satires. His drawings have appeared on The Daily Show with Jon Stewart, as well as in The New Yorker, The Onion, Mad, and Nickelodeon Magazine.