Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name Kumsheen. For years, it was believed to mean “the place where the rivers meet”—the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: “the place inside the heart where the blood mixes.” But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers—to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet.Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People.In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General’s Literary Award for Drama.

    Between jobs and marriages, states of sobriety, joy and anguish; between who they are and who they want to be. Kris Bertin's unforgettable debut introduces us to people at the tenuous moment before everything in their lives changes, for better or worse.Kris Bertin's stories have appeared in the Walrus, the Malahat Review, the New Quarterly, PRISM International, and other magazines. He lives and writes in Halifax, Nova Scotia.

    John’s neighbourhood after fourteen years in prison, he is swarmed by old friends and enemies, and a wife who hasn’t exactly been waiting for him. A cruel twist of fate has made Myrden famous: any wrongfully accused man released after such a lengthy incarceration is soon to be rich.He clings to his young granddaughter and an old love, hoping his coming settlement can free them from the cycles of revenge and failure that have marked his life. But old scores are not so easily left unsettled.Written in abrupt prose that brilliantly reflects Myrden’s cautious evaluation of everyone and everything in the overwhelming outside world, Inside pulls the reader forward with the quiet, creeping gravity of Greek tragedy. It is a story about the best kind of friend, the life a man can’t believe he deserves and the value of trying, no matter how doomed he seems to fail, to bring hope into the lives of those still worth loving.From the Hardcover edition.

    She remembers him only in fragments, as an injured artist from whom she and her mother were separated during the war. In her journey, Maggie finds herself at a makeshift pho stall, where the rich aroma of beef noodle soup lures people off Hanoi's busy streets and into a quiet morning ritual. Old Man Hung, the enlightened proprietor of the beloved pho stall, has survived decades of poverty and political upheaval. Hung once had a shop that served as a meeting place for dissident artists. As Maggie discovers, this old man may hold the key to both her past and her future. Among Hung's most faithful customers is Tu', a dynamic young tour guide who works for a company called New Dawn. Tu' leads tourists through the city, including American vets on war tours, but he has begun to wonder what it is they are seeing of Vietnam-and what they miss entirely. In Maggie, he finds a young Americanized woman in search of something quite different, leading him beyond his realm of expertise. In sensual, interwoven narratives, Maggie, Hung, and Tu' come together in a highly charged season that will mark all of them forever. The Beauty of Humanity Movement is a skillfully wrought novel about the reverberation of conflict through generations, the enduring legacy of art, and the redemption and renewal of love. The story of these characters is tinged with longing for worlds and loved ones lost but also filled with the hope that faith can heal the pain of their shared country's turbulent past. This is the distinct and complex story of contemporary Vietnam, a country undergoing momentous change, and a story of how family is defined-not always by bloodlines, but by heart.

    Lucy Von Alstyne sends fictitious letters to her friend Alicia, pretending to be the father of Alicia's twins, and the two welfare mothers and their five children set off on a journey to find him, facing along the way the complications of living in poverty and raising fatherless children.

    His memories cluster around the houses they lived in, the schools he went to, the uncles and aunts and cousins he knew as a boy. This is an extremely funny book and the account of how Ted O'Malley repaired the plumbing is likely to become a classic of its kind. It is also a warm and touching book. As a picture of its time, it is clear, true and absolutely unforgettable

    A volcano unexpectedly erupts in Iceland and airspace is shut down over Europe. Harriet works in local radio in London, and with most of her colleagues abroad, she seizes a unique career opportunity. Her husband, Michael, stuck in New York on business, travels to visit an old flame, and their teenage son, Jack, feeling liberated from normal life, takes an unexpected risk only to find himself in trouble. Meanwhile Emily, a young TV researcher, loses her adoptive father to a heart attack, and half a world away, a Pakistani migrant worker named Yacub is stranded in a Dubai labor camp. Two years later, Yacub, attempting to stow away, falls out of the landing gear of an airplane onto Harriet’s car in a London supermarket parking lot—and survives—while Emily accidentally captures it all on film. Yacub’s sudden arrival in the lives of Harriet, Jack, Michael, and Emily catapults these characters into a series of life-changing events, ultimately revealing the tenuous, often unexpected ties that bind us together.Inspired by real-life accounts of airplane stowaways, Landing Gear is about the complex texture of modern life, and how we fight the loneliness of the nuclear family to hold on to one another.

    Now, she's fallen in love with her baby boy but is locked in combat with her sister-in-law over his care. Wanting an independent life for herself and her son, Grace leaves Sault Ste. Marie to find work, and a place of her own, in southern Ontario. But she worries: when she returns for her baby, will her brother and sister-in-law give him up?1957: Teenaged Dean Turner breaks open a locked box and finds adoption papers with a birth certificate for Daniel Turner, son of Grace Turner and an unknown father. His parents deny that he is adopted, but four years later, Dean leaves home to find the mysterious Grace.1961: Laura falls in love with Dean Turner soon after he sits down at her table in the Queen Street Eaton's cafeteria, but he disappears as suddenly and as devastatingly as he appeared. When she encounters him in Sault Ste. Marie three years later, she is determined not to let him slip away again.1973: Eight-year-old Dawn Turner waits for her father one morning at the front door of her grandparents' house. Dawn and her little brother are finally starting a life with their father, Dean, and his new wife. But when the new beginning doesn't work out, she and Jimmy end up back with their grandparents. As Dawn grows up, she must work to understand her family's mysteries and disappearing acts before she loses track of herself completely. Jamie Zeppa paints a tender and perceptive portrait of the unconventional, though not entirely dysfunctional, Turner family. Rich with mystery, broken promises and in the end, some mending of hearts, Every Time We Say Goodbye explores what it means to leave, to be left, to be absent; what connects parents and children, brothers and sisters, husbands and wives - and what drives them apart.

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    These poems mourn the dead by turning memories over and over like an old coin, by invoking other poets, by appropriating the language of technology, of instruction, of diagram, of electrical engineering, and of elegy itself. Devastating, cheeky, allusive, hallucinatory: this is Queyras at her most powerful.'Like the central conceptual apparatus, Queyras is smart and insightful in her work to expand and challenge the nature of language and poetry . . . Lend Queyras your ears, your minds, your hearts, your Time. She will reward you, repeatedly.' – The Rumpus'A collection of gorgeous and cantankerous poems that ask testy questions of all contemporary poets, and for this, the book is a must-read.' – The Globe and Mail'This year's most devastating and enlightening Canadian poetry collection.' – Telegraph-Journal

    In death, he becomes really aggravating. In a farewell gesture to his three scattered offspring, he bequeaths each one of them a tarnished jewel from his declining empire.The slothful and duplicitous Ben receives the thriving auto parts plant that he already oversees. He immediately sets his sights on acquiring all three companies. Reality-challenged Ethan gains ownership of a failing distillery. Their sister, the independent Kick, reluctantly assumes the reins of Great North, a small publishing company and sometime music producer.The trio learn from the will's executor—former NHL-er turned farmer Will Montgomery—that the departing Everett has seen fit to challenge them with a series of codicils. Ben is required to fulfill a major parts contract while Ethan has to get the whisky plant back in the black. And Kick—a chronically impoverished documentary film-maker with a project on the go in Wyoming—is dismayed to learn that she is required to produce a “back tax” album with a fading country music star. The singer, Jonah Peck, proves to be every bit as cantankerous and difficult as Everett Eastman himself. Which means that Kick is out of the frying pan.And into the fire.

    A recently divorced, early retiree accidentally burns down his house on the day he pays off the mortgage, only to discover that for the first time in his life he’s forgotten to pay a bill: his insurance premium. An old friend of his, a middle-aged musician, prepares for her suicide to end the pain of esophageal cancer. Her father, who left his family to study Buddhism in Nepal, ends his days in a Toronto facility for Alzheimer’s patients. The three are tied together not only by their bonds of affection, but by a book called The World, written by the old man in his youth. The book, possibly biographical, tells the story of a historian who unearths a cache of letters, written in Chinese, in an abandoned leper colony off the coast of Victoria. He and the young Chinese translator fall in love, only to betray each other in the cruellest way possible, each violating what the other reveres most.

    The Lonely Hearts Hotel is a love story with the power of legend. An unparalleled tale of charismatic pianos, invisible dance partners, radicalized chorus girls, drug-addicted musicians, brooding clowns, and an underworld whose economy hinges on the price of a kiss. In a landscape like this, it takes great creative gifts to thwart one's origins. It might also take true love.Two babies are abandoned in a Montreal orphanage in the winter of 1910. Before long, their talents emerge: Pierrot is a piano prodigy; Rose lights up even the dreariest room with her dancing and comedy. As they travel around the city performing clown routines, the children fall in love with each other and dream up a plan for the most extraordinary and seductive circus show the world has ever seen. Separated as teenagers, sent off to work as servants during the Great Depression, both descend into the city's underworld, dabbling in sex, drugs and theft in order to survive. But when Rose and Pierrot finally reunite beneath the snowflakes after years of searching and desperate poverty the possibilities of their childhood dreams are renewed, and they'll go to extreme lengths to make them come true. Soon, Rose, Pierrot and their troupe of clowns and chorus girls have hit New York, commanding the stage as well as the alleys, and neither the theater nor the underworld will ever look the same.With her musical language and extravagantly realized world, Heather O'Neill enchants us with a novel so magical there is no escaping its spell.

    He spends just as much time scraping the bottom as he does being high as a kite and can’t seem to find middle ground. A hopelessly self-destructive and at times unforgivably brutal young man, Clayton is a sometimes bartender at the Awl and Hatchet with a bad attitude that elicits love and loathing in equal measure. Over the course of a write-off year, Clayton wrestles with the conflicting desires of wanting to matter to somebody and to care for no one, wanting to prove he’s different from the so-called wasters around him but not enough to say no to a pint. In the filthy bars, cold back alleys and soiled bedrooms of downtown St. John’s that Clayton inhabits, we spend a debauched year with him as he drinks and dreams, fights and fails, screws and screws up. He lives his life as an eternal weekend, sure he can stop any time and accomplish great things. But then Clayton meets Isadora, who stirs something real and achingly human underneath the swagger, sending him on the bender of his life.Right Away Monday is a stormy novel of unlikely beauty, peopled by unforgettable characters—including one Valentine Reid, Clayton’s burnt-out and battered rocker uncle; the lovely though world-weary Monica; and the shrewd Mike Quinn, slum landlord and owner of the Awl and Hatchet. Unnervingly authentic, these are the constituents of a world grown weary and wasted, with a new generation stumbling blindly behind. But oblivion is only skin deep. Beneath the wreckage of youthful distraction lie the vast and abiding questions that haunt our quietest moments—questions of destiny, fate, mortality and of our connections to one another. Ushering the chaos and uncertainty of this dark bar-room universe into the bright intensity of Hynes’ unflinching gaze, Right Away Monday will grab you by the throat and not let you go.

    Whether plumbing family ties, the end of a marriage, or death itself, she never lets go of the witty, the ironic, and perhaps most notably, the awkward. Despite the title, the resolution in these stories isn't always tragic, but it's often uncomfortable, unexpected, or just plain strange. Character digressions, bad decisions, and misconceptions abound.While steadfastly local in her choice of setting, Baker's deep appreciation for nature takes a lot of these stories out of Vancouver and into the wild. Salmon and bees play reoccurring roles in these tales, as do rivers. Occasionally, characters blend with their animal counterparts, adding a touch of magic realism. Nature is a place of escape and attempted convalescence for characters suffering from urban burnout. Even if things get weird along the way, as Hunter S. Thompson said, "When the going gets weird, the weird turn pro."In Bad Endings, Baker takes troubled characters to a moment of realization or self-revelation, but the results aren't always pretty.