Chronicling five generations of this eccentric clan, Fall on Your Knees follows four remarkable sisters whose lives are filled with driving ambition, inescapable family bonds, and forbidden love. Their experiences will take them from their stormswept homeland, across the battlefields of World War I, to the freedom and independence of Jazz-era New York City.Compellingly written, running the literary gamut from menacingly dark to hilariously funny, this is an epic saga of one family’s trials and triumphs in a world of sin, guilt, and redemption.

    They just haven't met properly yet. And perhaps they never will . . . Today is the first day of the rest of your life is the motto on a plate in the kitchen at home, and Tess can't get it out of her head, even though she's in Florence for a final, idyllic holiday before university. Her life is about to change forever - but not in the way she expects. Gus and his parents are also on holiday in Florence. Their lives have already changed suddenly and dramatically. Gus tries to be a dutiful son, but longs to escape and discover what sort of person he is going to be. For one day, the paths of an eighteen-year-old girl and boy criss-cross before they each return to England.Over the course of the next sixteen years, life and love will offer them very different challenges. Separated by distance and fate, there's no way the two of them are ever going to meet each other properly . . . or is there?

    His grandmother taught him everything he needs to know to survive: She taught him to write things down so he won't forget them. She taught him to play the lottery every week. And, most important, she taught him whom to trust. When Gram dies, Perry is left orphaned and bereft at the age of thirty-one. Then his weekly Washington State Lottery ticket wins him 12 million dollars, and he finds he has more family than he knows what to do with. Peopled with characters both wicked and heroic who leap off the pages, Lottery is a deeply satisfying, gorgeously rendered novel about trust, loyalty, and what distinguishes us as capable.

    Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet.""Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."From that moment forward, Being Dead becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

    The characters in Feeding Time are as funny, annoying, sharp, deranged, loving, and infinitely various as everyone else. They deserve dignity, and they know it – which makes it all the more imperative that something is done about the appalling conditions in Green Oaks. A story about the triumph of the human spirit told with verve and originality, to simply outline the plot of Feeding Time is to miss out on the strangeness, zest, and vigor of a deeply impressive debut. It is a triumph of the spirit – and a blast of rage against the dying of the light.

    After escaping the last of a long string of abusive boyfriends, Jean Gilkyson and her ten-year-old daughter Griff have nowhere left to go. Nowhere except Ishawooa, Wyoming, where Jean's estranged father-in-law, Einar, still blames her for the death of his son. Though Einar isn’t glad to see either of them, Griff falls in love with his sprawling ranch and quiet way of life, as she slowly gets to know his crippled old friend Mitch, the cats that lurk in the barn at milking time, and finally the grandfather she had lost for so many years. An emotionally charged story of hard-won friendship and reconciliation, An Unfinished Life shows a novelist of extraordinary talents in the fullness of his powers.

    Equally, there are no secret access points to these hidden worlds that don’t exist, and there is no, 'unfinished business from the past' that is set to destroy, well, anything. There is no disaster looming.Anyway, regardless of any potential threat that may or may not be present, this publication, The Octunnumi and any reference to any other beings is a work of fiction.And for the record, Scariodintts, should they exist, are perfectly lovely beings whose purpose in life is grossly misunderstood.

    The girl’s captor, Bird, is one of the Huron Nation’s great warriors and statesmen. Years have passed since the murder of his family, and yet they are never far from his mind. In the girl, Snow Falls, he recognizes the ghost of his lost daughter, but as he fights for her heart and allegiance, small battles erupt into bigger wars as both tribes face a new, more dangerous threat from afar.Traveling with the Huron is Christophe, a charismatic missionary who has found his calling among the tribe and devotes himself to learning and understanding their customs and language. An emissary from distant lands, he brings much more than his faith to this new world, with its natural beauty and riches.As these three souls dance with each other through intricately woven acts of duplicity, their social, political and spiritual worlds collide - and a new nation rises from a world in flux.

    Now in their late 30s, the deeply devoted couple has everything-except the baby they've always wanted.When an accident leaves Elle brain dead, Matt is devastated. Though he cannot bear the thought of life without her, he knows Elle was afraid of only one thing-a slow death. And so, Matt resolves to take her off life support.But Matt changes his mind when they discover Elle's pregnant. While there are no certainties, the baby might survive if Elle remains on life support. Matt's mother, Linney, disagrees with his decision. She loves Elle, too, and insists that Elle would never want to be kept alive on machines. Linney is prepared to fight her son in court-armed with Elle's living will.Divided by the love they share, Matt and Linney will be pitted against each other, fighting for what they believe is right, and what they think Elle would have wanted resulting in a controversial legal battle that will ultimately go beyond one family . . . and one single life.

    Each set of family members occupies a floor of the home, in accordance to their standing within the family. Poisonous rivalries between sisters-in-law, destructive secrets, and the implosion of the family business threaten to unravel bonds of kinship as social unrest brews in greater Indian society. This is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. The eldest grandchild, Supratik, compelled by his idealism, becomes dangerously involved in extremist political activism—an action that further catalyzes the decay of the Ghosh home.Ambitious, rich, and compassionate, The Lives of Others anatomizes the soul of a nation as it unfolds a family history, at the same time as it questions the nature of political action and the limits of empathy. It is a novel of unflinching power and emotional force.

    He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.

    Suddenly, a classmate enters holding a gun, and Diana sees her life dance before her eyes. In a moment the future she was just imagining--a doting wife and mother at the age of forty--is sealed by a horrific decision she is forced to make. In prose infused with the dramatically feminine sensuality of spring, we experience seventeen-year-old Diana's uncertain steps into womanhood--her awkward, heated forays into sex; her fresh, fragile construction of an identity. Together with the sights and sounds of renewal, we experience the tasks of Diana's adulthood: protecting her beloved daughter and holding onto her successful husband.An acclaimed writer and poet, Laura Kasischke has crafted a consciousness that encompasses the truth of a teenager's world and the profound transformation of that world at midlife. Resonant and deeply stirring, The Life Before Her Eyes finds piercing beauty in the midst of a nightmare from long ago that echoes like a dirge beneath each new spring.

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.