After being taken prisoner by an enemy tribe, a Shoshoni girl escapes and makes a thousand-mile journey through the wilderness in search of her own people.

    The award-winning author of A Yellow Raft in Blue Water presents a tale based on an entry in the diary of Christopher Columbus that tells of a native family living in a vibrant community striving to coexist with the natural world.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    They survive a shipwreck and land safely in America searching for their father. But their new land is one of hardship and they live in poverty on the streets of Boston. However, their adventure is just beginning.An unforgettable tale of struggle, adventure and hope from War Horse author and former Children's Laureate, Michael Morpurgo. ‘There’s a plague, a fever, call it what you will, sweeping this country, and it’s coming closer all the time.’ Sean and Annie have one chance to escape the potato famine in Ireland, but they must leave their dying mother behind. They travel in search or their father, across rough seas, to a new land of hardship: America. It’s a long and dangerous trip, but their family’s survival depends on it. And the journey there is only the beginning …

    Despite his father's warnings about the 'savages', he secretly befriends Tethani, a native boy. The tragic story of the end of the Beothuks comes to life in this novel of the early days of colonization in Canada.

    There's nothing good about staying with Nell, except for the beautiful Darkling Wood at the end of her garden - but Nell wants to have it cut down. Alice feels at home there, at peace, and even finds a friend, Flo. But Flo doesn't seem to go to the local school and no one in town has heard of a girl with that name. When Flo shows Alice the surprising secrets of Darkling Wood, Alice starts to wonder, what is real? And can she find out in time to save the wood from destruction?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    When she discovers that the owner is cruel, she is determined to find a way to save Penny.

    Twelve-year-old Marco knows he is being trained for something, but he isn't sure what. All his life he has traveled with his father in secrecy, learning many languages and the ways of a gentleman, but forbidden to speak about their country of origin, Samavia. Samavia has been fraught with war for the last 500 years, ever since the prince mysteriously disappeared. But now, there is hope that peace may come at last, as it has been rumored that a descendant of the lost prince may have been found.

    Although she has seen white men before, Minuk has never seen a white woman--or a white child. It soon becomes clear that although the Hoffs can speak the Yup'ik language, they don't understand Yup'ik ways. When Mr. Hoff begins interfering with village ceremonies, even Minuk wonders why the missionary is so sure his ways are better than Yup'ik ways.

    A British officer boards their sloop, announces that Britain and America are at war, and takes her father prisoner. As Papa is led away, Caroline promises him that she will stay strong and steady until he returns. She tries hard to keep her promise by helping Mama run the family’s shipyard. Then the British attack her village and it looks as if the American side is in trouble. Can Caroline stay steady enough to help win the day?Includes an illustrated "Looking Back" essay about America in 1812.

    Join Joey and his sister Mary Alice as they spend nine unforgettable summers with the worst influence imaginable--their grandmother!

    But one night, she sees a strange light glowing from within it. She climbs a ladder to investigate . . . and finds herself transported back four hundred years to Hatfield Palace, where she becomes servant and confidante of the banished princess Elizabeth, daughter of King Henry VIII. Rose soon discovers something else surprising—a locket with two mysterious images inside it, both of them clues to her own past.Could her grandmother’s greenhouse portal offer answers to the mysteries of her family . . . and their secrets? And how will she ever unravel them all?

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    There, in a cave hidden high above the ocean, they discover a fabulous creature: a glittering three-headed golden dragon with a kind heart, an unpredictable temper, and a memory that spans 20,000 years. Transported by the magic of the dragon's stories, the children meet Mei-lan, a young girl in ancient China; nineteenth-century cabin boy Jamie Pritchett; and, in more recent times, Hitty and her brother, Will, who survive a frightening plane crash on a desert island. In this fluidly written novel, Rebecca Rupp explores what three children from the present learn from the past - and from an unlikely but wise and generous friend.