Along the way, he introduces us to mysterious and fabled characters-the gods, godlike pharaohs, emperors and empresses, who joined their fate to the Nile and gained immortality; the adventurers, archaeologists, and historians who have all fallen under its spell. With matchless erudition and storytelling skill, through a lens equal to both panoramas and close-ups, Wilkinson brings millennia of history into view.

    Western scholars and interpreters of the dakini, influenced by Jungian psychology and feminist goddess theology, have shaped a contemporary critique of Tibetan Buddhism in which the dakini is seen as a psychological "shadow," a feminine savior, or an objectified product of patriarchal fantasy. According to Judith Simmer-Brown—who writes from the point of view of an experienced practitioner of Tibetan Buddhism—such interpretations are inadequate. In the spiritual journey of the meditator, Simmer-Brown demonstrates, the dakini symbolizes levels of personal realization: the sacredness of the body, both female and male; the profound meeting point of body and mind in meditation; the visionary realm of ritual practice; and the empty, spacious qualities of mind itself. When the meditator encounters the dakini, living spiritual experience is activated in a nonconceptual manner by her direct gaze, her radiant body, and her compassionate revelation of reality. Grounded in the author's personal encounter with the dakini, this unique study will appeal to both male and female spiritual seekers interested in goddess worship, women's spirituality, and the tantric tradition.

    An acclaimed expose that has already helped reform Olympic sports—now updated to reflect the latest developments in women's gymnastics and figure skating—it continues to plead for sanity, safety, and an end to our national obsession: winning at any cost.

    Each powerful character will fire the imagination, entertain, and provoke debate.

    But they all made a significant contribution to the cultural and intellectual history of America and ultimately changed the course of the twentieth century, in spite of the men who often undervalued or dismissed their work. These ten women—Dorothy Parker, Rebecca West, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Nora Ephron, Renata Adler, and Janet Malcolm—are united by what Dean calls “sharpness,” the ability to cut to the quick with precision of thought and wit. Sharp is a vibrant depiction of the intellectual beau monde of twentieth-century New York, where gossip-filled parties at night gave out to literary slugging-matches in the pages of the Partisan Review or the New York Review of Books. It is also a passionate portrayal of how these women asserted themselves through their writing in a climate where women were treated with extreme condescension by the male-dominated cultural establishment. Mixing biography, literary criticism, and cultural history, Sharp is a celebration of this group of extraordinary women, an engaging introduction to their works, and a testament to how anyone who feels powerless can claim the mantle of writer, and, perhaps, change the world.

    What was a tragedy for the victims has proved an archaeologist’s dream, for the peculiar and acidic properties of the bog have preserved the bodies so that their skin, hair, soft tissue, and internal organs—even their brains—survive. Most of these ancient swamp victims have been discovered in regions with large areas of raised bog: Ireland, northwest England, Denmark, the Netherlands, and northern Germany. They were almost certainly murder victims and, as such, their bodies and their burial places can be treated as crime scenes. The cases are cold, but this book explores the extraordinary information they reveal about our prehistoric past.Bog Bodies Uncovered updates Professor P. V. Glob’s seminal publication The Bog People, published in 1969, in the light of vastly improved scientific techniques and newly found bodies. Approached in a radically different style akin to a criminal investigation, here the bog victims appear, uncannily well-preserved, in full-page images that let the reader get up close and personal with the ancient past.

    Knott structures the book to mirror the phases of pregnancy and early mothering, and covers everything from miscarriage to late-night feedings, from morning sickness to evolving terminologies. Though her own story is ever-present--we feel the baby on her hip, always at her side--Knott uses her present moment as a means of exploring the past, drawing on techniques from literary nonfiction and feminist maternal theory's embrace of anecdote. She builds a trellis of tiny scenes of mothering, using diaries, letters, reports, court records, conduct guides, clothing, and objects, as well as her own experiences. In so doing, Knott creates an unexpectedly moving and visceral depiction of mothering, past and present, as both a shared and an endlessly various human experience. Mothering, in her hands, is bodily but not merely biological.

    Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the witchcraft “victims” described, many were quick to see a vast conspiracy of the Devil (in league with the French and the Indians) threatening New England on all sides. By providing this essential context to the famous events, and by casting her net well beyond the borders of Salem itself, Norton sheds new light on one of the most perplexing and fascinating periods in our history.

    Continuing her life’s work to brighten and enrich American reading lives through the work of legendary Black authors, she now launches her Well-Read Black Girl Library Series with On Girlhood. This meticulously selected anthology features a wide range of unique voices, finally illuminating a distinctly robust sector of contemporary literature: groundbreaking short stories that explore the thin yet imperative line between Black girlhood and womanhood.Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—the unforgettable young protagonists within contend with the trials of coming of age that shape who they are and what they will become. With this tradition in mind, Innocence opens with Jamaica Kincaid’s searing “Girl,” in which a mother offers fierce instructions to her impressionable daughter. This deceptively simple yet profound monologue is followed by Toni Morrison’s first and only published short story, the now-canonical “Recitatif,” about two neglected girls who come together in youth only to find themselves on opposite picket lines in adulthood.In Belonging, Toni Cade Bambara’s “The Lesson” follows rambunctious students on a field trip where they are exposed to a new world of luxury. In Love, Dana Johnson’s “Melvin in the Sixth Grade” captures the yearning of a lovesick teen smitten with the only boy who looks her way. And in Self-Discovery, Edwidge Danticat’s “Seeing Things Simply” charts the creative awakening of Princesse, a young woman with a hunger to be fully seen. These inspiring tales of world builders and rule breakers conclude with Zora Neale Hurston’s “How It Feels to Be Colored Me,” a personal essay brimming with wit and strength: “When covered by the waters, I am; and the ebb but reveals me again.”At times heartbreaking and at times hilarious, these stories boldly push past flat stereotypes and powerfully convey the beauty of Black girlhood. In bringing together an array of influential authors—past and present—whose work remains timeless, Glory Edim has created an indispensable compendium for every home library and a soul-stirring guide to coming of age.Featuring stories by Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

    But the so-called Dark Ages also gave us the first universities, eyeglasses, and mechanical clocks, proving that the Middle Ages were home to a vibrant scientific culture.In The Light Ages, Cambridge science historian Seb Falk takes us on an immersive tour of medieval science through the story of one fourteenth-century monk, John of Westwyk. From multiplying Roman numerals to navigating by the stars, curing disease, and telling time with an ancient astrolabe, we learn emerging science alongside Westwyk, while following the gripping story of the struggles and successes of an ordinary man in a precarious world. An enlightening history that argues that these times weren’t so dark after all, The Light Ages shows how medieval ideas continue to color how we see the world today.

    From Isabella of Castile, and her granddaughter Mary Tudor, to Catherine de Medici, Anne Boleyn, and Elizabeth Tudor, these women wielded enormous power over their territories, shaping the course of European history for over a century. Across boundaries and generations, these royal women were mothers and daughters, mentors and protégées, allies and enemies. For the first time, Europe saw a sisterhood of queens who would not be equaled until modern times. A fascinating group biography and a thrilling political epic, Game of Queens explores the lives of some of the most beloved (and reviled) queens in history.

    When you learn about women in history, it's hard not to wonder: why do they all seem so prim and proper? The truth is, you're probably not being told the whole story. Also, (mostly male) historians keep leaving out or glossing over some of the most badass women who ever walked the surface of this planet. Fake news! But fret not. Former Buzzfeed senior writer and Washington Post pop culture host Hannah Jewell has got you covered. In 100 Nasty Women of History, Hannah will spill the tea on:-the women with impressive kill counts-the women who wrote dangerous things-the women who fought empires and racists-the women who knew how to have a good-ass time-the women who punched Nazis (metaphorically but also not)And that's just half of the women in this book. That's pretty metal.So, if you think that Nasty Women are a new thing, think again. They've always been around - you just haven't always heard of them. Take these stories and tell them to your friends. Write them on a wall. Sneakily tell them to your niece (who's old enough to hear the bad words, of course). Post them to your local MP (especially if it's a man). Make your friends dress up as Nasty Women for Halloween. These are the 100 Nasty Women of History who gave zero f*cks whatsoever. These are the 100 Nasty Women of History who made a difference. These are the 100 Nasty Women of History whom everyone needs to know about, right now.

    Travel writer Sarah Baxter expertly curates the world’s most wonder-filled sites where magic is made manifest. Discover the history and geography of each site and learn their most significant and spellbinding stories, with suggestions of features to look out for and information on ceremonies. Filled with beautifully bewitching illustrations, this guide aims to transport you, in the comfort of your own armchair, to sacred and mystical spots, digging into their legends and evoking their supernatural essence.   Seeking a transcendent travel experience? Take a magical pilgrimage to Alfaborg, the City of Elves; marvel at the otherworldly splendour of Xandadu, the heart of a lost dynasty; and discover the gateway to the afterlife in the Alepotrypa Cave. In these pages we meet mythical kings, explore sacred summits and enchanted architecture, and find a cast of giants, ghosts, golems and sea creatures. Featured locations: Tintagel, England Cadair Idris, Wales Loch Coruisk, Scotland Alfaborg, Iceland Chartres Labyrinth, France Harz Mountains, Germany Old-New Synagogue, Czech Republic Lake Bled, Slovenia Alepotrypa Cave, Greece Tartessos, Spain Cyclops Riviera, Italy Gedi Ruins, Kenya Stone Circles of Senegambia, Senegal & The Gambia Xanadu, China Takachiho, Japan Spiti Valley, India Mount Mani, South Korea The Pinnacles, Australia Nan Madol, Micronesia Majorville Medicine Wheel, Canada Bonaventure Cemetery, USA Mount Shasta, USA Malinalco, Mexico Lake Guatavita, Colombia Nazca Lines, Peru Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Artistic Places (March 2021), Spiritual Places, Literary Places and Hidden Places.

    Magliocco examines the roots that this religious movement has in a Western spiritual tradition of mysticism disavowed by the Enlightenment. She explores, too, how modern Pagans and Witches are imaginatively reclaiming discarded practices and beliefs to create religions more in keeping with their personal experience of the world as sacred and filled with meaning. Neo-Pagan religions focus on experience, rather than belief, and many contemporary practitioners have had mystical experiences. They seek a context that normalizes them and creates in them new spiritual dimensions that involve change in ordinary consciousness.Magliocco analyzes magical practices and rituals of Neo-Paganism as art forms that reanimate the cosmos and stimulate the imagination of its practitioners. She discusses rituals that are put together using materials from a variety of cultural and historical sources, and examines the cultural politics surrounding the movement--how the Neo-Pagan movement creates identity by contrasting itself against the dominant culture and how it can be understood in the context of early twenty-first-century identity politics.Witching Culture is the first ethnography of this religious movement to focus specifically on the role of anthropology and folklore in its formation, on experiences that are central to its practice, and on what it reveals about identity and belief in twenty-first-century North America.

    But all rage isn't created equal. Who gets to be angry? (If there's now space for cis white women's anger, what about black women? Trans women?) How do women express their anger? And what will they do with it-individually and collectively? In Burn It Down, a diverse group of women authors explore their rage-from the personal to the systemic, the unacknowledged to the public. One woman describes her rage at her own body when she becomes ill with no explanation. Another writes of the anger she inherits from her father. One Pakistani American writes, "To openly express my anger would be too American," and explains why. Broad-ranging and cathartic, Burn It Down is essential reading for any woman who has burned with rage but questioned if she is entitled to express it.