How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don’t rest at that, but endlessly disturb your mind.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    Admission. Aren't there two sides to the word? And two opposing sides...It's what we let in, but it's also what we let out." For years, 38-year-old Portia Nathan has avoided the past, hiding behind her busy (and sometimes punishing) career as a Princeton University admissions officer and her dependable domestic life. Her reluctance to confront the truth is suddenly overwhelmed by the resurfacing of a life-altering decision, and Portia is faced with an extraordinary test. Just as thousands of the nation's brightest students await her decision regarding their academic admission, so too must Portia decide whether to make her own ultimate admission. Admission is at once a fascinating look at the complex college admissions process and an emotional examination of what happens when the secrets of the past return and shake a woman's life to its core.

    It is here that Lisa Carey sets her lyrical and sensual first novel, weaving together the voices and lives of three generations of Irish and Irish-American women.Years ago, the fierce and beautiful Grace stole away from the island with her small daughter, Gráinne, unable to bear its isolation. Now Gráinne is motherless at fifteen, and a grandmother she has never met has come to take her back. Her heart is pulled between a life in which she no longer belongs and a family she cannot remember. But only on Inis Murúch can she begin to understand the forces that have torn her family apart.

    Driven to compartmentalize his life, the doctor attempts to order and contain his lovers as he does his collection of rare netsuke, the precious miniature sculptures gifted to him by his wife. This riveting exploration of one psychoanalyst’s abuse of power unearths the startling introspection present within even the darkest heart.

    This book tells the dramatic story of an unlikely friendship between two women, Mariam and Laila, who are married to the same man. The story takes us through each of their lives before the Russians enter Afghanistan, into the horrible years of Taliban rule, and beyond. Watching these women grow in their relationship, we are given a picture of what it has meant to be a woman in Afghanistan during the last four decades. The novel lifts the veil of these women and shows the reader the female face of Afghanistan's population. Readers can use Bookclub-in-a-Box to unravel and be sensitive to the exceptionally difficult situation in Afghanistan today, to appreciate the intricate nature of human endurance, faith, hope and resilience, to explore the complex relationships of Afghanistan's sons and daughters to each other and to the world at large, and to find out what Hosseini and others envision for Afghanistan's future. Every Bookclub-in-a-Box discussion guide includes complete coverage of the themes and symbols, writing style and interesting background information on the novel and the author.

    Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.

    The paragon of Gentlemen's Personal Gentlemen shimmers through these fat pages in much the same way as he did through the first Jeeves Omnibus. This volume contains one brilliant collection of short stories and two hilarious novels: Right Ho, Jeeves, Joy in the Morning and Carry On, Jeeves.

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

    Born to poverty and limited opportunities, they're able nonetheless to enjoy the largely innocent pleasures of childhood, but the adult world around them inevitably impinges. The narrator's elder sister falls pregnant and is sent to Ireland to have and give up the child; newcomer Tony and his mum are in danger of real violence at the hands of Tony's violent Polish stepfather; and no child who plays the part of altar boy at the chapel wants to be left alone with the local priest. Observant, clear-sighted in its portrayal of the darker side of life yet utterly warm-hearted, Spit Against the Wind reminds us of the wonders of childhood without sentimentality but with gentle humor and great charm.

    To entice him to travel underneath one of the most dangerous volcanoes on Earth to find the scientist, this shadowy organization will pay him the only thing he cares about: information that will allow him to avenge his family's murder. But before he can get paid, he and his team must enter an underground hellscape of killer plants, giant insects, terrifying dinosaurs, and an army of other predators never previously seen by man. At the end of this journey awaits a revelation that could alter the fate of mankind ... if they can make it back from this horrifying found world.

    His fierce jealous mother hates and fears her as does his brother, an Islamist hardliner. A feminist, an idealist, and very much in love, Sarah aims to live with integrity. Can she—dare she— in the kingdom where women are kept veiled and secluded? This love story of cultural collision is also a spiritual quest for Sarah, who is both fascinated and repelled by Islam. Former Middle East journalist Jean Grant takes us behind the locked doors of Saudi Arabian society. She presents a picture of the controversial kingdom on the cusp of change and of the men and women, both expatriates and nationals, who either embrace or courageously confront their destiny.

    Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    Expensive things in shops. Jelly that is not ready to eat yet. Cigarette lighters. Necks. Dead Things. Dogs. Piercings. Toddlers' cheeks. Each other's knees. People also like to touch death.Jasper wants to get on in the world, but he's got a lot on his plate: A-levels, his mother pushing him to overachieve, weekly visits to his psychologist, comedowns, YouTube suicides and pregnant one-night-stands. Then there's his stepdad - the murderer.Hilarious and heartbreaking by turns, Grow Up is the ultimate twenty-first-century coming-of-age novel. It paints a vivid portrait of the pills and thrills and bellyaches of growing up today. Funny, smart and twisted, it is the story of one young man transformed.