. . and lunch!Hector, Terrence, and Dee have always wondered about their school lunch lady. What does she do when she isn’t dishing out the daily special? Where does she live? Does she have a lot of cats at home? Little do they know, Lunch Lady doesn’t just serve sloppy joes—she serves justice! Whatever danger lies ahead, it’s no match for LUNCH LADY!

    and Mrs. Watson, Mercy is not just a pig — she's a porcine wonder. And to the portly and good-natured Mercy, the Watsons are an excellent source of buttered toast, not to mention that buttery-toasty feeling she gets when she snuggles into bed with them. This is not, however, so good for the Watsons' bed. BOOM! CRACK! As the bed and its occupants slowly sink through the floor, Mercy escapes in a flash — "to alert the fire department," her owners assure themselves. But could Mercy possibly have another emergency in mind — like a sudden craving for their neighbors' sugar cookies?

    Unfortunately, Nigel became a vampire at the awkward age of fifteen, and must now spend eternity coping with acne, a breaking voice, and total ineptitude with girls… In his excruciatingly funny diary, Nigel chronicles his increasingly desperate attempts to be noticed by the love of his life, Della Sparrow; the constant mortification caused by his vampire parents; and the frustration one feels when you’ve got the whole of boring eternity stretching out in front of you. Being a wimpy kid is bad enough when you’re normal. But it’s so much worse when you’re a vampire!

    Instead of school closing, leaving him free to roam, his sister Tansy steps in. Despite stolen supplies, a privy fire, and many snakes, Tansy maybe, just maybe, can set her brother on a wiser course.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    When Emily and Jess Volnik's family inherits a remote, crumbling Scottish castle, they also inherit the Boggart - an invisible, mischievous spirit who's been playing tricks on residents of Castle Keep for generations. Then the Boggart is trapped in a rolltop desk and inadvertently shipped to the Volniks' home in Toronto, where nothing will ever be the same - for the Volniks or the Boggart.In a world that doesn't believe in magic, the Boggart's pranks wreak havoc. And even the newfound joys of peanut butter and pizza and fudge sauce eventually wear thin for the Boggart. He wants to go home - but his only hope lies in a risky and daring blend of modern technology and ancient magic.

    Putter, who decides that a cat will keep him from feeling lonely. Rylant’s texts reflect admirable concern for brevity and meticulous consideration of every word. They are in perfect sync with Howard’s expressive sketches, which slip abundant visual jokes into sunny, transparent watercolors and gouaches, and fluid pencil and pastel scribbles."--Publishers Weekly

    MANGO and BRASH are the INVESTIGATORS:sewer-loving agents of S.U.I.T.* and scourge of supervillains everywhere!With their Very Exciting Spy Technology and their tried-and-true, toilet-based travel techniques, the InvestiGators are undercover and on the case! And on their first mission together, they have not one but two mysteries to solve! Can Mango and Brash uncover the clues, crack their cases, and corral the crooks—or will the criminals wriggle out of their grasp?*Special Undercover Investigation Teams

    Libris. But something strange is going on. Besides the security cameras everywhere, there’s Dr. Libris’s private bookcase. Whenever Billy opens the books inside, he can hear sounds coming from the island in the middle of the lake. The clash of swords. The twang of arrows. Sometimes he can even feel the ground shaking. It’s almost as if the stories he’s reading are coming to life! But that’s impossible . . . isn’t it?

    They must keep the hatchling safe from the villainous Saint George, who has kept himself alive over centuries by drinking dragons' blood.

    But her village is so safe and quiet! What’s a future giant slayer to do?With her best friend Marie (an aspiring princess), and her brother Gaston (a pastry-chef-to-be), Claudette embarks on a super-secret quest to find a giant—without parental permission. Can they find and defeat the giant before their parents find them and drag them back home? Giants Beware! offers up a wondrous, self-contained world in the tradition of the very best of Pixar. Claudette and her friends will have you laughing out loud from page one.  Giants Beware! Author Q&A What was your inspiration for the book?Rafael:  I’m not entirely sure.  I recently went through some old sketchbooks of mine and realized that I’d been drawing a character that looked kind of like our main character, Claudette, years before we even began the book.  I guess I’ve had this character of this girl with a lot of spunk in my subconscious for a while.  I’m also really into French comics and that influenced the look quite bit. Which character do you identify with and why?Rafael:  I’m not impulsive like Claudette.  I’m probably most like Gaston.  He thinks before taking the leap.  He worries a lot.  That’s probably more like me.Jorge:  I wish I could say I was like Marie.  Marie doesn’t care what other people think of her.  In this book, she aspires to be a princess and other kids make fun of her, but she doesn’t pay them any attention.  She’s very confident and smart.   I wish I were more like her.  I also wish I were like Claudette.  She’s brave, reckless, and impulsive.  But I’m not like her either.  Like Rafael, I’m probably most like Gaston.  I’m a little nervous and I love sweets.How did your partnership begin?Jorge:  We’ve known each other since we were both in film school at the Ohio State University in Columbus. I was in a writing class at OSU, and of all the bad scripts in class, mine was one of the least bad scripts, and so it was chosen to be produced with Rafael as the director.  We spent a good month or so filming a very bad film together.  That is how we became friends. Rafael:  Fast forward years later to Columbus, Ohio circa 2007.  We were at John Novak’s house (our colorist and a mutual friend).  I told Jorge about these characters I had bouncing around in my head and a story about a giant.  I went off and wrote and drew up the ideas I had so far.  I gave them to Jorge, and told him to run with it.  And he ran.  How did you draw the book?  How did you write the book?Rafael:  I drew the whole thing in Photoshop, on a Wacon Cintiq (a tablet-monitor). I like drawing digitally because it gives me a lot of flexibly down the line for edits and moving things around. John Novak and Matthew Schenk colored the book.  We used a DropBox to move files around between John Novak and Matthew Schenk (color), Jorge, and me.  Jorge and I would meet every once in awhile either in person in Columbus or via video chatting to go over pages and notes. Jorge:  I used Scrivener to collect all my notes, and Final Draft to write the script.  I lettered the book in Illustrator, which gave me the chance to do one last rewrite.  I’m always rewriting, and I always tried not to send any script pages to Rafael until they were fully baked or else he’d start drawing right away.What’s up with Claudette’s dad?Do you mean like why is he missing his legs and an arm?  Well, he fought a battle against a terrible dragon and lost.  You always hear about these great warriors who slay dragons.  Well, Augustine is a great warrior who had a very bad day.  And now his favorite sword is sitting in the belly of Azra the dragon.  But that’s a story for another day.

    Ben longs for the father he has never known. Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his mother's room and Rose reads an enticing headline in the newspaper, both children set out alone on desperate quests to find what they are missing.Set fifty years apart, these two independent stories - Ben's told in words, Rose's in pictures - weave back and forth in symmetry.

    So to make the best of a bad situation, they bend the cardboard into a man-and to their astonishment, it comes magically to life. But the neighborhood bully, Marcus, warps the powerful cardboard into his own evil creations that threaten to destroy them all!

    But after his dad’s string of successful books, a tragedy strikes the family and now his dad is completely stuck.If only artistic talent were hereditary. Ethan is stuck on a graphic-novel project of his own at school and won’t own up to the fact that he can’t draw. When one night an ink-blot creation emerges from his father’s sketchbook, the family’s whole world begins to change.Featuring artwork by the beloved, award-winning illustrator Sydney Smith, Inkling is a timeless story that speaks to the creator in us all.

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.