Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her. Pru giddily makes use of the power, punishing everyone from public vandals to mean gossips, but there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner. Quint is annoyingly cute and impressively noble, especially when it comes to his work with the rescue center for local sea animals.When Pru resigns herself to working at the rescue center for extra credit, she begins to uncover truths about baby otters, environmental upheaval, and romantic crossed signals—not necessarily in that order. Her newfound karmic insights reveal how thin the line is between virtue and vanity, generosity and greed, love and hate . . . and fate.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    He also specializes in getting things people want---term papers, a date with the prom queen, fake IDs. He has few close friends and he never EVER lets emotions get in the way. For Jesse, life is simply a series of business transactions.But when Ken Foster, captain of the football team, leading candidate for homecoming king, and all-around jerk, hires Jesse to help him win the heart of the angelic Bridget Smalley, Jesse finds himself feeling all sorts of things. While following Bridget and learning the intimate details of her life, he falls helplessly in love for the very first time. He also finds himself in an accidental friendship with Bridget’s belligerent and self-pitying younger brother who has cerebral palsy. Suddenly, Jesse is visiting old folks at a nursing home in order to run into Bridget, and offering his time to help the less fortunate, all the while developing a bond with this young man who idolizes him. Could the tin man really have a heart after all?A Cyrano de Bergerac story with a modern twist, Sway is told from Jesse’s point of view with unapologetic truth and biting humor, his observations about the world around him untempered by empathy or compassion---until Bridget’s presence in his life forces him to confront his quiet devastation over a life-changing event a year earlier and maybe, just maybe, feel something again.

    Joy got no goodbye, and certainly no explanation when Zan-the love of her life and the only good thing about stifling, backward Haven, Utah-unceremoniously and unexpectedly left for college a year early. Joy needs closure almost as much as she needs Zan, so she heads for California, and Zan, riding shotgun beside Zan's former-best-friend Noah. Original and insightful, quirky and crushing, Joy's story is told in surprising and artfully shifting flashbacks between her life then and now. Exquisite craft and wry, relatable humor signal the arrival of Emily Wing Smith as a breakout talent.

    Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    And not quietly: she's writing a column every week in the paper with her thoughts and fears and gripes. As her column raises all kinds of questions, so too, must she find her own private way in her world, with love popping up in an unexpected place, and satisfaction in her size losing ground to real frustration. Tapping into her own experience losing weight, her training as a psychotherapist, and the current fascination in the media for teens who are trying drastic weight-loss measures including surgery, Susan Vaught's searing and hilarious prose will grip readers of all sizes, leaving them eager to hear more.

    A spectacular, heart-stopping, life changing kiss. Somehow The Crimson Kiss (a romance novel she’s become obsessed with) and Four Steps to Living Your Fantasy (a self-help book she’s reading) have fused in Evangeline’s mind and sent her on a quest for a kiss. But the path to perfection is paved with many bad kisses—the smash mouth, the ear licker, the “misser.” The phrase “I don’t kiss and tell” means nothing to the boys in her school. And worse: someone starts writing her name and number on bathroom walls. And worst of all: the boy she's just kissed turns out to be her best friend’s new crush. Kissing turns out to be way more complicated than the romance novels would have you believe . . .From the Hardcover edition.

    When Nala Robertson reluctantly agrees to attend an open mic night for her cousin-sister-friend Imani's birthday, she finds herself falling in instant love with Tye Brown, the MC. He's perfect, except . . . Tye is an activist and is spending the summer putting on events for the community when Nala would rather watch movies and try out the new seasonal flavors at the local creamery. In order to impress Tye, Nala tells a few tiny lies to have enough in common with him. As they spend more time together, sharing more of themselves, some of those lies get harder to keep up. As Nala falls deeper into keeping up her lies and into love, she'll learn all the ways love is hard, and how self-love is revolutionary.In Love Is a Revolution, plus size girls are beautiful and get the attention of the hot guys, the popular girl clique is not shallow but has strong convictions and substance, and the ultimate love story is not only about romance but about how to show radical love to the people in your life, including to yourself.

    Now she's Ayla Monroe, daughter of the same mother but a different father - and she's the gorgeous, rich queen bee of her high school.In this universe, Ayla lives in glitzy Miami instead of dreary Pittsburgh and has beaucoup bucks, courtesy of her billionaire - if usually absent - father. Her friends hit the clubs, party backstage at concerts, and take risks that are exhilarating . . . and illegal. Here she's got a date to lose her V-card with the hottest guy she's ever seen.But on the inside, Ayla is still Annie.So when she's offered the chance to leave the dream life and head home to Pittsburgh, will she take it?The choice isn't as simple as you think.