Emmy is newly single, and not by choice. She was this close to the ring and the baby she's wanted her whole life when her boyfriend left her for his twenty-three-year-old personal trainer - whose fees are paid by Emmy. With her plans for the perfect white wedding in the trash, Emmy is now ordering takeout for one. Her friends insist an around-the-world sex-fueled adventure will solve all her problems - could they be right?Leigh, a young star in the publishing business, is within striking distance of landing her dream job as senior editor and marrying her dream guy. And to top it all off, she has just purchased her dream apartment. Only when Leigh begins to edit the enfant terrible of the literary world, the brilliant and brooding Jesse Chapman, does she start to notice some cracks in her perfect life...Adriana is the drop-dead-gorgeous daughter of a famous supermodel. She possesses the kind of feminine wiles made only in Brazil, and she never hesitates to use them. But she's about to turn thirty and - as her mother keeps reminding her - she won't have her pick of the men forever. Everyone knows beauty is ephemeral and there's always someone younger and prettier right around the corner. Suddenly she's wondering...does Mother know best?These three very different girls have been best friends for a decade in the greatest city on earth. As they near thirty, they're looking toward their future...but despite all they've earned - first-class travel, career promotions, invites to all the right parties, and luxuries small and large - they're not quite sure they like what they see...One Saturday night at the Waverly Inn, Adriana and Emmy make a pact: within a single year, each will drastically change her life. Leigh watches from the sidelines, not making any promises, but she'll soon discover she has the most to lose. Their friendship is forever, but everything else is on the table. Three best friends. Two resolutions. One year to pull it off.

    Each year, they return to the house and community they have known since they were children—and to Paul, the boy next door. But this summer marks a season of change: budding love and sexual interest, an illness, and a deep secret force all three to confront the increasing complexities of their lives and friendships.

    Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back.Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her.Ellen doesn’t know it, but she already has.

    . . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house...and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    I didn’t want to leave you... Luke Richardson has returned home after burying Natalie, his beloved wife of sixteen years, ready to face the hard job of raising their three children alone. But there’s something he’s not prepared for—a blue envelope with his name scrawled across the front in Natalie’s handwriting, waiting for him on the floor of their suburban Michigan home.The letter inside, written on the first day of Natalie’s cancer treatment a year ago, turns out to be the first of many. Luke is convinced they’re genuine, but who is delivering them? As his obsession with the letters grows, Luke uncovers long-buried secrets that make him question everything he knew about his wife and their family. But the revelations also point the way toward a future where love goes on—in written words, in memories, and in the promises it’s never too late to keep.

    Here, they chat about what's new at The Londoner, the glossy fashion magazine where they all work, and everything else that's going on in their lives. Or almost everything. Beneath the girl talk and the laughter, each of the three has a secret. And when a chance encounter at the cocktail bar sets in motion an extraordinary chain of events, each one will find their biggest secret revealed.In Cocktails for Three, Madeleine Wickham combines her trademark humor with remarkable insight to create an edgy, romantic tale of secrets, strangers, and a splash of scandal.

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    I don't know why that particular tree appealed to me. Perhaps it was because it looked as if it had given up and died years ago and was still standing because it didn't know what else to do..." In her deliciously funny, heartfelt, and moving debut, Cathy Lamb introduces some of the most wonderfully eccentric women since The Divine Secrets of the Ya-Ya Sisterhood and The Secret Life of Bees, as she explores the many ways we find the road home. From the moment Julia Bennett leaves her abusive Boston fiancé at the altar and her ugly wedding dress hanging from a tree in North Dakota, she knows she's driving away from the old Julia, but what she's driving toward is as messy and undefined as her own wounded soul. The old Julia dug her way out of a tortured, trailer park childhood with a monster of a mother. The new Julia will be found at her Aunt Lydia's rambling, hundred-year-old farmhouse outside Golden, Oregon. There, among uppity chickens and toilet bowl planters, Julia is welcomed by an eccentric, warm, and often wise clan of women, including a psychic, a minister's unhappy wife, an abused mother of four, and Aunt Lydia herself--a woman who is as fierce and independent as they come. Meeting once a week for drinks and the baring of souls, it becomes clear that every woman holds secrets that keep her from happiness. But what will it take for them to brave becoming their true selves? For Julia, it's chocolate. All her life, baking has been her therapy and her refuge, a way to heal wounds and make friends. Nobody anywhere makes chocolates as good as Julia's, and now, chocolate just might change her life--and bring her love when she least expects it. But it can't keep her safe. As Julia gradually opens her heart to new life, new friendships, and a new man, the past is catching up to her. And this time, she will not be able to run but will have to face it head on. Filled with warmth, love, and truth, Julia's Chocolates is an unforgettable novel of hope and healing that explores the hurts we keep deep in our hearts, the love that liberates us, the courage that defines us, and the chocolate that just might take us there.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    Laughter is the glue that holds them together—the foundation of a book group they call AHEB (Angry Housewives Eating Bon Bons), an unofficial “club” that becomes much more. It becomes a lifeline. Holding on through forty eventful years, there’s Faith, a lonely mother of twins who harbors a terrible secret that has condemned her to living a lie; big, beautiful Audrey, the resident sex queen who knows that with good posture and an attitude you can get away with anything; Merit, the shy doctor’s wife with the face of an angel and the private hell of an abusive husband; Kari, a wise woman with a wonderful laugh who knows the greatest gifts appear after life’s fiercest storms; and finally, Slip, a tiny spitfire of a woman who isn’t afraid to look trouble straight in the eye. This stalwart group of friends depicts a special slice of American life, of stay-at-home days and new careers, of children and grandchildren, of bold beginnings and second chances, in which the power of forgiveness, understanding, and the perfectly timed giggle fit is the CPR that mends broken hearts and shattered dreams.

    Kathleen has been cut off financially by her family and forced to enter "the real world" for the very first time. Sari has fallen for the man who made her life a living hell in high school, but now desperately needs her help. Lucy, torn between emotion and reason, must reevaluate her life when her lab and her boyfriend are assailed by an animal-rights group. At their club meetings, they discuss the really important questions: how bad is it, really, to marry for money if you like the guy a lot anyway? Can you ever forgive someone for something truly atrocious that they've done? Is it better to be unhappily coupled than happily alone? And the little ones: Can you wear a bra with a hand-knit tube top? Is it ever acceptable to knit something for a boyfriend? And why do your stitches become lopsided after your second martini? In Claire LaZebnik's hilarious and sometimes heartbreaking novel, Sari, Lucy, and Kathleen's lives intersect, overlap, unravel, and come back together in an utterly satisfying read.

    Happy to escape the demands of her life, she looks forward to her Friday Night Knitting Club, where she and her friends - Anita, Peri, Darwin, Lucie, and K.C. - exchange knitting tips, jokes, and their deepest secrets. But when the man who once broke Georgia's heart suddenly shows up, demanding a role in their daughter's life, her world is shattered.Luckily, Georgia's friends are there for encouragement, sharing their own tales of intimacy, heartbreak, and miracle making. And when the unthinkable happens, these women will discover that what they've created isn't just a knitting club; its a sisterhood.