The only problem is that he’s still in good health. A big celebration is in the works for his 100th birthday, but Allan really isn’t interested (and he’d like a bit more control over his alcohol consumption), so he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey. It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: he has not only witnessed some of the most important events of the 20th century, but actually played a key role in them. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    While driving home exhausted, the boys are involved in a fatal car accident on a deserted road. Two of the boys are wearing seat belts; one goes through the windshield. The doctors declare him brain-dead shortly after arriving at the hospital, but his heart is still beating.The Heart takes place over the twenty-four hours surrounding the resulting heart transplant, as life is taken from a young man and given to a woman close to death. In gorgeous, ruminative prose, it examines the deepest feelings of everyone involved as they navigate decisions of life and death.As stylistically audacious as it is emotionally explosive, The Heart mesmerized readers in France, where it has been hailed as the breakthrough work of a new literary star. With the precision of a surgeon and the language of a poet, de Kerangal has made a major contribution to both medicine and literature with an epic tale of grief, hope, and survival.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    Abandoned at birth in adjacent train station lockers, two troubled boys spend their youth in an orphanage and with foster parents on a semi-deserted island before finally setting off for the city to find and destroy the women who first rejected them. Both are drawn to an area of freaks and hustlers called Toxitown. One becomes a bisexual rock singer, star of this exotic demimonde, while the other, a pole vaulter, seeks his revenge in the company of his girlfriend, Anemone, a model who has converted her condominium into a tropical swamp for her pet crocodile.Together and apart, their journey from a hot metal box to a stunning, savage climax is a brutal funhouse ride through the eerie landscape of late-twentieth-century Japan.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer.Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.

    . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch"A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post"Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times"The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune "A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph"The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue

    As he awaits trial, a young separatist writes an espionage story in the psychiatric ward of the Montreal prison where he has been detained. Sheila Fischman’s bold new translation captures the pulsating life of Aquin’s complex exploration of the political realities of contemporary Quebec.

    Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature.The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi "a truly great writer."Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eight novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

    In Ingratitude,Ying Chen tells the story of Yan-Zi, who decides to commit suicide in order to escape the yoke of her dominating mother. The narrator's account of her final days recalls the chilling detachment of Camus's The Stranger.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one’s senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest into a territory overrun with the primitive excesses of Capitalism—accumulation and expulsion, corruption and cruelty—though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.

    Soon overwhelmed by the sheer beauty of the city and its magnificent art, Miss Garnet’s English reserve begins to melt away. For the first time in her life she falls in love—with an art dealer named Carlo—and her once ordinary world is further transformed by a beautiful Italian boy, Nicco, and an enigmatic pair of twins engaged in restoring the fourteenth-century Chapel-of-the-Plague. Most affecting to Julia, though, is her discovery in a local church of panels depicting the ancient tale of Tobias and the Angel. As Julia unravels the story of Tobias’s redemption, she too strives to recover losses—not just her own but also the priceless painting of an angel that goes mysteriously missing from the Chapel along with one of the twins restoring it. His name is Toby. And Miss Garnet herself may prove to be an angel, but nowhere in this haunting, beautifully textured and multilayered novel is anything quite what it appears to be.

    It is the story of a mysterious woman named Athena, told by the many who knew her well—or hardly at all.