Maybe we were meant to explode.”As a closeted teenager in the Deep South with a holy-roller father and the scars to prove it, bookworm Cole Furman has resigned himself to experiencing life and love only within the pages of his favorite novels. But after Nick Flores seems to walk off a page and starts to rewrite his story, Cole finds his dreams spinning into a dazzling – and complicated – reality. If you have ever found yourself on the wild breathless thriller ride that is young love, Honesty will rip you back again in screaming color.

    Reily, a gay man living contentedly in South Carolina, never expects to find himself raising a child. But when his sister and her husband die in an accident, their will makes him guardian of their infant son.

    Once in tinsel-town he meets a collection of startling, and often horny, characters in his quest. They include a studly steward, a conservative talk show host, the Godfather of the Gay Mafia, and casting assistant Jason Friedman, who always manages to be there in time to save Praline from total disaster. Will Praline find love with the illusive Dave G., or will he recognize the charms of appealing but untelegenic Jason?

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by the football team, he learns how to catch a spiraling ball, how to point a gun, and how to hide his innermost secrets.Max already expects some of the raucous behavior of his new, American friends—like their insatiable hunger for the fried and cheesy, and their locker room talk about girls. But he doesn’t expect the comradery—or how quickly he would be welcomed into their world of basement beer drinking. In his new canvas pants and thickening muscles, Max feels like he’s “playing dress-up.” That is until he meets Pan, the school “witch,” in Physics class: “Pan in his all black. Pan with his goth choker and the gel that made his hair go straight up.” Suddenly, Max feels seen, and the pair embarks on a consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of the local church. The boys, however, aren’t sure whose past is darker, and what is more frightening—their true selves, or staying true in Alabama.Writing in verdant and visceral prose that builds to a shocking conclusion, Genevieve Hudson “brilliantly reinvents the Southern Gothic, mapping queer love in a land where God, guns, and football are king” (Leni Zumas, author of Red Clocks). Boys of Alabama becomes a nuanced portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

    When he turned one, he fell face-down into his birthday cake. When he turned seven, he broke his arm. At his twelfth birthday, his house caught fire. Now Sam is about to turn sixteen and he is dreading the day.The only birthday wish he has is for Jake Timbers, the Mr. Popular of Arcadia High, to acknowledge his existence, or better yet give him a happy-birthday kiss. But that's unlikely to happen. Or is it?Disclaimer: The plot of the book substantially varies from the movie and all the references are made as a tribute to its awesomeness.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    He and his friends have a crappy band (an excuse to drink cheap beer and rock out to the Lemonheads) and hang out in parking lots doing stupid board tricks. But when Mike's girlfriend Lisa, who knows him better than he does, breaks up with him, he realizes he's about to have a major epiphany that will blow his mind. And worse--he gets elected to homecoming court.It's like the apocalypse came, only instead of nuclear bombs and zombies, Mike gets school participation, gay thoughts, and mother-effin' cheerleaders.With the free spirit of The Perks of Being a Wallflower, the raw voice of Winger, and characters reminiscent of Freaks & Geeks, this debut YA offers a standout voice and a fresh, modern take on the coming-out story.

    Too bad Frannie’s terrified. She won’t type a word without Marcus’s help.In the chat room, Marcus and Jeffrey hit it off. But the more Marcus writes, the more he’s convinced that Jeffrey is falling for him, not Frannie.Whose romance is this anyway? Read this heartwarming comedy of errors to find out.

    His five happy years with his lover Russell haven't fundamentally challenged Desmond's conviction that, at best, true love is "an acute form of tolerance." He's sexually restless, and looking forward to his four-month teaching stint in Boston as an attempt to regain some of his own identity and try to complete the biography he's been writing. Jane Cody, a Boston public television producer, is similarly disenchanted with her marriage to a clumsy, kindly professor of English. Lately, Jane has been meeting her ex-husband Dale for drinks and coffee, although she's well aware that he's a jerk. With so much going wrong in her life, it strikes Jane that she and Desmond could collaborate on a series of documentaries, salvaging both of their foundering work lives. A page-turner, not by virtue of its plot, but because of Stephen McCauley's utterly engaging narrative voice, True Enough reprises some of the themes of his earlier novel, The Object of My Affection. It also has the virtues of a good Woody Allen film: Great comic lines and brilliant social observation among a small circle of successful friends. And like so much of Allen's work, the subject is married love: Fidelity and betrayal in their many guises. A funny, well-developed novel with surprising emotional depth. --Regina Marler

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    As co-runners of the Internet’s third most popular Castaway Planet vlog, they love to spar with the “Cadsim” fangirls who think Cadmus will melt Sim’s mechanical heart by the Season 5 finale. This summer, Brandon and Abel have a mission: hit the road in an RV to follow the traveling Castaway Planet convention, interview the actors and showrunner, and uncover proof that a legit Cadsim romance will NEVER, EVER HAPPEN.A Brandon and Abel romance: also not happening. Brandon’s sick of his struggle to make “gay and Catholic” compute, so it’s safer to love a TV android. Plus Abel’s got a hot new boyfriend with a phoenix tattoo, and how can Brandon compete with that? But when mysterious messages about them start popping up in the fan community, they make a shocking discovery that slowly forces their real feelings to the surface. Before they get to the last Castaway Planet convention, Brandon’s going to find out the truth: can a mechanical heart be reprogrammed, or will his first shot at love be a full system failure?

    A mysterious stranger. A city in crisis.When 14-year-old Lance is saved from death, his life is forever changed. For starters, his savior claims to be King Arthur, the once and future ruler of ancient Britain. Lance has met lots of weirdos on the streets of L.A., and they claim to be many things. But this “king” not only reeks of sincerity, he wears armor, rides a gorgeous white horse, and lives in the storm drains underneath the city! Arthur has a throne, old-school clothes, and weapons up the wazoo. Swords, daggers, bows and arrows—the kind Lance has only seen in movies.Turns out this Arthur guy wants to start some kind of revolution. He plans to collect other cast-off kids like Lance—even teen gang members—and create a New Camelot of Knights to gain more rights for youth and shake up the out-of-touch politicians who run Los Angeles.Lance is all for helping kids like him. He’s spent his entire life in and out of the system, and it sucks. And he wants to believe in Arthur, but doubts even a king can accomplish such lofty goals. Despite these uncertainties, Lance readily accepts the position of First Knight—youth leader of Arthur’s new army—thereby setting in motion a crusade of tsunami proportions. When the children rise, will the city fall?The Lance Chronicles begin…

    Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before Annabeth was killed in a car accident.Enter Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—a hot one—and falls hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.