In ‘The Games Men Play’ he has combined twenty-one short stories that will take the reader on a haunting journey through the darkest St. Louis streets to its most rural counties. A terrific, fast paced storytelling style that never wastes a word, his work constantly entertains and demands to be read.

    She seeks solace from her toxic relationship by throwing herself into a new job that she loves, by confiding in her best friend Corina and, most dangerously of all, by spending more and more time with her workmate Owen – who just so happens to be passionate, charming and everything her husband used to be.Then one heat-of-the-moment decision on a business trip to Amsterdam sets off a series of events that will change the course of all their lives forever.

    They discussed this over bottles of red wine the night they met and promised, if ever they became a couple, they would remain childless and forever the other’s priority. One year after being married, Erica tells Stan she’s pregnant: news she’s very happy about. Stan considers talking Erica out of it, but that would mean aborting her child, something he knows Erica would never do. Two months into the pregnancy, Stan notices changes: times he and Erica enjoyed as a fun-loving childless couple are no longer; Erica’s attention is occupied with all things related to the forthcoming baby, and Stan has gone without sex for months. The child arrives and things get even worse; Stan feels like an outsider: a stranger living among his wife and her son. Erica gives all her time, attention and love to the infant, leaving none for her husband. Stan becomes envious; he looks at the newborn as a threat, tells himself something must be done—but what? He fights his jealous thoughts, knowing horrible things would happen if he were ever to act on them. But one night while drunk, Stan attempts to make love to his wife but is once again rejected. His pride hurt and feeling disowned, Stan stumbles into the baby’s room with intentions of eliminating his problem once and for all, knowing there can only be one man in Erica’s life. That is the promise his wife had made him on the night they met, and it is the promise he intends to make her keep.

    Now the Governor General’s Award finalist is back with The Fearsome Particles, a brilliantly observed comic tragedy about the widening cracks in a family’s picture-perfect veneer. Gerald Woodlore, a window screen executive, wakes one morning to find, to his utter dismay, that he has reached the limits of what he can control. The company he works for is rapidly losing market share and a junior assistant seems to be the only one with an idea how to fix it. His wife, Vicki, a luxury real-estate dresser, appears to be bending under the pressures of constructing an image of perfect happiness both at work and at home. But most worrying of all is Gerald and Vicki’s twenty-year-old son, Kyle, who quit school to volunteer with the military’s civilian support staff in Afghanistan. Now he has returned early and retreated to his room in the wake of a mysterious and traumatic event. With his trademark wit and strong emotional insight, Trevor Cole has created a compelling, tender story that captures a family at a crucial turning point.The Fearsome Particles has recently been optioned for film.

    For some, it’s denial; for others, blunt pragmatism. Still others depend on an over-inflated view of self to keep criticism and doubt at bay. In his new short story collection, Whirl Away, Russell Wangersky – author of critically-acclaimed fiction and non-fiction including The Glass Harmonica, Burning Down the House: Fighting Fires and Losing Myself and The Hour of Bad Decisions – looks at what happens when people’s personal coping skills go awry. These are people who discover their anchor-chain has broken: characters safe in the world of self-deception or even self-delusion, forced to face the fact that their main line of defense has become their greatest weakness. From the caretaker of a prairie amusement park to the lone occupant of a collapsing Newfoundland town, from a travelling sports drink marketer with a pressing need to get off the road to an elevator inspector who finds himself losing his marriage while sensuously burying himself in the tastes and smells of the kitchen, these are people who spin wildly out of control, finding themselves in a new and different world.

    But soon enough he finds himself starring in a drama of his own creation. Nothing in Jake's life is the same after Vanni, a whip-smart, wisecracking Indian-Irish-Canadian joins his class, and after Jake meets the unforgettable Alba, who is as stunning as she is unattainable. Jake is tongue-tied around Alba and enlists Vanni's help. All of a sudden — like the Shakespeare play Jake's school is putting on — Jake finds himself entwined in a love triangle of sorts, complete with secrets and suppressed passions, contrived plots, miscues and misunderstandings. By the end, as in any good comedy, tensions are resolved and Jake's world has been re-made, though in a way he could not have anticipated.From the Trade Paperback edition.

    He knows all about trilobites, and bridge, and that he doesn't want to be Victoria Brown's boyfriend, and that tapping maple trees causes them excruciating pain. He knows his real dad is probably flying a hot-air balloon across the Pacific, or paving a city with moss. And he knows that Simon, the guy who pretends to be his dad, does absolutely nothing interesting. But when Arthur finds a weather-worn notebook in the woods behind his house, all he has are questions. Why was its author, Phil, so sad, and why does it end on page 43? Suddenly, there are other questions too: Why do people abandon people? Why do they abandon themselves?Arthur embarks on a top-secret investigation to find out who Phil is -- or was. But getting straight answers from grown-ups is impossible, and before long, the only thing he knows for sure is that everything he thought he knew about life is probably wrong and that what he has to do is ten times bigger than what he can do.Told through a trio of voices: the wildly imaginative and perpetually awkward Arthur, Phil's manic journal and the forest that watches them both, Ben Stephenson's debut novel is a heartbreaking story of love, death and the unspeakable pain of being small. A Matter of Life and Death Or Something marks the exciting debut of an inventive and gifted storyteller.

    But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    At twenty-three, she has decided to step away from her master’s degree and city life to board a floatplane bound for the remote boreal forest.For sixty-seven days, Anna will be working and living alongside twelve strangers. Together this group of young men and women will keep the lodge running. While the male fishing guides head out on the water with the fishermen who are the lodge’s guests, the women stay on land to clean and serve. Against the backdrop of a vast lake, wild storms, and hot days and eerily still nights, Anna encounters bears, bugs, and the lore surrounding the lake’s legendary pike. As the summer progresses, complex (and sometimes fraught) bonds form between the men and women who work at the lodge and the tension builds. Anna notices a shift in her outlook, too: she finds herself letting go of fears and insecurities and welcoming surprises and possibilities, both good and bad, with a willingness to be changed by them.Warm, funny, vulnerable, and wise, Dirty Work offers a singular perspective on the age-old impulse to leave familiar surroundings behind. It’s for anyone who has ever felt the urge to test themselves and wondered how they’d fare and who they’d be when they came out on the other side.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Titles In This Set:- The Cuckoo's Calling;The Silkworm;Career of Evil;Lethal White. Description:- The Cuckoo's Calling: When a troubled model falls to her death from a snow-covered Mayfair balcony, it is assumed that she has committed suicide. However, her brother has his doubts, and calls in private investigator Cormoran Strike to look into the case. - The Silkworm: When novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, she just thinks he has gone off by himself for a few days - as he has done before - and she wants Strike to find him and bring him home. - Career of Evil: When a mysterious package is delivered to Robin Ellacott, she is horrified to discover that it contains a woman's severed leg.Her boss, private detective Cormoran Strike, is less surprised but no less alarmed. - Lethal White: When Billy, a troubled young man, comes to private eye Cormoran Strike's office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story.

    With his unflinching attention to emotional detail, Redhill proves once again to be "a writer of considerable humanity and insight" (A.L. Kennedy) .

    Abduction is a high-tech thriller about a mysterious transmission from the bottom of the Atlantic Ocean that will change everything you know about life on Earth. Two great thriller by the master of the medical thriller.

    Keita can only be safe if he keeps moving and eludes Hamm and the officials who would deport him to his own country, where he will face almost certain death.This is the new underground. A place where tens of thousands of people deemed to be “illegal” live below the radar of the police and government officials.As Keita surfaces from time to time to earn cash prizes by running local road races, he has to assess whether the people he meets are friends or enemies: John Falconer, a gifted student intent on making a documentary about AfricTown; Ivernia Beech, an elderly woman who is at risk of being forced into an assisted living facility; Rocco Stanton, a recreational marathoner who is the Immigration Minister; Lula DiStefano, self-declared Queen of AfricTown and Madame of the community’s infamous brothel; and Viola Hill, one of the only black reporters in the country, who is investigating the possibility of corruption linking the highest officials in Freedom State and Zantoroland.Keita’s very existence in Freedom State is illegal. As he trains in secret, eluding capture, the stakes keep getting higher. Soon, he is running not only for his life, but his sister’s life, too.Fast-moving and compelling, The Illegal addresses the fate of an undocumented refugee who struggles to survive in a nation that does not want him.

    Lizzy is the steadfast grandmother; crazy, red-haired Josie, the mother; and Kit, the 14-year-old daughter who tells their story. Like a maritime cutter, the narrative sails along smoothly, and much of the dialogue is in the distinctive argot of that windy Atlantic island: "When it's clear like ice and ribbed on the bottom--that's the killin' frost. Your berries are dead. Good for moose and caribou pickin's. Now, there's them that picks 'em anyway, and that's why their jam is as tart as a whore's arse." With its partridgeberry patches, moose stew, and endless cups of tea, this is quintessential Newfoundland. After Lizzy dies, the nasty local pastor wants to put Kit in an orphanage and Josie in an appropriate institution. The compassionate Doctor Hodgins becomes their staunch defender against both do-gooders and those plotting Kit's downfall. This first novel is a female coming-of-age story of the rural variety, replete with endemic poverty, good-hearted and downright evil village people, and the constant irritant of Newfoundland's raw, nasty weather. It is also the touching story of Kit's first love, and it reads like a breeze. --Mark Frutkin