She has a family that loves her, friends that make her laugh, and she's wrapped up in the excitement of graduating high school and going off to college to pursue her dream of becoming an author. When her mother, who also happens to be Addison's best friend, dies unexpectedly, her world comes to a crashing halt. Death changes everyone... To make the pain go away, Addison and her father travel down separate, dark paths. She chooses to end her grief forever, while he drowns his sorrows in the bottom of a bottle. How do you learn to live again when the most important person in your life is gone? Addison struggles to pick up the pieces of her life. Instead of getting back to being the carefree teenager she once was, she's stuck handling all of the responsibilities that should have been her father's. She has no time to grieve, no time for emotions, and no time for happiness...until Zander Reinhardt walks in. All it takes is one little handwritten note on a napkin to kick-start her back to life and help her realize that maybe there's more to that life than pain. But can it really be that simple? Can she really trust this man who makes her feel alive again for the first time in a year?

    One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn't even know who Yaqui is, never mind what she's done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn't Latin enough with her white skin, good grades, and no accent. And Yaqui isn't kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she's never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy's life. Is there any way for Piddy to survive without closing herself off or running away? In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine who is forced to decide who she really is.

    Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone.Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.

    If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t quite nail a first date . . . or a second first date . . . or a third?What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?

    As usual, Grandmere has other ideas, and thinks a reality TV special is just the thing in order to celebrate royally. The whole scheme smacks of Lilly's doing -- Lilly, whose own TV show is still only limited to local cable viewers.Will Mia be able to stop Grandmere's plan? Will her friends ever forgive her if she does stop it, since it involves all of them taking the royal jet to Genovia for an extravaganza the likes of which would turn even Paris Hilton green with envy? Why can't Mia get what she really wants: an evening alone with Michael?With a little luck, this sweet sixteen princess might just get her wish -- a birthday that's royally romantic.