The trial itself was sensational enough to attract the attention of the world’s largest association of professional forensic investigators. At the start, everyone expected a ‘guilty’ verdict. His fingerprints were at the scene, the murder weapon was in his car and a blood stain in the bathroom was matched to one of his shoes. And yet, he was acquitted and is now suing the Minister of Police, saying that the evidence was fabricated. Altbeker witnessed the trial, and looks closely at how the justice system failed both van der Vyver and Lotz.

    It is only as Frieda finds the courage to tell her “terrible stories” that she at last begins to create her own place in a world where she has always felt herself an exile.

    It was shortly before 19h00 when Don Steenkamp jumped out of the vehicle and ran into the station’s charge office, covered in blood, to announce that his parents and sister had been brutally shot and killed on the family farm, Naauwhoek. Although the killings were initially thought to be just another farm attack, months later a sixteen-year-old youth was arrested for the murders, setting in motion a chain of events that would grip South Africa, and divide the people of Griekwastad.Based on interviews with all the role-players, including the investigating officers on the case, the forensic and ballistic experts, and family and friends of the deceased, this is the riveting account of what really happened on Naauwhoek farm on that fateful day, as told by the reporter who followed the case from day one…

    The garden saved her.Poppy was six years old when she was rescued from her abusive mother and taken to her grandparents' farm to recover. There, under a wide South African sky, Poppy succumbs to the magic of their garden. Slowly, her memories fade and her wounds began to heal.But as Poppy grows up into a strange, fierce and beautiful young woman, her childhood memories start to surface. And then a love affair with a troubled older man explodes her world...

    You'll not find six more remarkable characters: a cashier-turned motivational speaker, an undertaker with a toenail fetish, a girl wrapped in dreams, a man who communicates with whales, a garbage man with a peculiar sense of smell, and a Guinness Book of World Records representative.

    

    During this time, I happened to cross a tunnel and kept on thinking while crawling my way out that “will there be light at the end of the tunnel?” Indeed there was. As I came out and dropped on my knees with my hands raised in air I heard a whisper, “What do you seek?” and the first words which came out of my mouth were “Sarcasm O’ Dear Lord.”

    He's putting aside childish things, starting his first business serving food to the workers in Cape Town. His Pa is proud.At the same time, Mattie is pulled toward an altogether different version of masculinity, in which oiled and toned bodies cavort for him at the click of a mouse. His porn addiction threatens his relationship with his boyfriend, Jack, and imperils his inheritance.Pa’s days as a swaggering businessman are done, but even as cancer shrivels him, his ancient authority intensifies. While the family wrestles with his patrimony, around them a new South Africa moves forward, demanding they confront the challenges of the future as well as the past.

    He has gone on to become one of the most powerful voices for cultural freedom on the whole of the African continent today. Ndebele evokes township life with humor and subtlety, rejecting the image of black South Africans as victims and focusing on the complexity and fierce energy of their lives. "Our literature," says Ndebele, "ought to seek to move away from an easy preoccupation with demonstrating the obvious existence of oppression. It exists. The task is to explore how and why people can survive under such harsh conditions." About Njabulo Ndebele: now Chancellor of Witwatersrand University in South Africa. Ndebele began publishing these stories from exile in Lesotho during the 1980s. Ndebele is now recognised as a major voice in South Africa's cultural life. This is his only fiction collection available in Europe or North America. Ndebele's stories first began appearing in Staffrider magazine, an innovative publishing venture linked to the Soweto branch of South African PEN. Founded after the bloody Soweto riots of the mid-1970s, the magazine took as its symbol the staffriders, un-ticketed commuters from the black townships who every day clung onto or balanced on top of buses and trains to get into the cities to work. Staffrider magazine, and in particular Ndebele's stories, helped define a new tone in black South African literature that went beyond and finally overcame apartheid.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    Johannesburg.Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata Mandela's death...So begins Johannesburg, Fiona Melrose's searing second novel. Responsive to Virginia Woolf's Mrs Dalloway, the story follows a polyphonic course across a single day, culminating in a party and traces the fractures and connections of the city.An irascible mother, a daughter trying to negotiate her birthplace and the people from her past, a homeless hunchback who takes his fight for justice to the doors of a mining company, a mining magnate, a man still haunted by his first love, the domestic workers who serve this cast and populate the neighbourhood, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

    In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection.Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

    His highly-acclaimed work includes One Hundred Years of Solitude, The Autumn of the Patriarch and Love in the Time of Cholera. He won the Nobel Prize for Literature in 1982 for his literary production prior to Chronicle of a Death Foretold. A principal exponent of 'magical realism', his work forms a significant part of the debate about postmodernist writing, and the study of fantasy as a genre. Dr. Fiddian's detailed and accessible Introduction places Marquez's work in the contexts of national, regional (Caribbean) and continental (Latin American) writing and develops a coherent overview of the author's literary output. The essays selected for inclusion in this collection bring together some of the most up-to-date and authoritative assessments of Marquez's writing, from early stories and novellas, through the major novels, up to Love in the Time of Cholera. Featuring a variety of critical approaches, this fascinating study provides the first annotated anthology of criticism in English.

    South Africa is on the brink of total transformation and in Walmer Estate, a busy suburb on the slopes of Devil’s Peak, fourteen-year-old Alia Dawood is about to undergo a transformation of her own. She watches with fascination and fear as the national drama unfolds, longing to be a part of what she knows to be history in the making. As her revolutionary aspirations strengthen in the months before the elections, her intense, radical Uncle Waleed reappears, forcing her parents and sister Nasreen to confront his subversive and dangerous past.Nadia David’s first novel moves across generations and communities, through the suburbs to the city centre, from the lush gardens of private schools to the dingy bars of Observatory, from landmark mosques and churches to the manic procession of the Cape Carnival, through evictions, rebellions, political assassinations and first loves. The book places one family’s story at the heart of a country’s rebirth and interrogates issues of faith, race, belonging and freedom.An Imperfect Blessing is a vibrant, funny and moving debut.

    There was a time when major English writers - P.G. Wodehouse, Arthur Conan Doyle, Alec Waugh - took time off to write about cricket, whereas the cricket book market today is dominated by ghosted autobiographies and statistical compendiums. The Picador Book of Cricket celebrates the best writing on the game and includes many pieces that have been out of print, or difficult to get hold of, for years. Including Neville Cardus, C.L.R. James, John Arlott, V.S. Naipaul, C.B. Fry this anthology is a must for any cricket follower or anyone interested in sports writing elevated to high art.