Alongside Rowan’s own raw diary entries, poems, and personal photos are taped in letters, photos, and poems from her friends who inspire her, like the poet rupi kaur, photographer Gia Coppola, and writer Jenny Zhang, among others. The result is an intimate portrayal of modern girlhood and a thoughtful reflection on what it means to be a teenager in today’s world.

    Consent is a must. Safety is paramount. No judgment of anyone or whatever the desire. Other than that?Prepare to give your soul to the Devil, because you’re in her playground now.Bree sees Hellfire as her permanent escape. A place where she can forget her old relationships and seek out new, temporary pleasures. Yet when she sees the woman of her dreams on the night of a big key party, Bree knows she must have her – even if for only tonight.Yet Amelia isn’t a woman who gives her heart as easily as she gives her body. Fresh from a heartbreaking divorce, she’s in Hellfire to get back in the dating game, convinced that a night of senseless fun with a stranger will erase her sadness.When Bree ends up in her dream girl’s room, Amelia is more than surprised. They both like women, but there is something about this encounter that is new to them both. For Amelia, it’s her first taste of a real romance with another woman. For Bree, it’s the first inkling that true love might be real after all.It helps that Bree possesses the perfect key for Amelia’s closely-guarded handcuffs…

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    "there are so many words I've left unsaidso instead of going another year or five or tenin brutal, crushing silencedon't waste this opportunitydon't be scared when the full weight of my hearttests the strength of your handsI'm trusting you with something I barely trust myself withthis knowingthis tellingthis momentous uprootingI'm hereI amI am right here in these words"A debut poetry collection about love, heartbreak, body image, how absolutely breathtaking girls are, flower blooms and starlight.

    Worse, she lives in the small Alaska town of Moose Point, which never lets her forget it. From the annual Moose Madness Festival to the moose bumper stickers to the giant sign for the Moose Point Pub where she works, this town loves its moose.Worst of all? Maggie really is a moose. A moose shifter, to be specific. It's just that no one knows. No one can ever know.Except one person ...Wolf shifter Fiona Barton was one of the mean girls in high school ... and Maggie's desperate crush. Years after shaking the dust of Moose Point off her heels, she's back in town for a pack event and runs headlong into Maggie—and this time she recognizes what she didn't before: the tall girl with the shy, beautiful smile is her fated mate.Fiona is openly out; Maggie isn't. But Fi has a lot to make up for, and Maggie has a lot of soul-searching to do before a wolf and a moose can ride off into the sunset together.A hilarious and heartwarming enemies-to-lovers lesbian romcom, with a guaranteed HEA!

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.