Inspirational, inviting, and beautiful, it combines stunning images with entertaining and informative text that captures the essence of being there.

    It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cúailnge. The hero of the tale is Cúchulainn, the Hound of Ulster, who resists the invaders single-handed, while Ulster's warriors lie sick.Thomas Kinsella's presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements from other version, and adds a group of related stories which prepare for the action of the Táin. Illustrated with brush drawings by Louis le Brocquy, this edition provides a combination of medieval epic and modern art.

    What makes his book so valuable, however, are the quirky subjects he chooses to illustrate how history really works: the great winter freeze of 1740 and the famine that followed; crime and dueling; an emigrant voyage; evictions. These episodes get behind the historical headlines to give a glimpse of past realities that might otherwise be lost to view. The author has retained the original episodic structure of the radio programs. The result is a marvelous mosaic of the Irish past, delivered with clarity and narrative skill.

    As it chronicles the activities of members of Sinn F�in, the Irish Republican Brotherhood, Cumann na mBan, and the Irish Volunteers, this compelling volume addresses a range of key questions that continue to divide historians of modern Ireland: What led people from ordinary backgrounds to fight for Irish freedom? What did they think they could achieve given the superior forces arrayed against them? What kind of republic were they willing to kill and die for? Fearghal McGarry deftly interweaves the oral history of the rank-and-file revolutionaries of the Rising into a comprehensive, yet powerfully affecting narrative--one that The Boston Globe called "vivid and compelling" and "a poignant mosaic of idealism, bravery, and humanity."

    This street-level view of Northern Ireland provides the best explanation of the twenty-five-year conflict.

    On board were: writers, artists, honeymooners, sportsmen, priests, reverends, fashion designers, aristocrats, millionaires, children, crew and emigrants looking for a better life.This book tells of their lives, and shines the spotlight on: Some of the great ship’s surprising treasures Her fêted voyage from Belfast’s Harland & Wolff shipyard The fascinating museums devoted to her memory, including Titanic Belfast The iconic music and movies Her winged and four-legged passengers The sister ships of Olympic and Britannic Tales of heroism Theories surrounding Titanic’s fatal collision The lifeboats and just how close the SS Californian was on that tragic night How Arctic explorer Ernest Shackleton and the inquiries viewed events These stories and much more lie inside.

    That afternoon she went with her fiancée to watch Tipperary and Dublin play a gaelic football match at Croke Park. Across the city nine men lay dead in their beds after a synchronised IRA attack designed to cripple British intelligence services in Ireland. Trucks of police and military rumbled through the city streets as hundreds of people clamoured at the metal gates of Dublin Castle seeking refuge. Some of them were headed for Croke Park.Award-winning journalist and author Michael Foley recounts the extraordinary story of Bloody Sunday in Croke Park and the 90 seconds of shooting that changed Irish history forever. In a deeply intimate portrait he tells for the first time the stories of those killed, the police and military that were in Croke Park that day, and the families left shattered in its aftermath, all against the backdrop of a fierce conflict that stretched from the streets of Dublin and the hedgerows of Tipperary to the halls of Westminster.

    This book combines narrative, analysis, historiography, and scores of contemporary illustrations. This work aims to provide an insight into the misery of the famine and the nightmare of mass evictions that followed.

    Each artist is represented by a full-page colour plate of a definitive work, accompanied by explanatory and illuminating information on the image and its creator. Glossaries of artistic movements and technical terms are included, making this a valuable work of reference as well as a feast for the eyes. By breaking with traditional classifications, The Art Book presents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multi-faceted culture.

    Combining linguistics and cultural history, Gaston Dorren takes us on an intriguing tour of the continent, from Proto-Indo-European (the common ancestor of most European languages) to the rise and rise of English, via the complexities of Welsh plurals and Czech pronunciation. Along the way we learn why Esperanto will never catch on, how the language of William the Conqueror lives on in the Channel Islands and why Finnish is the easiest European language.Surprising, witty and full of extraordinary facts, this book will change the way you think about the languages around you. Polyglot Gaston Dorren might even persuade you that English is like Chinese.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    In six hundred years, the Celts had produced some of the finest artistic and scientific masterpieces of the ancient world. In 58 BC, Julius Caesar marched over the Alps, bringing slavery and genocide to western Europe. Within eight years the Celts of what is now France were utterly annihilated, and in another hundred years the Romans had overrun Britain. It is astonishing how little remains of this great civilization. While planning a bicycling trip along the Heraklean Way, the ancient route from Portugal to the Alps, Graham Robb discovered a door to that forgotten world--a beautiful and precise pattern of towns and holy places based on astronomical and geometrical measurements: this was the three-dimensional "Middle Earth" of the Celts. As coordinates and coincidences revealed themselves across the continent, a map of the Celtic world emerged as a miraculously preserved archival document.Robb--"one of the more unusual and appealing historians currently striding the planet" (New York Times)--here reveals the ancient secrets of the Celts, demonstrates the lasting influence of Druid science, and recharts the exploration of the world and the spread of Christianity. A pioneering history grounded in a real-life historical treasure hunt, The Discovery of Middle Earth offers nothing less than an entirely new understanding of the birth of modern Europe.

    It is filled with scenes of ribaldry and revelry and acts as a prelude to Maeve’s war with the men of Ulster.Stephens's two novellas, Deirdre (1923) and In the Land of Youth (1924), are drawn from the Ulster cycle of Irish mythology. They were intended to be part of a five-volume work, recounting the great Irish epic: An Táin Bó Cuailgne (The Cattle Raid of Cooley), but Stephens abandoned the idea, discouraged by critical reaction.

    At that point, we will be at the same distance in time from 1970 as 1970 was from 1920, the year Al Jolson's ‘Swanee’ was the bestselling record and Gustav Holst composed The Planets.The Beatles continue to occupy a position unique in popular culture. They have entered people's minds in a way that did not occur before, and has not occurred since. Their influence extended way beyond the realm of music to fashion, politics, class, religion and ethics. Countless books have doggedly catalogued the minutiae of The Beatles. If you want to know the make of George Harrison's first car you will always be able to find the answer (a second hand, two-door, blue Ford Anglia 105E Deluxe, purchased from Brian Epstein's friend Terry Doran, who worked at a dealership in Warrington). Before she met John Lennon, who was the only Beatle Yoko Ono could name, and why? Ringo. Because ‘ringo’ means ‘apple’ in Japanese. All very interesting, but there is, as yet, no book about The Beatles that combines the intriguing minutiae of their day-to-day lives with broader questions about their effect – complicated and fascinating – on the world around them, their contemporaries, and generations to come.Until now. Craig Brown's 1-2-3-4: The Beatles in Time is a unique, kaleidoscopic examination of The Beatles phenomenon – part biography, part anthropology, part memoir, by turns humorous and serious, elegiac and speculative. It follows the unique “exploded biography” form of his internationally bestselling, Ma'am Darling: 99 Glimpses of Princess Margaret.

    Captured in lavish detail and sumptuous color, here are scores of objects dating back to the reigns and tombs of such fabled kings and queens as Akhenaten, Nefertiti, and, of course, Tutankhamun, the richest trove of all. From superbly sculpted life-sized statues to elegantly inlaid furniture to funerary urns and myriad implements that guarantee safe passage to the Afterlife, they offer vivid insights into the skillful workmanship and astonishing sophistication of Egyptian culture in the golden age of the pharaohs. Intricate golden jewelry glitters with precious gems, while bas-relief panels depict great events and religious ceremonies. Each photograph is accompanied by a precise description of materials, subject, and significance.