Winner of three Tony Awards, including Best Book, Urinetown is a tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold.

    This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    The series is written and show-run by Neil himself and stars David Tennant, Michael Sheen, Jon Hamm and Miranda Richardson, to name but a few.**Includes an introduction by Neil Gaiman about bringing GOOD OMENS to the screen**In 1990, dream literary collaborators Terry Pratchett and Neil Gaiman published 'the funniest book they could write' about the end of the world. Now, Neil Gaiman reinvents their groundbreaking classic for 2019 with his original shooting scripts from the show, and gives readers a unique insight into his adaptation and vision for translating this iconic novel to the screen in an introductory essay.This all-new take on a tale about representatives of good and evil who join forces to prevent the coming apocalypse (which is scheduled to happen on a Saturday, just after tea) will be a joy for fans and new readers alike.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    But never has he blended these disparate elements into such a brilliantly cohesive whole as he has in Lips Together, Teeth Apart,hailed by Frank Rich of the New York Times as McNallys"most ambitious and most accomplished play yet."At the heart of this haunting play is a dramatically incisive portrait of two married couples - the Trumans and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. Acerbic and haunting, Lips Together, Teeth Apart probes the stifledlives of people and their prejudices with a stunning clarity that resonates long after.

     Before you can say Pensioner Barbie she’s in a stolen car, heading to the North Yorkshire coastal village of Kearton Bay in search of the father she never knew, with only her three-year-old daughter and a family-sized bag of Maltesers for company. Ignoring the pleas of her uncle, chat show presenter Joe Hollingsworth, Eliza determines to find the man who abandoned her mother and discover the reason he left them to their fate. All she has to go on is his name – Raphael – but in such a small place there can’t be more than one angel, can there? Gabriel Bailey may have the name of an angel but he’s not feeling very blessed. In fact, the way his life’s been going he doesn’t see how things can get much worse. Then Eliza arrives with her flash car and designer clothes, reminding him of things he’d rather forget, and he realises that if he’s to have any kind of peace she’s one person he must avoid at all costs. But with the help of beautiful Wiccan landlady, Rhiannon, and quirky pink-haired café owner, Rose, Eliza is soon on the trail of her missing angel, and her investigations lead her straight into Gabriel’s path. As her search takes her deeper into the heart of his family, Eliza begins to realise that she’s in danger of hurting those she cares about deeply. Is her quest worth it? And is the angel she’s seeking really the one she’s meant to find?

    Here are some of the remarkable features of Barnes & Noble Classics:    New introductions commissioned from today's top writers and scholars    Biographies of the authors    Chronologies of contemporary historical, biographical, and cultural events    Footnotes and endnotes    Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work    Comments by other famous authors    Study questions to challenge the reader's viewpoints and expectations    Bibliographies for further reading    Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Oscar Wilde’s legendary wit dazzles in The Importance of Being Earnest, one of the greatest and most popular works of drama to emerge from Victorian England. A light-hearted satire of the absurdity of all forms and conventions, this comic masterpiece features an unforgettable cast of characters who, as critic Max Beerbohm observed, “speak a kind of beautiful nonsense—the language of high comedy, twisted into fantasy.” This collection also includes Oscar Wilde’s most famous comedies, Lady Windermere’s Fan, A Woman of No Importance, and An Ideal Husband, as well as his poetic tragedy Salomé—all written between 1891 and 1895, Wilde’s most creative period. George Bernard Shaw said of Oscar Wilde that he is “our most thorough playwright. He plays with everything: with wit, with philosophy, with drama, with actors and audience, with the whole theater.”

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.

    "A brave and breathtaking musical."--The New York Times

    

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    Lottie is a child star, dancing and singing at the Gaiety Theatre to an enraptured audience, whilst Louella acts as Max Magic's assistant. But Lottie was in hospital for weeks after a road accident and has lost her memory. Louella tries to help but the white mist remains. Until Lottie meets a boy with golden-brown eyes who calls her "Sassy" and accuses her of running away.It is after this meeting that the dreams start, dreams of another life, almost another world, and Lottie, sharing them with Baz, begins to believe he knows more than he chooses to tell. But then Merle joins the act and Lottie feels Baz and Merle, both older than she, are in league against her. Then the dreams begin to grow clearer and Lottie realises she must find her past, at no matter what cost.

    In a race against the clock, Nicole uncovers the dark secrets of her parents’ pasts, but can she come to terms with the truth in enough time to rescue her boyfriend?

    She’d only just returned from an unexplained absence of months. Peter had already taken a new lover, but there’s no real proof he killed his wife. Can Inspector John Crow solve the case before anyone else dies?BOOK 2: ERROR OF JUDGMENTA young woman is found dead in college amid a student protest. It turns out she was the principal’s secretary and there was more to her than meets the eye. Who wanted her dead and why? And what does it have to do with the student revolt led by a charismatic firebrand from Iraq?BOOK 3: THE WOODS MURDERSchoolgirl Jenny Carson is brutally murdered in Kenton Wood. Then Charles Lendon is found skewered through the heart. He was a ruthless lawyer and a shameless womaniser. Jenny’s father blames him for her murder.BOOK 4: MURDER FOR MONEYGossip-mongering journalist Charlie Rutland is found brutally slain. In his line of work, he wasn’t short of enemies. DI Crow must interrogate a long list of suspects, from a homeless Yorkshireman to an ex-Gestapo officer. Then British spy services get involved. Can Crow crack the case before it’s taken out of his hands?BOOK 5: MURDER IN THE MINEA hunt for a missing dog leads to a gruesome discovery down a Welsh mineshaft. Not just the injured dog, but a valuable piece of jewellery and the decaying corpse of a woman. A surprising confession follows. But Inspector Crow is not convinced he has his man. Can he uncover the true killer, despite the many perplexing questions surrounding the case?BOOK 6: A COTSWOLDS MURDERCaravan park manager Chuck Lindop is found with his head caved in. The locals insist he was a lovable rogue. So who wanted him dead and why? As the investigation wears on, Inspector Crow uncovers shady dealings at the caravan park. Could Chuck himself have been involved?BOOK 7: A FOX HUNTING MURDEROne crisp autumn morning, the hunt is in full swing. But instead of a fox, they find their notorious opponent: dead in a bush. Inspector Crow uncovers a side to the victim that no one has seen before. But can he trust his instincts in a case where nothing is what it seems?BOOK 8: A DARTMOOR MURDERFred Norman is found dead in a pond near the mine where he worked. DI Crow is called in to investigate and finds a community divided. Many local activists oppose the mine. Suspicion soon falls on their womanizing leader, but Crow is aware that are many false trails and too many lies. Then he learns a secret about the victim that changes everything.