Yet there is another tale to tell.Dotted throughout this remote land are pianos — grand instruments created during the boom years of the nineteenth century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood.How these pianos travelled into this snow-bound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decemberist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle.The Lost Pianos of Siberia is largely a story of music in this fascinating place, following Roberts on a three-year adventure as she tracks a number of different instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful — and peppered with pianos.

    In every lonely corner of every sea, through every night, every day, and every imaginable weather, tiny crews of seafarers work the giant ships which keep landed life afloat. These ordinary men live extraordinary lives, subject to dangers and difficulties we can only imagine, from hurricanes and pirates to years of confinement in hazardous, if not hellish, environments. Horatio Clare joins two container ships on their epic voyages across the globe and experiences unforgettable journeys. As the ships cross seas of history and incident, seafarers unfold the stories of their lives, and a beautiful and terrifying portrait of the oceans and their human subjects emerges.Winner of the Stanford Dolman Travel Book of the Year

    For millennia this massif in eastern Turkey has been rumored as the resting place of Noah's Ark following the Great Flood. But it also plays a significant role in the longstanding conflict between Turkey and Armenia.Author Rick Antonson joined a five-member expedition to the mountain's nearly 17,000-foot summit, trekking alongside a contingent of Armenians, for whom Mount Ararat is the stolen symbol of their country. Antonson weaves vivid historical anecdote with unexpected travel vignettes, whether tracing earlier mountaineering attempts on the peak, recounting the genocide of Armenians and its unresolved debate, or depicting the Kurds' ambitions for their own nation’s borders, which some say should include Mount Ararat.What unfolds in Full Moon Over Noah's Ark is one man’s odyssey, a tale told through many stories. Starting with the flooding of the Black Sea in 5600 BCE, through to the Epic of Gilgamesh and the contrasting narratives of the Great Flood known to followers of the Judaic, Christian and Islamic religions, Full Moon Over Noah's Ark takes readers along with Antonson through the shadows and broad landscapes of Turkey, Iraq, Iran and Armenia, shedding light on a troubled but fascinating area of the world.

    Along with a charismatic photographer named Pascal, Wade went seeking the Drung people, a dwindling minority in the vast empire of China, said to live in an obsure valley in Southern Tibet. No Westerner had been to the Drung valley in over a century.Yak Butter & Black Tea is a story of daring and adventure, offering a fascinating glimpse into a hidden corner of contemporary China. And it is the account of a young man, driven by a compulsion he doesn't understand, as he tests himself in this dangerous, exotic land."A remarkable account of exploration and adventure in forbidden lands. Travel writing of the old school at its best."—Joe Simpson, author of Dark Shadows Falling and Touch of the Void.

    However, its troubles only served to increase the interest of Daily Telegraph correspondent Tim Butcher, who was sent to cover Africa in 2000. Before long he became obsessed with the idea of recreating Stanley’s original expedition — but travelling alone.Despite warnings Butcher spent years poring over colonial-era maps and wooing rebel leaders before making his will and venturing to the Congo’s eastern border. He passed through once thriving cities of this country and saw the marks left behind by years of abuse and misrule. Almost, 2,500 harrowing miles later, he reached the Atlantic Ocean, a thinner and a wiser man.Butcher’s journey was a remarkable feat. But the story of the Congo, vividly told in Blood River, is more remarkable still.From the Hardcover edition.

    As in Nothing to Declare, her celebrated travelogue of South America, Morris combines vivid portrayals of people and historical portraits of Soviet events with a more personal journey--her search for roots, family, and her ancestral home in the Ukraine.

    So with little more than a change of clothes and two bars of soap, Ma takes off to immerse himself in the remotest parts of China. His journey would last three years and take him through smog-choked cities and mountain villages, from scenes of barbarity to havens of tranquility. Remarkably written and subtly moving, the result is an insight into the teeming contradictions of China that only a man who was both insider and outsider in his own country could have written.

    Outer Hebrides, 600 acres . . . Puffins and seals. Apply . . . ”.In this radiant and powerful book, Adam describes, and relives, his love affair with this enchantingly beautiful property, which he inherited when he was twenty-one. As the islands grew to become the most important thing in his life, they began to offer him more than escape, giving him “sea room”—a sailing term Nicolson uses to mean “the sense of enlargement that island life can give you.”The Shiants—the name means holy or enchanted islands—lie east of the Isle of Lewis in a treacherous sea once known as the “stream of blue men,” after the legendary water spirits who menaced sailors there. Crowned with five-hundred-foot cliffs of black basalt and surrounded by tidal rips, teeming in the summer with thousands of sea birds, they are wild, dangerous, and dramatic—with a long, haunting past. For millennia the Shiants were a haven for those seeking solitude—an eighth-century hermit, the twentieth-century novelist Compton Mackenzie—but their rich, sometimes violent history of human habitation includes much more. Since the Stone Age, families have dwelled on the islands and sailors have perished on their shores. The landscape is soaked in centuries-old tales of restless ghosts and ancient treasure, cradling the heritage of a once productive world of farmers and fishermen.In passionate, keenly precise prose, Nicolson evokes the paradoxes of island life: cut off from the mainland yet intricately bound to it, austere yet fertile, unforgiving yet bewitchingly beautiful.Sea Room does more than celebrate and praise this extraordinary place. It shares with us the greatest gift an island can bestow: a deep, revelatory engagement with the natural world.

    Returning again and again, Garrels found that the city's new freedoms and opportunities were both exciting and traumatic. As the economic collapse of the early 1990s abated, Chelyabinsky became richer and more cosmopolitan while official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.Putin Country crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals, and watch as doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.Garrels’s portrait of Russia’s silent majority is an essential corrective to the misconceptions of Putin's supporters and critics alike, especially at a time when cold war tensions are resurgent.

    But the mix of imperial Russian opulence and Soviet decay, and the allure of emotionally unavailable Russian men proved strangely irresistible to comedian Audrey Murray.At age twenty-eight, while her friends were settling into corporate jobs and serious relationships, Audrey was on a one-way flight to Kazakhstan, the first leg of a nine-month solo voyage through the former USSR. A blend of memoir and offbeat travel guide (black markets in Uzbekistan: 5 stars; getting kidnapped in Turkmenistan: 1 star) this thoughtful, hilarious catalog of a young comedian’s adventures is also a diary of her emotional discoveries about home, love, patriotism, loneliness, and independence.Sometimes surprising, often disconcerting, and always entertaining, Open Mic Night in Moscow will inspire you to take the leap and embark on your own journey into the unknown. And, if you want to visit Chernobyl by way of an insane-asylum-themed bar in Kiev, Audrey can assure you that there’s no other guidebook out there. (She’s looked.)

    My Family and Other Animals was intended to embrace the natural history of the island but ended up as a delightful account of Durrell’s family’s experiences, from the many eccentric hangers-on to the ceaseless procession of puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies into their home.

    Everest. Members of a French climbing expedition, sensitive perhaps about leaving the bodies where they could not be recovered, rolled them off a steep mountain face. One body, however, crashed to a stop near Sherpas on a separate expedition far below. They stared at the frozen corpse, stunned. They said nothing, but an American climber observing the scene interpreted their thoughts: Nobody would throw the body of a white climber off Mt. Everest.For more than a century, climbers from around the world have journ-eyed to test themselves on Everest's treacherous slopes, enlisting the expert aid of the Sherpas who live in the area. Drawing on years of field research in the Himalayas, renowned anthropologist Sherry Ortner presents a compelling account of the evolving relationship between the mountaineers and the Sherpas, a relationship of mutual dependence and cultural conflict played out in an environment of mortal risk.Ortner explores this relationship partly through gripping accounts of expeditions--often in the climbers' own words--ranging from nineteenth-century forays by the British through the historic ascent of Hillary and Tenzing to the disasters described in Jon Krakauer's Into Thin Air. She reveals the climbers, or sahibs, to use the Sherpas' phrase, as countercultural romantics, seeking to transcend the vulgarity and materialism of modernity through the rigor and beauty of mountaineering. She shows how climbers' behavior toward the Sherpas has ranged from kindness to cruelty, from cultural sensitivity to derision. Ortner traces the political and economic factors that led the Sherpas to join expeditions and examines the impact of climbing on their traditional culture, religion, and identity. She examines Sherpas' attitude toward death, the implications of the shared masculinity of Sherpas and sahibs, and the relationship between Sherpas and the increasing number of women climbers. Ortner also tackles debates about whether the Sherpas have been spoiled by mountaineering and whether climbing itself has been spoiled by commercialism.

    Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain of the fringes, a landscape consumed by developers. London Orbital charts this extraordinary trek and round trip of the soul, revealing the country as you've never seen it before

    But most of all, they had the best trips. Over the eight months (and twenty-five countries) that followed, Moore retraced the steps of many who had made the overland journey from London to the East circa 1967 with the knowledge that his funds were painfully inadequate and the chances of actually making it through places like the Balkans, Iran and China were, in a word, slim. THE WRONG WAY HOME is the hilarious account of this life-enhancing Grand Tour by means of bone-rattling bus rides, furnace-like trains and exorbitantly-priced taxis. Along the way, Moore took in the world's most expensive disco in Albania; the bombed out villages and military checkpoints of Croatia; the opium fields of Laos; student riots in Jakarta, and an all-night beach rave on a small island in southern Thailand. He describes the places - and the people he encountered there - with a mixture of awe, irreverence and self-deprecation. Striking a chord with all those travellers, young and old, who have stood where Moore stood, THE WRONG WAY HOME entertains and alarms those of us who love to read about off-the-beaten-track travel adventures but would never be fool enough to pack our rucksacks and go.

    Almost thirty years later he set off in search of the legendary winds of Europe; from the Helm, to the Bora, the Foehn and the Mistral.Where the Wild Winds Are is Nick Hunt's story of following the wind from the fells of Cumbria to the Alps, the Rhone to the Adriatic coast, to explore how these unseen powers affect the countries and cultures of Europe, and to map a new type of journey across the continent. From the author of the Dolman Prize-shortlisted Walking the Woods and the Water.