Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region.Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using historical record, present-day news reports, and eyewitness interviews to examine this hidden menagerie of America’s homegrown beasts.

    Seventeen-year-old Violet Fairdale knows this better than anyone—she’s about to become the best guardian the Guild has seen in years. That is, until a cute human boy who can somehow see through her faerie glamor follows her into the Fae realm. Now she’s broken Guild Law, a crime that could lead to her expulsion.The last thing Vi wants to do is spend any more time with the boy who got her into this mess, but the Guild requires that she return Nate to his home and make him forget everything he’s discovered of the Fae realm. Easy, right? Not when you factor in evil faeries, long-lost family members, and inconvenient feelings of the romantic kind. Vi is about to find herself tangled up in a dangerous plot—and it’ll take all her training to get out alive.[This novel was originally published in four separate parts: Guardian, Labyrinth, Traitor and Masquerade. It includes bonus scenes at the end that were not published in the individual parts.]

    Until the night he whispers her name.For years, Valera has worked weary hours as a seamstress just to keep food on the table. She would give her all to protect her little sister from the cruelties of the world . . . and the tantalizing lure of the fae forest. One day, she fears, the fae will spirit her sister away, and how can Valera hope to stop them?Then the fae come. Not for her sister . . . but for her.Trapped in a magnificent palace far from her own world, Valera finds herself the unwilling bride of an enigmatic fae lord. He claims he won’t harm her and vows to return her home after a year and a day if she honors one rule: she must never see his face.Determined to return to her sister at all costs, Valera struggles to unravel the mystery of her so-called husband. Why does he so desperately need a wife? And why her specifically? Torn between love, duty, and the unexpected freedom she finds in this strange new world, Valera must fight to find her place.But will a burgeoning passion for the unseen figure in the shadows be her undoing?The Moonfire Bride is book one of a two-part fae romance inspired by the myth of “Hades and Persephone” as well as “Eros and Psyche.” Read today if you’re craving a dark, swoon-worthy hero and a sweet, slow-burn romance with just a touch of steam!

    In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.   This book sets the notorious European witch trials in the widest and deepest possible perspective and traces the major historiographical developments of witchcraft. Hutton, a renowned expert on ancient, medieval, and modern paganism and witchcraft beliefs, combines Anglo-American and continental scholarly approaches to examine attitudes on witchcraft and the treatment of suspected witches across the world, including in Africa, the Middle East, South Asia, Australia, and North and South America, and from ancient pagan times to current interpretations. His fresh anthropological and ethnographical approach focuses on cultural inheritance and change while considering shamanism, folk religion, the range of witch trials, and how the fear of witchcraft might be eradicated.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.It may not be enough.Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.

    By day, they gather herbs for Auntie’s healing potions; by night, Auntie spins tales of faraway lands and wicked fairies. Clara’s favorite story tells of three orphan infants—Clara, who was brought to Auntie by a stork; Maren, who arrived in a seashell; and their best friend, O’Neill, who was found beneath an apple tree.One day, Clara discovers shimmering scales just beneath her sister’s skin: Maren is becoming a mermaid and must be taken to the sea or she will die. So Clara, O’Neill, and the mermaid-girl set out for the shore. But the trio encounters trouble around every bend. Ensnared by an evil troupe of traveling performers, Clara and O’Neill must find a way to save themselves and the ever-weakening Maren.And always in the back of her mind, Clara wonders, if my sister is a mermaid, then what am I?

    But breaking with "The Tradition" was no easy matter--until she got a little help from her own fairy godmother. Who promptly offered Elena a most unexpected job...Now, instead of sleeping in the chimney, she has to deal with arrogant, stuffed-shirt princes who keep trying to rise above their place in the tale. And there's one in particular who needs to be dealt with...Sometimes a fairy godmother's work is never done...

    When you think of a witch, what do you picture? Pointy black hat, maybe a broomstick. But witches in various guises have been with us for millennia. In Waking the Witch, Pam Grossman explores the cultural and historical impact of the world’s most magical icon. From the idea of the femme fatale in league with the devil in early modern Europe and Salem, to the bewitching pop culture archetypes in Buffy the Vampire Slayer, Sabrina the Teenage Witch, and Harry Potter; from the spooky ladies in fairy tales and horror films to the rise of feminist covens and contemporary witchcraft, witches reflect the power and potential of women. In this fascinating read that is part cultural analysis, part memoir, Pam opens up about her own journey on the path to witchcraft, and how her personal embrace of the witch helped her find strength, self-empowerment, and a deeper purpose. A comprehensive meditation on one of the most mysterious and captivating figures of all time, Waking the Witch celebrates witches past, present, and future, and reveals the critical role they have played—and will continue to play—in shaping the world as we know it.

    The highly readable texts and over 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the ca. 350 essays examines a given symbol’s psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image—all these factors are taken into consideration.Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche’s unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams to directly experiencing its personal and psychological resonance.The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    It was like the day the gnomes chased me all over again, but this time I was not escaping some horrible little creatures, I was fleeing from an incredibly good-looking guy who could very well understand me completely. I was either saving myself from that serial killer I always imagined lived down in the swamp, or I had finally gone over the deep end . . .Meghan Elam has been strange her entire life: her eyes have this odd habit of changing color and she sees and hears things no one else does. When the visions and voices in her head start to get worse, she is convinced that her parents will want to drag her off to another psychiatrist. That is, until the mysterious Cade MacRoich shows up out of nowhere with an explanation of his own.Cade brings her news of another realm where goblins and gnomes are the norm, a place where whispering spirits exist in the very earth, and a world where Meghan just might find the answers she has always sought.

    These marvellous and mysterious phantoms - non-existent islands, invented mountain ranges, mythical civilisations and other fictitious geography - were all at various times presented as facts on maps and atlases. This book is a collection of striking antique maps that display the most erroneous cartography, with each illustration accompanied by the story behind it.      Exploration, map-making and mythology are all brought together to create a colourful tapestry of monsters, heroes and volcanoes; swindlers, mirages and murderers. Sometimes the stories are almost impossible to believe, and remarkably, some of the errors were still on display in maps published in the 21st century. Throughout much of the 19th century more than 40 different mapmakers included the Mountains of Kong, a huge range of peaks stretching across the entire continent of Africa, in their maps - but it was only in 1889 when Louis Gustave Binger revealed the whole thing to be a fake. For centuries, explorers who headed to Patagonia returned with tales of the giants they had met who lived there, some nine feet tall. Then there was Gregor MacGregor, a Scottish explorer who returned to London to sell shares in a land he had discovered in South America. He had been appointed the Cazique of Poyais, and bestowed with many honours by the local king of this unspoiled paradise. Now he was offering others the chance to join him and make their fortune there, too - once they had paid him a bargain fee for their passage...       The Phantom Atlas is a beautifully produced volume, packed with stunning maps and drawings of places and people that never existed. The remarkable stories behind them all are brilliantly told by Edward Brooke-Hitching in a book that will appeal to cartophiles everywhere.

    But when she meets the handsome Sonny Flannery, Kelley has to face the shocking truth that the world of Faeries is all too real - and that she is an unwitting part of it. Sonny warns Kelley that she is no mere mortal, and that she is being haunted by powerful forces from the Faerie realm. Now, Kelley must come to terms with her heritage - and her growing feelings for Sonny - if she wants to save not only herself, but also the human world that she holds dear.