Inspired by a real-life case of an IVF laboratory mix-up.Grace and Dan Arden are in their forties and have been on the IVF treadmill since the day they got married. Six attempts have yielded no results, and with each failure a little piece of their hope dies. Priya Laghari and her husband Nick Archer are being treated at the same fertility clinic, and while they don’t face the same time pressure as the Ardens, the younger couple have their own problems. On the same day that Priya is booked for her next IVF cycle, Grace goes in for her final, last-chance embryo transfer. Two weeks later, both women get their results. A year on, angry and heartbroken, one of the women learns her embryo was implanted in the other’s uterus and must make a devastating choice: live a childless life knowing her son is being raised by strangers or seek custody of a baby who has been nurtured and loved by another couple.

    Beautiful local Li and Jewish refugee Romy form a fierce friendship, but the deepening shadows of World War II fall over the women as they slip between the city's glamorous French Concession district and the teeming streets of the Shanghai Ghetto. Yet soon the realities of war prove to be too much for these close friends as they are torn apart. 2016: Fleeing London with a broken heart, Alexandra returns to Australia to be with her grandparents, Romy and Wilhelm. Her grandfather is dying, and over the coming weeks Romy and Wilhelm begin to reveal the family mysteries they have kept secret for more than half a century. As fragments of her mother's history finally become clear, Alexandra struggles with what she learns while more is also revealed about her grandmother's own past in Shanghai.After Wilhelm dies, Alexandra flies to Shanghai, determined to trace her grandparents' past. Peeling back the layers of their hidden lives, she is forced to question what she knows about her family—and herself. The Song of the Jade Lily is a lush, provocative, and beautiful story of friendship, motherhood, the price of love, and the power of hardship and courage that can shape us all.

    Known as a recluse, she avoids all public appearances. There’s a reason: she’s living under an assumed identity, having outrun a tragic past. But when a hungry journalist starts chasing her story, she’s confronted with whom she once was: Iris Chapel.Connecticut, 1950: Iris Chapel is the second youngest of six sisters, all heiresses to a firearms fortune. They’ve grown up cloistered in a palatial Victorian house, mostly neglected by their distant father and troubled mother, who believes that their house is haunted by the victims of Chapel weapons. The girls long to escape, and for most of them, the only way out is marriage. But not long after the first Chapel sister walks down the aisle, she dies of mysterious causes, a tragedy that repeats with the second, leaving the rest to navigate the wreckage, to heart-wrenching consequences. Ultimately, Iris flees the devastation of her family, and so begins the story of Sylvia Wren. But can she outrun the family curse forever?

    But Margy, young and just out of school, still holds steadfast to an unshakable hopefulness and believes a better life is possible. Her goals are simple enough—to find a husband she loves, have children, and live in a nice home—one where her children will never know the terror of want, the need to hide from quarreling parents, and the dread of unjust punishment. And when she meets Frankie Malone, she thinks at last her dreams might be fulfilled.Rich with the flavor of its Brooklyn background, and the joys and heartbreak of family life, Tomorrow Will Be Better is told with a simplicity, tenderness, and humor that only Betty Smith could write.

    Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love.Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl.Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they catalogue all kinds of monsters and dream up ways to defeat them. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere.2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister.The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.

    Ten-year-old Grace is in search of a subject for her fifth-grade history project when she learns that her four times-great grandfather once stabbed his lover to death. His grisly act was memorialized in a murder ballad, her aunt tells her, so it must be true. But the lessons of that revelation—to be careful of men and desire—are not just Grace’s to learn. Her family’s tangled past is part of a dark legacy in which the lives of generations of women are affected by the violence immortalized in folksongs like “Knoxville Girl” and “Pretty Polly” reminding them always to know their place—or risk the wages of sin. Janet Beard’s stirring novel, informed by her love of these haunting ballads, vividly imagines these women, defined by the secrets they keep, the surprises they uncover, and the lurking sense of menace that follows them throughout their lives even as they try to make a safe place in the world for themselves. “This inspired story of Appalachian folklore” (Publishers Weekly) will move and rouse you.

    Paris 1943: Lana Antanova is on her way to see her husband with the thrilling news that she is pregnant. But when she arrives at the convent where he teaches music, she’s horrified to see Gestapo officers execute him for hiding a Jewish girl in the piano. A few months later, grieving both her husband and her lost pregnancy, Lana is shocked when she’s approached to join the resistance on the French Riviera. As the daughter of a Russian countess, Lana has the perfect background to infiltrate the émigré community of Russian aristocrats who socialize with German officers, including the man who killed her husband. Lana’s cover story makes her the mistress of Guy Pascal, a wealthy Swiss industrialist and fellow resistance member, in whose villa in Cap Ferrat she lives. Together, they gather information on upcoming raids and help members of the Jewish community escape. Consumed by her work, she doesn’t expect to become attached to a young Jewish girl or wonder about the secrets held by the man whose house she shares. And as the Nazis’ deadly efforts intensify, her intention to protect those around her may put them all at risk instead. With Anita Abriel’s “heartfelt and memorable” (Pam Jenoff, New York Times bestselling author) storytelling, Lana’s War is a sweeping and suspenseful tale of survival and second chances during some of the darkest days of history.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    The day one million women marched for the right to vote in New York City in 1915. A day filled with a million different stories, and a million different voices longing to be heard. Taken together, these stories from writers at the top of their bestselling game become a chorus, stitching together a portrait of a country looking for a fight, and echo into a resounding force strong enough to break even the most stubborn of glass ceilings.With stories from:Lisa WingateM. J. RoseSteve BerryPaula McLainKatherine J. ChenChristina Baker KlineJamie FordDolen Perkins-ValdezMegan ChanceAlyson RichmanChris Bohjalianand Fiona Davis

    The gossip comes to an abrupt halt when five-year-old Billy Barnes goes missing on his walk home from kindergarten. Billy’s mother, Rachel, blames herself for being at work and letting her only child walk alone. Cassidy, Billy’s teenage babysitter, was also late to arrive on the afternoon he disappeared and blames herself for his disappearance. As the clock ticks down, police are unable to find any trace of Billy, forcing Rachel to ponder the enemies she’s made in their well-off suburb. Could it be one of her neighbors who stole her son? Would they abduct Billy to hurt her? How easy would it be to take a child while the parents or nannies are distracted? When another child goes missing, the town is put under a microscope as the police try to get to the bottom of the disappearances. Will they be able to find the two children, or will it be too late? What secrets lie at the heart of this tragedy, and how far will one go to keep those dangerous secrets buried?

    But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden.1907: A talented artist with a growing reputation for her ambitious work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever.1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    The ruins conceal the scarred and beautiful Cora, imprisoned by contagions and the doctors who torment her. When Finn, a young urban explorer, arrives on the island and glimpses an enigmatic beauty through the foliage, intrigue turns to obsession as he seeks to uncover her past—and his own family’s dark secrets. By unraveling these mysteries, will he be able to save Cora? Will Cora meet the same tragic ending as the thousands who’ve already perished on the island?The Vines intertwines North Brother Island’s horrific and elusive history with a captivating tale of love, betrayal, survival, and loss.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .

    In the fall of 1991, as her children are growing older and more independent, Jane is overcome by a spiritual and intellectual restlessness that leads her to become involved with a local pro-life group. Following the tenets of her beliefs, she also adopts a little girl from Eastern Europe. But Mirela is a difficult child. Deprived of a loving caregiver in infancy, she remains unattached to her new parents, no matter how much love Jane shows her. As Jane becomes consumed with chasing therapies that might help Mirela, her relationships with her family, especially her older daughter, Lauren, begin to fray. Feeling estranged from her mother and unsettled in her new high school, Lauren begins to discover the power of her own burgeoning creativity and sexuality—a journey that both echoes and departs from her mother’s own adolescent experiences. But when Lauren is confronted with the limits of her youth and independence, Jane is thrown into an emotional crisis, forced to reconcile her principles and faith with her determination to keep her daughters safe. The Fourth Child is a piercing love story and a haunting portrayal of how love can shatter—or strengthen—our beliefs.