Bomb threats. Tables of turds. Welcome to the life of a nurse.Nurses are our number-one unsung heroes. They're the ones in the trenches mopping up bodily fluids, holding hands, keeping things ticking - and always with a smile on their face. In Off the Charts, Australia's favourite straight-talking nurse and comedian Georgie Carroll lets you peek behind the curtains to see the inner workings of a hospital. Taking us ward to ward, limb to limb, stitch to stitch, Georgie does not hold back as she shows us the human fragility and fierceness she sees every day at work.This is a laugh-out-loud funny celebration of the big-hearted, no-b*llshit nurses who, sooner or later, play a huge role in all of our lives.

    Margie is prickly, demanding and a stickler for convention. Stella has exciting dreams for the future. Margie has only bitter memories of the past. When Margie needs help recovering from a major operation, Stella offers her a place to stay. With no other options, Margie returns to the family farm where for decades, until Stella's arrival, she was the one in charge. Margie has never made life easy for her daughter-in-law, and that's not going to change now she's been made a guest in her former home. But as the dry summer turns to a beautiful autumn, the two women gradually form an unlikely bond, as the ambitions, secrets, and tragedies that have shaped their lives are slowly uncovered...

    But there was no 'big house' here - Toni did not grow up in a large homestead. She lived in a shack that had no electricity and no running water. The oppressive climate of the Territory - either wet or dry - tested everyone. Fish were known to rain from the sky and sometimes good men drank too much and drowned trying to cross swollen rivers.Toni grew up with the Aboriginal people who lived and worked on the station, and got into scrapes with her ever-increasing number of siblings. She loved where she grew up - she was happy on the land with her friends and family, observing the many characters who made up the community on Killarney. When she was sent to boarding school all she wanted to do was go back to the land she loved, despite the fact that her parents' marriage was struggling as Bill Tapp succumbed to drink and June Tapp refused to go under with him.Toni's love of the natural world and of people alike has resulted in a tender portrait of a life that many people would consider tough. She brings vividly to the page a story seldom seen: a Territory childhood, with all its colour, characters and contradictions.

    

    Sarah has effectively been absent from his life for so long that they've grown apart and these days his social life has come to revolve around his work; walking his dog, Claude; and his obsessive daily completion of the cryptic crossword.When an alluring Czech student called Eva becomes one of Sebastian's students - and inadvertently provides him with the last solution in his morning crossword - he finds himself drawn into a sordid suburban tangle based mainly on his own misinterpretations and feverish imagination.Happy Eva After is a seriously funny comedy about a bloke, his wife, his dog, an alluring young woman with a mysterious past, and the nuances of the English language.

    He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    What began as a gesture of independence changes her life. Holly soon discovers that beneath its tranquil surface, The bay is a whirlpool of passions and conflict. It was once a whaling town, then a sleepy resort that became trendy, and now developers are moving in for the kill. Holly, her family, and an unusual band of new friends are in the battle lines - and not always on the same side. THIS is a story of contemporary issues, but the ghosts of the past haven't left town. THE BAY captures the atmosphere of a unique place and its poeple so you can feel that you are there. • THE BAY is a place to change your life.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    Tell Me Where It Hurts: A Day of Humor, Healing, and Hope in My Life as an Animal Surgeon

    Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    Determined to solve the mystery of her birth and the reason why she was bequeathed the hotel Belle runs into difficulties with the townsfolk and their desire to keep their secrets safe.Sixty years later Sophie Matheson is on a quest to find Belle and her family after discovering the wedding dress. The Sweet Wattle Creek Centenary brings more challenges when her past catches up and she must fight for all that matters to her. Who were Belle and Martha and what links their lives together?

    The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

    Alice has always been a trailblazer as a scientist, activist and mother. She knew her choices would involve sacrifices, but now, on the eve of her eightieth birthday, she's beginning to wonder if she's sacrificed too much.Alice's daughter, Sappho, rebelled against her unconventional upbringing, choosing to marry young and embrace life as a homemaker, but her status as a domestic goddess has recently taken a surprising turn.Ged has always been the peacemaker between her grandmother and mother. A tenacious journalist, she knows what she wants in life and love, yet when everything in her world starts falling apart, she begins to question whether she really knows anyone at all.At a crossroads in each of their lives, Alice, Sappho and Ged embark on a celebratory trip together, but instead of bringing them closer, the holiday sparks life-changing consequences and lifts the lid on a fifty-year-old secret.Can Ged rescue her family if their story is built on a betrayal?From bestselling, ABIA award-winning author Rachael Johns comes an engrossing and wise novel about ambition, choices and what it means to be a woman.

    Stories get twisted, truths become warped, history is rewritten.MYSTERIESWhen Laura discovers an old photo of her grandmother, Lillian, with an intriguing inscription on the back, she heads to the sleepy seaside town of Banksia Bay to learn the truth of Lillian’s past. But when she arrives, Laura finds a community where everyone seems to be hiding something.SECRETSVirginia, owner of the iconic Beach Shack café, has kept her past buried for sixty years. As Laura slowly uncovers the tragic fragments of that summer so long ago, Virginia must decide whether to hold on to her secrets or set the truth free.LIESYoung Gigi and Lily come from different worlds but forge an unbreakable bond – the ‘Sisters of Summer’. But in 1961 a chain of events is set off that reaches far into the future. One lie told. One lie to set someone free. One lie that changes the course of so many lives. Welcome to the Banksia Bay Beach Shack, where first love is found and last chances are taken. A moving and heartfelt story by the bestselling author of The Kookaburra Creek Café and The Cottage At Rosella Cove.Praise for Sandie Docker:‘Docker soars from the absolute heart’ Australian Women’s Weekly ‘The best of the best of heart-wrenching yarns.’ Woman’s Day