Lucentio falls in love with Bianca, the apparently ideal younger daughter of the wealthy Baptista Minola. But before they can marry, Bianca's formidable elder sister, Katherine, must be wed. Petruchio, interested only in the huge dowry, arranges to marry Katherine -against her will- and enters into a battle of the sexes that has endured as one of Shakespeare's most enjoyable works.

    The light showed the pale fingers—and the still paler palm crossed by a dark, jagged scar. Young Sally Meredith is distracted from her jam recipes by a visit from uncle Fritzi, who is accompanied by a mysterious red lacquer case containing a deadly secret. A band of unscrupulous international agents are close behind, and when the eccentric uncle disappears into the night the lacquer case is stolen. But Sally is now the only person who knows how to open the case – she is kidnapped, her life in terrible danger.Meanwhile Bill Armitage, formerly Sally’s fiancé and still in love with her, begins with the aid of Scotland Yard to search for her. The ending of this clever detective story is, unexpected and piquantly, in high contrast to the preceding terrors.The Red Lacquer Case was originally published in 1924. This new edition features an introduction by crime fiction historian Curtis Evans.“When I pick up a book by Patricia Wentworth I think, now to enjoy myself—and I always do.” Mary Dell, Daily Mirror

    As she describes her heroine's entry into society, womanhood and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls. But Evelina's innocence also makes her a shrewd commentator on the excesses and absurdities of manners and social ambitions—as well as attracting the attention of the eminently eligible Lord Orville. Evelina, comic and shrewd, is at once a guide to fashionable London, a satirical attack on the new consumerism, an investigation of women's position in the late eighteenth century, and a love story. The new introduction and full notes to this edition help make this richness all the more readily available to a modern reader.

    1, was conceived by Cicely Hamilton as a suffrage novel but then became a book about the First World War. Constance Maud knew Cicely Hamilton because both were members of the 400-strong Women Writers Suffrage League; she published No Surrender in November 1911 when the struggle for the vote was at its height.The narrative is faithful to real facts and incidents, with some of the main characters drawing on leading suffrage figures. One is based on Lady Constance Lytton and another, the heroine Jenny Clegg, is a Lancashire mill girl – thus putting paid to the myth that the suffrage movement was mainly middle-class: the main focus of the novel is on the strong support for women’s suffrage by women workers in the textile mills and on the prejudice against votes for women on the part of many of the men in the labour movement.When Emily Wilding Davison, who was to die in 1913 under the King’s horse at the Epsom Derby, reviewed No Surrender, she wrote: ‘There is scarcely a notable incident of the militant campaign which is left untouched. As we devour its pages, we once more review such unforgettable events as the Pantechnicon incident, the protest of the Grille, the Suffragette Fire-Engine, the sending of women by Express Post to the Prime Minister, and the final word-picture of the procession of 1910. But for vivid realism, the pictures of prison life, of the Hunger Strike and Forcible Feeding, are difficult to beat. It is a book which breathes the very spirit of the Women’s Movement.As Lydia Fellgett writes in her Persephone Preface: ‘A political novel cannot be successful without well-written characters: it is therefore also a love story between Jenny Clegg and the Independent Labour Party member Joe Hopton. And it is about powerful female friendship fostered through a common cause. But like most of the (surprisingly few) novels that emerged from the women’s suffrage movement, No Surrender’s importance comes from its documentation of social history; it is polemical but not without complexity; it accurately portrays the arguments of the anti-Suffragists alongside those of the heroines, and it is a passionate account, full of enthralling detail and political fervour.’

    Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world.Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and NooseIf you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics.'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

    In this witty tragedy of treachery, self-deception, and betrayal, Henry James weaves together three ill-fated and wholly human destinies unexpectedly linked by desire, greed, and salvation. As Amy Bloom writes in her Introduction, “The Wings of the Dove is a novel of intimacy. . . . [James] gives us passion, he gives us love in its terrible and enchanting forms.”

    When she loses her job and home, he offers her comfort and shelter, only to cruelly desert her soon after. Nearly dead with grief and shame, Ruth is offered the chance of a new life among people who give her love and respect, even though they are at first unaware of her secret - an illegitimate child. When Henry enters her life again, however, Ruth must make the impossible choice between social acceptance and personal pride. In writing Ruth, Elizabeth Gaskell daringly confronted prevailing views about sin and illegitimacy with her compassionate and honest portrait of a 'fallen woman'.

    A crowd gathers to see the first new metal in ages—after all, everything’s been melted down for the war effort. An instant later, the crowd is gone; incinerated. Among the shoppers were five young children. Who were they? What futures did they lose? This brilliantly constructed novel lets an alternative reel of time run, imagining the life arcs of these five souls as they live through the extraordinary, unimaginable changes of the bustling immensity of twentieth-century London. Their intimate everyday dramas, as sons and daughters, spouses, parents, grandparents; as the separated, the remarried, the bereaved. Through decades of social, sexual, and technological transformation, as bus conductors and landlords, as swindlers and teachers, patients and inmates. Days of personal triumphs, disasters; of second chances and redemption. Ingenious and profound, full of warmth and beauty, Light Perpetual illuminates the shapes of experience, the extraordinariness of the ordinary, the mysteries of memory and expectation, and the preciousness of life.

    The key literary figure in the pubs of post-war Fitzrovia, Maclaren-Ross pulled together his dispersed energies to write two great books: the posthumously published Memoirs of the Forties and this spectacular novel of the Depression, Of Love and Hunger - harsh, vivid, louche, and slangy, it deserves a permanent place alongside 'Coming Up for Air' and 'Hangover Square'.

    She thinks she sees through everyone and rules over a family of dependents with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, who Catherine treats like a son. Conflict between the young and the old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters, Hester is a masterpiece of psychological realism. In exploring the difficulty of understanding human nature, it is also a compulsive story of financial and sexual risk-taking that inevitably results in a searing climax.Margaret Oliphant is one of the great Victorian novelists, and this edition re-establishes her importance.

    A crippling disability has left him cynical and disillusioned - he struggles with a drink problem at home, and politics and petty pride at work. Worse still, he fears he is not good enough for the woman he loves.The stakes are raised when the enemy begin to drop a new type of booby-trapped bomb, causing many casualties. Only Sammy has the know-how to diffuse it - but as he comes face to face with real danger, all his old inadequacies return to haunt him.Can he, at last, prove his worth and put his demons to rest?One of the hopes of British novel-writing . . . A writer of genius (John Betjeman)The missing writer of the Forties . . . Balchin's professional skill gives a meaning to brilliance which the word doesn't usually possess (Clive James NEW REVIEW)[An] inexplicably neglected author (THE TIMES)Balchin writes about timeless things, the places in the heart (Ruth Rendell SUNDAY TELEGRAPH)A little masterpiece like Nigel Balchin's The Small Back Room speaks to our own time, but with so much literary experience behind it (Shirley Hazzard)Balchin has been absurdly overlooked for too long (Julian Fellowes)I'd place him up there with Graham Greene (Philippa Gregory)A remarkable storyteller (DAILY MAIL)A brilliant novelist . . . A writer of real skill (NEW STATESMAN)He tells a story gloriously (DAILY TELEGRAPH)Balchin has the rare magnetic power that draws the human eye from one sentence to the next (EVENING STANDARD)Probably no other novelist of Mr. Balchin's value is so eminently and enjoyably readable . . . [He] never lets the reader down (Elizabeth Bowen TATLER)Balchin has done so much to raise the standard of the popular novel (TIMES LITERARY SUPPLEMENT)A superb storyteller (SUNDAY TIMES)Balchin can tell an exciting story as well as any novelist alive (SUNDAY CHRONICLE)The novelist of men at work (GUARDIAN)He can always be relied on to give us the set-up magnificently (BBC)One of the best writers, and certainly one of the best stylists, to come out of the war years (Michael Powell)Perhaps the most successful British author to emerge during the war (SATURDAY EVENING POST)

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats, and London's fashionable society in the darkest and most surprising interrelations.Based on the text which Conrad's first English readers enjoyed, this new edition includes a full and up-to-date bibliography, a comprehensive chronology and a critical introduction which describes Conrad's great London novel as the realization of a "monstrous town," a place of idiocy, madness, criminality, and savage butchery. It also discusses contemporary anarchist activity in the UK, imperialism, and Conrad's narrative techniques.

    To do that we’ve got to lead them on. Now listen to me.”Elbert J. Pakenham of New York City is among just nine survivors of the sinking of the Coptic – not counting his black cat Jehosaphat. The benevolent Mr. Pakenham has made his fellow survivors joint beneficiaries in his will, his nephew having recently passed away. But it seems that someone is unwilling to share the fortune, as the heirs start to die under mysterious circumstances . . .Then Mr. Pakenham himself disappears, and Inspector Collier of Scotland Yard suspects dirty work. When a trap is laid that seriously wounds his best friend at the Yard, Superintendent Trask, Collier is certain his suspicions are correct. Into his net are drawn a charming young woman, Corinna Lacy, and her cousin and trustee, Wilfred Stark; a landed gentleman of dubious reputation, Gilbert Freyne, and his sister-in-law, Gladys; an Italian nobleman of ancient lineage and depleted estate, Count Olivieri; and a Bohemian English artist, Edgar Mallory. But Collier will need some unexpected feline assistance before the case is solved.

    It is the story a renowned but exceedingly shy painter, Priam Farll, who assumes the identity of his dead valet, Henry Leek, as a means of avoiding press attention.