She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    A place of shadow and light where thieves, whores, and dreamers mingle, where children play in the cobbled streets by day and a killer stalks at night, where bright hopes meet the darkest truths. Here, by the whispering waters of the Thames, Fiona Finnegan, a worker in a tea factory, hopes to own a shop one day, together with her lifelong love, Joe Bristow, a costermonger's son. With nothing but their faith in each other to spur them on, Fiona and Joe struggle, save, and sacrifice to achieve their dreams.But Fiona's life is shattered when the actions of a dark and brutal man take from her nearly everything-and everyone-she holds dear. Fearing her own death, she is forced to flee London for New York. There, her indomitable spirit propels her rise from a modest West Side shop-front to the top of Manhattan's tea trade. But Fiona's old ghosts do not rest quietly, and to silence them, she must venture back to the London of her childhood, where a deadly confrontation with her past becomes the key to her future.

    Everyone knows it, from her dearest friends within the Spinsters’ Sewing Circle to her most distant acquaintances within the parish.So when the beloved new curate turns up dead the night before Valentine’s Day, stabbed through the heart with Lydia’s own knitting needle, not even Lydia’s closest friends expect her to do more than cry and perhaps arrange a luncheon after the funeral service. After all, the tragedy was only a robbery gone wrong, and how could any vicar’s daughter hope to bring the long-gone thief to justice?
But Lydia can’t shake the feeling that this crime was somehow personal. The clues suggest the curate was murdered for some terrible purpose, and everyone at the house party seems to have a motive. Was it the high-born lady whose charitable endeavors are at risk? The beautiful young lady of the house who's hiding an agonizing secret? Her mother, who had every reason to want the curate gone? Or even the butler, whose private life is more scandalous than it seems?
And that’s to say nothing of handsome Mr. Pemberton, a notorious gambler and infuriating flirt from London who seems equally likely to have killed the curate and to drive Lydia to commit a murder herself.
This cozy, romantic Regency murder mystery—full of strong female friendships, gripping twists and turns, and witty repartee sharper than a knitting needle—is sure to delight fans of Jane Austen, Lynn Messina, and Patricia C. Wrede.

    Celia Lytton is the beautiful and strong-willed daughter of wealthy aristocrats and she is used to getting her way. She moves through life making difficult and often dangerous decisions that affect herself and others-her husband, Oliver, and their children; the destitute Sylvia Miller, whose life is transformed by Celia's intrusion; as well as Oliver's daunting elder sister, who is not all she appears to be; and Sebastian Brooke, for whom Celia makes the most dangerous decision of all. Set against the tumultuous backdrop of London and New York in the First World War, No Angel is, as British Good Housekeeping wrote, "an absorbing page-turner, packed with believable characters and satisfyingly extreme villains, eccentrics, and manipulators." Readers of Maeve Binchy, Barbara Taylor Bradford, and Anita Shreve will fall in love with this epic, un-put-downable novel.With more than 3.5 million copies sold, Penny Vincenzi is one of the world's preeminent writers of popular fiction-and American readers no longer have to miss out on the fun. With the publication of No Angel, a novel introducing the engaging cast of characters in the Lytton family, Overlook opens a thrilling new dimension to this author's already illustrious career.

    But as she adapts to life at the isolated Hardcastle House, it becomes clear there's something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there's no such thing as the perfect family - and she should know.Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls' third novel proves her one of the most exciting and compelling new storytellers of our times.

    Each of them is handed a tantalizing clue to her true heritage—a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro, Brazil. Once there, she begins to put together the pieces of her story and its beginnings.Eighty years earlier in Rio’s Belle Epoque of the 1920s, Izabela Bonifacio’s father has aspirations for his daughter to marry into the aristocracy. Meanwhile, architect Heitor da Silva Costa is devising plans for an enormous statue, to be called Christ the Redeemer, and will soon travel to Paris to find the right sculptor to complete his vision. Izabela—passionate and longing to see the world—convinces her father to allow her to accompany him and his family to Europe before she is married. There, at Paul Landowski’s studio and in the heady, vibrant cafes of Montparnasse, she meets ambitious young sculptor Laurent Brouilly, and knows at once that her life will never be the same again.In this sweeping, epic tale of love and loss—the first in a unique, spellbinding series of seven novels—Lucinda Riley showcases her storytelling talent like never before.

    But there’s no escaping the past in this chilling novel from the bestselling author of The Unremembered Girl. Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended.She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.A crumbling monument to a gruesome history, the mansion has been abandoned by all but two elderly sisters retained as caretakers. They are also guardians of all its mysteries. As the house starts revealing its dark secrets, Tessa must face her fears and right the wrongs of her past to save herself and her relationship with Margot. But nothing and no one at Fallbrook are what they seem.

    As the snows falls, tension rises as the isolated party guests realise there may be a killer in their midst. Past and present collide for Kit Aston as he attempts to uncover the truth about the murder, his experiences in the Great War and win the heart of the girl he loves. This is a classic murder mystery set in a country house, following the end of the Great War.

    When C. H. Underwood arrives in the village of Bracken Tor in the spring of 1820, he intends only to visit his brother, the vicar, and take a long rest from his work as a Classics tutor at Cambridge University. However, almost as soon as he arrives he finds himself intrigued by an unsolved murder, committed the year before. The headless corpse of a young woman was found in woods belonging to the local landowner and Magistrate, Sir Henry Wynter. Underwood finds the notion that the body lies in a grave marked “Unknown” to be abhorrent. He decides to use his free time to discover the identity of the victim – and if possible bring her killer to justice. His brother begs him to proceed with caution, as the murder had roused feelings of a controversial nature amongst the villagers. Before long he has uncovered not only the girl’s final movements before her death, but also the possibility of two other murders having taken place in Bracken Tor. His task is not made any less complicated by his developing relationship with Charlotte, one of Sir Henry’s daughters, and by the myriad characters he comes across in his investigation. The theory that the girl had been killed as some sort of barbaric ritual is only one of his difficulties, and when a young man arrives in the midst of a cricket match, claiming to be the victim’s husband, the whole village becomes privy to the fact that Underwood is attempting to solve the mystery. When the newcomer is shot through the heart whilst in Underwood’s company, he finds himself not only universally reviled for his interference, but also accused of murder himself. It takes all his ingenuity to extricate himself from the chaos he has caused, but he always has Verity Chapell, governess to the Wynter girls, to help him in his quest to find the murderer.

    Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman.A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home. There’s also Star, a teenage runaway with a secret too painful to share. And the little boy with heart-shaped stones, who comes with a hope for reconciliation—and a warning.Soon Jess learns that she’s not the only lost soul running from the ghosts of the past. She and Star have been brought together for a reason: to be saved by the very thing that destroyed them.

    Amid heated public debate, the two seemingly glamorous teens were dubbed ‘The Ice Cream Girls’ by the press and were dealt with by the courts.Years later, having led very different lives, Poppy is keen to set the record straight about what really happened, while married mother-of-two Serena wants no one in her present to find out about her past. But some secrets will not stay buried – and if theirs is revealed, everything will become a living hell all over again...

    When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.The Perfume Collector explores the complex and obsessive love between muse and artist, and the tremendous power of memory and scent.

    It isn’t the pain of him not being there—loneliness is manageable. The worst thing is not knowing why.When Justin walks out on Alice on their honeymoon, with no explanation apart from a cryptic note, Alice is left alone and bewildered, her life in pieces.Then she meets Evelyn, a visitor to the gallery where she works. It’s a seemingly chance encounter, but Alice gradually learns that Evelyn has motives, and a heartbreaking story, of her own. And that story has haunting parallels with Alice’s life.As Alice delves into the mystery of why Justin left her, the questions are obvious. But the answers may lie in the most unlikely of places…

    She is a fiercely dedicated children's advocate and a devoted mother and wife. But one blistering summer day, a simple moment of distraction will have repercussions that Ellen could never have imagined, threatening to shatter everything she holds dear, and trapping her between the gears of the system she works for.Meanwhile, ten-year-old Jenny Briard has been living with her well-meaning but irresponsible father since her mother left them, sleeping on friends' couches and moving in and out of cheap motels. When Jenny suddenly finds herself on her own, she is forced to survive with nothing but a few dollars and her street smarts. The last thing she wants is a social worker, but when Ellen's and Jenny's lives collide, little do they know just how much they can help one another.A powerful and emotionally charged tale about motherhood and justice, Little Mercies is a searing portrait of the tenuous grasp we have on the things we love the most, and of the ties that unexpectedly bring us together.