When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Chicky is finally ready to welcome the first guests to Stone House’s big warm kitchen, log fires, and understated elegant bedrooms. John, the American movie star, thinks he has arrived incognito; Winnie and Lillian are forced into taking a holiday together; Nicola and Henry, husband and wife, have been shaken by seeing too much death practicing medicine; Anders hates his father’s business, but has a real talent for music; Miss Nell Howe, a retired schoolteacher, criticizes everything and leaves a day early, much to everyone’s relief; the Walls are disappointed to have won this second-prize holiday in a contest where first prize was Paris; and Freda, the librarian, is afraid of her own psychic visions. Sharing a week with this unlikely cast of characters is pure joy, full of Maeve’s trademark warmth and humor. Once again, she embraces us with her grand storytelling. This is the last book that Maeve Binchy wrote before her sudden death. As are all her stories, it is her trademark warmth, humor and the kind of characters that will make her books live on. It is a privilege to be able to share this book with readers.

    As a girl, Genevieve Martin spent the happiest summer of her life in Paris, learning the delicate art of locksmithing at her uncle's side. But since then, living back in the States, she has become more private, more subdued. She has been an observer of life rather than an active participant, holding herself back from those around her, including her soon-to-be-ex-husband. Paris never really left Genevieve, and, as her marriage crumbles, she finds herself faced with an incredible opportunity: return to the magical city of her youth to take over her late uncle's shop. But as she absorbs all that Parisian culture has to offer, she realizes the city also holds secrets about her family that could change her forever, and that locked doors can protect you or imprison you, depending on which side of them you stand.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    That is, until the Greenwalds decide to take up residence in Seaview.Nick and Budgie Greenwald are an unwelcome specter from Lily’s past: her former best friend and her former fiancé, now recently married—an event that set off a wildfire of gossip among the elite of Seaview, who have summered together for generations. Budgie’s arrival to restore her family’s old house puts her once more in the center of the community’s social scene, and she insinuates herself back into Lily's friendship with an overpowering talent for seduction...and an alluring acquaintance from their college days, Yankees pitcher Graham Pendleton. But the ties that bind Lily to Nick are too strong and intricate to ignore, and the two are drawn back into long-buried dreams, despite their uneasy secrets and many emotional obligations. Under the scorching summer sun, the unexpected truth of Budgie and Nick’s marriage bubbles to the surface, and as a cataclysmic hurricane barrels unseen up the Atlantic and into New England, Lily and Nick must confront an emotional cyclone of their own, which will change their worlds forever.

    She's had the same best friend, the same good relationship with her mother, the same boyfriend, for as long as anyone can remember. But when her fiance, Mike is paralyzed by a tragic accident, Carrie has to question everything she thought she knew about herself and about the meaning of home. Ann Packer has written a morally complex, deeply satisfying novel about the desire to live fully and the conflict between who we want to be to others and who we must be for ourselves. A magnificent debut from a remarkable new talent.

    Growing up in the North End, then a teeming multicultural neighborhood, Addie's intelligence and curiosity take her to a world her parents can't imagine - a world of short skirts, movies, celebrity culture and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love.Eighty-five-year-old Addie tells the story of her life to her twenty-two-year-old granddaughter, who has asked her "How did you get to be the woman you are today?" She begins in 1915, the year she found her voice and made friends who would help shape the course of her life. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, Addie recalls her adventures with compassion for the naïve girl she was and a wicked sense of humor.Written with the same attention to historical detail and emotional resonance that made Anita Diamant's previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth-century America, and a fascinating look at a generation of women finding their places in a changing world.

    Alice must reconstruct the events of a lost decade, and find out whether it’s possible to reconstruct her life at the same time. She has to figure out why her sister hardly talks to her, and how is it that she’s become one of those super skinny moms with really expensive clothes. Ultimately, Alice must discover whether forgetting is a blessing or a curse, and whether it’s possible to start over.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.From debut novelist Lynda Cohen Loigman comes The Two-Family House, a moving family saga filled with heart, emotion, longing, love, and mystery."Two families, both living in one house, drive an exquisitely written novel of love, alliances, the messiness of life and long buried secrets. Loigman's debut is just shatteringly wonderful and I can't wait to see what she does next." - Caroline Leavitt, New York Times bestselling author of Is This Tomorrow and Pictures of You"No good deed goes unpunished. In a single, intensely charged moment, two women come to a private agreement meant to assure each other's happiness. But as Lynda Cohen Loigman deftly reveals, life is not so simple, especially when it involves two families, tightly intertwined. The Two-Family House is sympathetically observed and surely plotted all the way through to its deeply satisfying conclusion." - Christina Schwarz, author of Drowning Ruth (an Oprah's Book Club pick) and national bestseller The Edge of the Earth

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

       Evelyn has been married to her husband for forty years, but their son’s messy divorce has put them at rare odds; James, a beleaguered paramedic, has spent most of his marriage haunted by his wife’s family’s expectations; Delphine has thrown caution to the wind and left a peaceful French life for an exciting but rocky romance in America; and Kate, partnered with Dan for a decade, has seen every kind of wedding and has vowed never, ever, to have one of her own. As the stories connect to each other and to Frances’s legacy in surprising ways, The Engagements explores the complicated ins and outs of relationships, then, now, and forever.

    . . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"