An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince--and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization.Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    It is the first novel of Imran Series, a best-selling Urdu spy novels series created by Pakistani writer Ibn-e-Safi. It was published in October 1955.The story is about a terrifying building where a dead boy is found and then a story full of suspense and laughs begins. Suspense because of the cause of death and secret of the building and laughs because of Imran’s behavior which is very comic.Captain Fiaz, Superintendent of Intelligence bureau starts to solve the case but he is always in need of Ali Imran to solve the cases and this time also Imran, with the help of his sharp mind and power of decision, solve the case and disclose Sir Jahangir, a well reputed and honored man, as an agent of enemy. Imran resolve the case of some foreign office’s very sensitive papers which were robbed by some criminal elements long time ago.

    A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children and lead a sheltered life of leisure. Her marriage to Mustafa Khar, one of Pakistan's most eminent political figures, soon turned into a nightmare. Violently possessive and pathologically jealous, Mustafa Khar succeeded in cutting her off from the outside world. For fourteen years, Tehmina suffered alone, in silence. When she decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents. When this book was first published it shook Pakistani society to its foundations. Here at last was someone who had succeded in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina Durrani's story provided extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    He connects with the richness of the Urdu language, observes the syncretic evolution of mystical Islam in India and its deep connections with Hindustani classical music – so much a part of his own selfhood. And every so often, he returns to the refuge of Hazrat Nizamuddin Auliya, the twelfth-century pir, whose dargah still reverberates with music and prayer every evening.His wanderings through Delhi lead Raza back in time to recollections of a long-forgotten Hindu ancestry and to comparisons with his own city of Lahore – in many ways a mirror image of Delhi. They also lead to reflections on the nature of the modern city, the inherent conflict between the native and the immigrant and, inevitably, to an inquiry into his own identity as a South Asian Muslim.Rich with history and anecdote, and conversations with Dilliwalas known and unknown,Delhi By Heart offers an unusual perspective and unexpected insights into the political and cultural capital of India.About the AuthorRaza Rumi is an international development professional based in Lahore. He has worked for national and international organizations such as the United Nations and the Asian Development Bank. He also edits and writes for the Friday Times and contributes to leading national dailies in Pakistan and abroad. He blogs at Jahane Rumi, a website devoted to Sufism and the arts and cultures of South Asia.

    Brought up in a household of stories, food and faith by her Irish mother and Pakistani Nana, she feels constantly torn between the two sides of her upbringing. Since the death of her father, she's found contentment cooking delicious recipes from his home city of Lahore, despite the protestations of her mother that being a chef is no career for a young woman. It's only with the love of her gorgeous husband, Gabe, that she's truly found happiness.When Addy stumbles across a secret that shatters her world, she desperately needs to escape and is drawn to the sights of Lahore and the family she's never known. Waiting for her there is Addy's final acceptance of who she is, and a long-buried family secret that will change her life for ever.

    Chandni is a self-proclaimed cynic and prefers to be called C. An orphan brought up by her domineering grandmother, a.k.a. The Broad, C is rebellious, quick-witted and stunningly beautiful.When Taimur, a.k.a. Alpha Male, enters the closed universe of the haveli, he is smitten, but he’ll never admit it. The stakes get higher when the father, who had so cruelly abandoned her at birth, returns and C’s dream of reuniting with him becomes a reality. But now she has to choose between her father and his hand-picked groom on the one side, and Alpha Male and The Broad on the other.

    He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations. Life has taken her small family in different directions – will they ever find their way back to each other? The Family Tree is the moving story of a British Muslim family full of love, laughter and resilience as well as all the faults, mistakes and stubborn loyalties which make us human.**

    Gita's beloved Aunty has consulted her astronumerologist and, according to the stars, Gita is soon destined to meet her jori--or, as they say in America, Mr. Right.

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.

    A paperback original from a superb writer whose first novel was enthusiastically praised by Khaled Hosseini, bestselling author of The Kite Runner and A Thousand Splendid Suns, Haji, an American of Indo-Pakistani descent, writes with grace, heart, and wisdom about the collisions of culture and religion, tradition and modernity played out through individual lives.