Four brutalized victims of a brilliant monster - a "Mr. Nobody", moving undetected through a paralyzed city, leaving behind a gruesome trail of carnage . . . but few clues. With skilled hands, an unerring eye, and the latest advances in forensic research, an unrelenting female medical examiner - Kay Scarpetta - is determined to unmask a maniac. But someone is trying to sabotage Kay's investigation from the inside. And worse yet, someone wants her dead . . .

    Among them is Inuit hunter and guide, Edie Kiglatuk; a woman born of this harsh, beautiful terrain. The two men are tourists but when one of them is shot dead, the local Council of Elders in is keen to dismiss it as an accident.

    It’s the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death. It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin’s high Catholic society, among them members of his own family. Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville’s fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black’s debut marks him as a true master of the form.

    An auxiliary officer for Lauderdale Shores PD, she’s the go-to diver for evidence recovery. Then Sloan finds a fresh kill floating in a canal—a woman whose murky history collides with Sloan’s. Their troubling ties are making Sloan less a potential witness than a suspect. And her colleagues aren’t the only ones following every move she makes. So is the killer.Stalked by an assassin, pitted against a ruthless cartel searching for a lost fortune, and under watch within her ranks, Sloan has only one ally: the legendary DEA agent who put Sloan’s uncle behind bars. He knows just how deep corruption runs—and the kind of danger Sloan is in. To stay alive, Sloan must stay one step ahead of her enemies—both known and unknown—and a growing conspiracy designed to pull her under.

    No note, no trace, no return. Ever. Now, twenty-five years later, she'll learn the devastating truthSometimes better not to know. . . Cynthia is happily married with a young daughter, a new family. But the story of her old family isn't over. A strange car in the neighborhood, untraceable phone calls, ominous gifts, someone has returned to her hometown to finish what was started twenty-five years ago. And no one's innocence is guaranteed, not even her own. By the time Cynthia discovers her killer's shocking identity, it will again be too late . . . even for goodbye.

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    His boss, the district attorney, attractive but hard-charging, is planning to run for governor, and as a showcase she's planning to use a new crime initiative called At Risk; its motto: "Any crime, any time." In particular, she's been looking for a way to employ cutting-edge DNA technology, and she thinks she's found the perfect subject in an unsolved twenty-year-old murder—in Tennessee. If her office solves the case, it ought to make them all look pretty good, right?Her investigator is not so sure—not sure about anything to do with this woman, really—but before he can open his mouth, a shocking piece of violence intervenes, an act that shakes up not only both their lives but also the lives of everyone around them. It's not a random event. Is it personal? Is it professional? Whatever it is, the implications are very, very bad indeed ... and they're about to get much worse.Sparks fly, traps spring, twists abound—this is the master working at the top of her game.

    Now, after ten years of silence, his grandfather has asked him to come home to Seattle. But when Van arrives, he discovers his grandfather bleeding out on the floor from a gunshot to the head. With a lifetime of tough history between him and the old man, Van knows he’s the main suspect. The only way he can clear his name is to go back to the world he’d sworn to leave behind. Tapping into his criminal skills, he begins to hunt the shooter and uncover what drove his grandfather to reach out after so long. But in a violent, high-stakes world where right and wrong aren’t defined by the law, Van finds that the past is all too present . . . and that the secrets held by those closest to him are the deadliest of all. Edgy and suspenseful, rich with emotional resonance, gritty action, and a deep-rooted sense of place, Past Crimes trumpets the arrival of a powerful talent in the mold of Dennis Lehane, Robert B. Parker, and John D. MacDonald.

    You are about to meet Lucas Davenport, the police detective in Minneapolis, Minnesota, who does it his way. The "maddog" murderer who is terrorizing the Twin Cities is two things: insane and extremely intelligent. He kills for the pleasure of it and thoroughly enjoys placing elaborate obstacles to keep the police befuddled. Each clever move he makes is another point of pride. But when the brilliant Lieutenant Davenport--a dedicated cop and a serial killer's worst nightmare--is brought in to take up the investigation, maddog suddenly has an adversary worthy of his genius.Librarian's note: the first five books in the Lucas Davenport series are #1, Rules of Prey, 1989; #2, Shadow Prey, 1990; #3, Eyes of Prey, 1991; #4, Silent Prey, 1992; and #5, Winter Prey, 1993.

    . . revenge is sweet. 1975 A baby, minutes old, is forcibly taken from its devastated mother. 2010 The body of an elderly woman is found in a Dublin public park in the depths of winter. Detective Inspector Tom Reynolds is on the case. He's convinced the murder is linked to historical events that took place in the notorious Magdalene Laundries. Reynolds and his team follow the trail to an isolated convent in the Irish countryside. But once inside, it becomes disturbingly clear that the killer is amongst them . . . and is determined to exact further vengeance for the sins of the past.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.

    Leaving behind enough evidence to fuel a frenzied police hunt, this cunning madman is bringing together dozens of lives, crossing the boundaries of wealth and race. And the people who are chasing him must cross those boundaries too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael's lover before she became his enemy.But another player has entered the game: a loser ex-con who has stumbled upon the killer's trail in the most coincidental of ways—someone who may be the key to breaking the case wide open...

    Anger simmers. Fear and prejudice awaken. Old friends turn on each other. Violence threatens.So when a young teenage girl is savagely murdered while babysitting at the house of the lead attorney in the case, Detective Sonja Test believes the girl's murder and the divisive case must be linked.However, as the young detective digs deeper into her first murder case, she discovers sordid acts hidden for decades, and learns that behind the town's idyllic façade of pristine snow lurks a capacity in some for great darkness and the betrayal of innocents. And Sonja Test, a mother of two, will do anything to protect the innocent.