It is a book for adults. Or for adults to frighten children into behaving... whichever you prefer. In 2009, a trove of lost fairy tales collected by Franz Xaver von Schönwerth - a 19th-century collector of Bavarian folk tales and contemporary of the Brothers Grimm- was unearthed in a municipal archive in Germany. Unlike the Grimms, who polished the stories they collected, adapting to contemporary tastes, von Schönwerth recorded the stories as they were told, plucking them directly from the living, breathing tree of oral storytelling, retaining their darker themes and sometimes shocking violence. Von Schönwerth published a single volume of these tales in his lifetime, but the vast majority languished and were forgotten over the years, effectively frozen in time until their recent rediscovery. Now, award-winning illustrator Willow Dawson, in collaboration with translator Shelley Tanaka, has brought these long-lost tales unforgettably to life, illuminating with striking woodcut-style illustrations a spectacular collection that will change the way you look at fairy tales forever. Paired with Dawson's arresting artwork, the stories in White as Milk, Red as Blood race with palpable energy through fantasy landscapes darker, bawdier and racier than anything we find in Disney or the Grimms. Following the tradition of illustrated fairy-tale collections, White as Milk, Red as Blood is the very first fully illustrated, full-colour edition of Franz Xaver von Schönwerth's work. It is a timeless tome of enchantment and foreboding: tales - as haunting as they are profound - of powerful princesses, helpless men, lecherous villains, virtuous girls, witches, giants, at least one female serial killer, mer-people, shape-shifters and talking beasts - a kaleidoscope of wonders both familiar and entirely new; rich and strange. Dawson and Tanaka's dark and lively take on von Schönwerth's collected tales will appeal to fans of Mike Mignola's classic fantasy comic-book series Hellboy.

    And now join us, in a world where reality is dead…and anything is possible...

    Hundreds of cartoonists have taken this challenge, turning out works that were amazing, amusing, or revelatory.Four-time Harvey Award and Eisner Award winner Scott McCloud, comicdom's top theoretician and inventor of the 24-hour comic, explains the concept and presents nine of the best.Includes stories by Neil Gaiman, Al Davison, and more.

    The grim death known as the plague roams a masquerade ball dressed in red....A dwarf seeks his final revenge on his captors....A sister calls to her beloved twin from beyond the grave....Prepare yourself. You are about to enter a world where you will be shocked, terrified, and, though you'll be too scared to admit it at first, secretly thrilled. Here are four tales -- "The Black Cat, The Masque of the Red Death, Hop-Frog, " and "The Fall of the House of Usher" -- by the master of the macabre, Edgar Allan Poe. The original tales have been ever so slightly dismembered -- but, of course, Poe understood dismemberment very well. And he would shriek in ghoulish delight at Gris Grimly's gruesomely delectable illustrations that adorn every page. So prepare yourself. And keep the lights on.

    Joshua Williamson and Mike Henderson deliver a mystery that mixes Twin Peaks with the horror of Se7en! Collects: Nailbiter #1-5.

    Element. Also in this volume, witness the debut appearances of fellow heroes Kid Flash and the Elongated Man.Collects SHOWCASE #4, #8 and #14, and THE FLASH #105-112.

    Parties, excessive drinking, and financial instability add to the commotion. Drawn in a beautiful minimal style with delicate two-color printing.

    Rate your stress level from 1 to 5, 5 being severe. Are you experiencing depression or thoughts of suicide? Is there anything in your personal life that is affecting your duty?When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. He reports to work every night in a bare, sterile fortress that serves as no protection from a situation that threatens the sanity of Teddy, his childhood friend and the boyfriend of the missing woman. Sabrina’s grieving sister, Sandra, struggles to fill her days as she waits in purgatory. After a videotape surfaces, we see devastation shown through a cinematic lens, as true tragedy is distorted when fringe thinkers and conspiracy theorists begin to interpret events to fit their own narratives.The follow-up to Nick Drnaso’s Beverly, winner of the Los Angeles Times Book Prize, Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. Presenting an indictment of our modern state, Drnaso contemplates the dangers of a fake-news climate. Timely and articulate, Sabrina leaves you gutted, searching for meaning in the aftermath of disaster.

    Gore and hot liaisons in the tradition of True Blood.Officer Dale Chesnutt is a lawman with a big, bloody problem. Slaughtered civilians are turning up in the sleepy town of Cypress, and the burden falls on him to end the carnage. But no sooner does he begin his investigation than he finds himself violently drawn to a sexy, mysterious woman… and a vicious creature strikes again at Dale's own family. Hidden among the faces on Cypress streets, unrecognizable to neighbors and friends, a culture of werewolves dating back a thousand years has found their ancient secrets threatened… and worth tearing their enemies to pieces for.

    As his skills hve thrived, so too have his challenges.This collection contains material originally published in magazine form as Marvel Premiere #9-10 and #12-14 and Doctor Strange (Vol. 2) #1-2 and #4-5.