One day, in a package of seventeenth-century documents from Salem Village, he stumbles across a letter by his best friend, Jamie, who had disappeared six months before. The document is dated 1692—the height of the Witch Trials. The only potential lead: a single mention of Carthage, a tiny town in the Wisconsin northern highland. The mystery catapults Nathan from Chicago to the Wisconsin wilderness. There, he meets Alanna, heir to an astonishing Mittel-European legacy of power and sacrifice. In her, and in the gentle townsfolk of Carthage, Nathan finds the refuge for which he has long yearned. But Simon, the town elder, is driven by demons of his own, and may well be entangled in Jamie’s disappearance and that of several Carthaginians. As darkness stretches toward Alanna, Nathan may have no choice but to risk it all… Moving from the grimness of Chicago’s South Side to the Wisconsin hinterlands to seventeenth-century Salem, this is a story of love, of sacrifice, of terrible passions—and of two wounded souls quietly reaching for the deep peace of sanctuary.

    Actually, he has two. Or maybe three. The first is that he'll be dead from cancer, less than a year, which doesn't particularly concern him: "Things I've been through, dying is just one more page in a long bad book." But spending his last living days, taking his last living breath, behind steel bars does. That's the second problem: Inmate #78903 in the notorious level-four Washington State prison known as Horseneck Bay.Then there's the money. Two million dollars of stolen military payroll, supposedly buried in some remote and mysterious south-Texas mountain range called Los Despoblados, or The Uninhabited, which sounds to Oreny like one of those places his Mama Maybell always told him to avoid. But he'll worry about that later. He has to get there first. Problem number three.That's when he brings those two smoldering dynamite sticks he's attached himself to--his Luke-boy and Jaime--on board to help his tired old body break out of Horseneck and go dig up that money and then hightail it across the border into Mexico. And when they do break out, and Luke decides to bring his girlfriend Lauren along, and her enraged ex comes after them, and then the manhunt starts multiplying faster around them than those cancer cells inside him, Oreny still thinks he can control them. The problems, that is. At least, until Cade arrives.Cade, the prison investigator Oreny knows is dangerous and unpredictable as a six-foot-two wolverine on eight gallons of adrenalin gone bad. And who won't stop until he catches them and does to them what Cade does best.Cade, Oreny knows better than anything else, is their biggest problem of all.

    In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices. A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.

    Jean-Pierre, the Frenchman. They were two men on opposite sides of the cold war, with a woman torn between them. Together, they formed a triangle of passion and deception, racing from terrorist bombs in Paris to the violence and intrigue of Afghanistan - to the moment of truth and deadly decision for all of them...

    Follow Giulietta Bracca's notorious rise to wealth and power, from street urchin in 1905 Genoa, Italy, to the headmistress of Night School, Chicago's most popular and innovative men's club in the 1920s. Along the way Giulietta plays a deadly game of one-upmanship with men who use her, abuse her, and fall head-over-heels in love with her. This quick-study seductress soon learns to give as good as she gets, and with few regrets--those so devastating they will haunt her into eternity. But there is one man Giulietta will never forget: the immigrant bootlegger she gave up too soon and will stop at nothing to lure him back, even if it means jeopardizing all she holds dear. A prequel and partial parallel to Giacoletto's Italian/American saga The Family Angel, Chicago's Headmistress can also stand alone. Every story has more than one side and within a generational saga many stories link and overlap. And as in real life, their endings rarely dissolve into happily ever after. A must-read for fans of The Family Angel, Family Deceptions, The Godfather, and HBO's Boardwalk Empire.

    When Orhan’s brilliant and eccentric grandfather Kemal—a man who built a dynasty out of making kilim rugs—is found dead, submerged in a vat of dye, Orhan inherits the decades-old business. But Kemal’s will raises more questions than it answers. He has left the family estate to a stranger thousands of miles away, an aging woman in an Armenian retirement home in Los Angeles. Her existence and secrecy about her past only deepen the mystery of why Orhan’s grandfather willed his home in Turkey to an unknown woman rather than to his own son or grandson. Left with only Kemal’s ancient sketchbook and intent on righting this injustice, Orhan boards a plane to Los Angeles. There he will not only unearth the story that eighty-seven-year-old Seda so closely guards but discover that Seda’s past now threatens to unravel his future. Her story, if told, has the power to undo the legacy upon which his family has been built.  Moving back and forth in time, between the last years of the Ottoman Empire and the 1990s, Orhan’s Inheritance is a story of passionate love, unspeakable horrors, incredible resilience, and the hidden stories that can haunt a family for generations. “Aline Ohanesian draws from her family’s own dark history to create a tender, powerful story of love and reclamation. Orhan’s Inheritance is a breathtaking and expansive work of historical fiction and proof that the past can sometimes rewrite the future.” —Christina Baker Kline, author of Orphan Train

    What he finds is beyond imagining. It unleashes a mystery older than recorded time, rewrites human history, and promises to change the planet’s future. It must be suppressed.The most powerful forces in the world align against him, and a deadly competition for the artifact ensues. Capturing Gaines is not enough--everyone who has seen the artifact must be killed. His only hope is to stay alive long enough to decode the Cosega Sequence. Dig far enough into the past . . . you may just discover the future.

    It wasn’t Sirhan Sirhan in the Ambassador kitchen. It wasn’t a massive conspiracy or government cover-up. It was one man with one agenda. For small-time Huntington Beach bookmaker and wanna-be writer Trent Oster, it all started with a chance to collect a debt. Instead he’s offered an opportunity of a lifetime. Days later he finds himself on a sprawling southern estate in Oxford Mississippi, balancing the roles of houseguest and biographer for town legend Preston Walker—the man responsible for the most controversial murders in American history; and he’s finally ready to talk.

    Oxford lecturer Diana Morgan is an expert on Greek mythology. Her obsession with the Amazons started in childhood when her eccentric grandmother claimed to be one herself—before vanishing without a trace. Diana’s colleagues shake their heads at her Amazon fixation. But then a mysterious, well-financed foundation makes Diana an offer she cannot refuse. Traveling to North Africa, Diana teams up with Nick Barran, an enigmatic Middle Eastern guide, and begins deciphering an unusual inscription on the wall of a recently unearthed temple. There she discovers the name of the first Amazon queen, Myrina, who crossed the Mediterranean in a heroic attempt to liberate her kidnapped sisters from Greek pirates, only to become embroiled in the most famous conflict of the ancient world—the Trojan War. Taking their cue from the inscription, Diana and Nick set out to find the fabled treasure that Myrina and her Amazon sisters salvaged from the embattled city of Troy so long ago. Diana doesn’t know the nature of the treasure, but she does know that someone is shadowing her, and that Nick has a sinister agenda of his own. With danger lurking at every turn, and unsure of whom to trust, Diana finds herself on a daring and dangerous quest for truth that will forever change her world. Sweeping from England to North Africa to Greece and the ruins of ancient Troy, and navigating between present and past, The Lost Sisterhood is a breathtaking, passionate adventure of two women on parallel journeys, separated by time, who must fight to keep the lives and legacy of the Amazons from being lost forever.

    Madu, a young African, is captured by the Elizabethan slave-trader, Sir John Hawkins. Tom Oakley is a young sailor in charge of the slaves. At first the two boys hate each other. But as the story develops their roles are reversed, and each comes to depend on the other more than either would have once thought possible.This is a fast-moving adventure story based around real historical events. History as you never learned it in school!

    The military has been reduced to near extinction, economic turmoil saps hope, and anarchy threatens, as world powers hover like vultures, eager to devour the remains. In a desperate move, a few powerful men call a secret meeting to plot the overthrow of the government. Fifty-five men came to Philadelphia May of 1787with a congressional charter to revise the Articles of Confederation. Instead they founded the longest lasting republic in world history. Tempest at Dawn tells their story.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    First, he discovered a magnificent manmade cave in the Canary Islands off the African coast. Then, while exploring a newly-found gunpowder magazine inside a 300-year-old stone Spanish fort in St. Augustine, Florida, a man emerged. The man is killed by police before his identity can be ascertained. All evidence indicates that the man had been sealed in the room for centuries. When Curt uncovers a link between the Canary Island cave and the unidentified man, he realizes that he has stumbled upon a secret lost in history; the catalyst for the Fountain of Youth legend. But the revelation holds terrifying consequences. And there are those willing to murder to guard the truth. As Northeast Florida braces for a deadly hurricane, Curt and his friends are drawn into a monumental conspiracy which could alter the balance of power…and destroy humanity.

    He starts talking to Julian’s friends and family, including his friend Kolpos and his gorgeous Greek assistant, Elena.It turns out Julian was referring to the ancient tomb of Akhnaton, almost a myth to the world.But Julian had found some long lost artefacts and taken it to expert Robert Rabjohn who confirms that they are the real thing.When Ross finds strange connections between the deaths of Julian, Tutankhamen, Howard Carter and Orde Wingate, all years apart, he becomes concerned for his own safety.Julian’s body goes missing and then a strange message is found which says ‘Let the Eye of Ra descend’, referring to the ancient God Ra who sent his Eye to slay all the human beings…Every contact and every informant he speaks to disappears.How long will it be before the culprits catch up with him too?Threatened, almost friendless, Ross turns for help to his mother’s people, the Bedouin Hawazim tribe.It is only with their help, that he can solve the mystery of The Eye of Ra…

    Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.