Actually, she meant to do something right. But her kind act inadvertently played a role in a deadly tragedy. In order to move on, Morgan must learn to forgive—first someone who did something that might be unforgivable, and then herself. But Morgan can’t move on. She can’t even move beyond the front door of the apartment she shares with her mother and little brother. Morgan feels like she’s underwater, unable to surface. Unable to see her friends. Unable to go to school. When it seems Morgan can’t hold her breath any longer, a new boy moves in next door. Evan reminds her of the salty ocean air and the rush she used to get from swimming. He might be just what she needs to help her reconnect with the world outside.

    Hopeless, and drowning in her present reality, she takes pills—lots of pills. She’s sent to a mental health facility, where she meets a boy. Only the boy can’t save her, and no one can save her from herself.Nick has secrets. He wants to open up to Alexis, but there’s the dead boy who haunts him. In his dreams. While he’s awake. He wants to be brave, but he can’t tell her about his past, and he can’t leave the facility. Melanie rules over the school, until a nobody named Lexie tries to disrupt her reign. She won’t allow that. She also can’t stop it. She plummets into notoriety, but she’s determined to take them all with her. The girl, the boy, and their secrets.

    Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL

    She can barely function after learning of Jonah’s death. Jonah, the boy she’d traded banter with over texts and heartfelt e-mails.Jonah, the first boy she'd told she loved and the first boy to say it back. Jonah, the boy whose suicide she never saw coming. Tess continues to write to Jonah, as a way of processing her grief and confusion. But for now she finds solace in perhaps the unlikeliest of ways: by helping her father with his new alternative funeral business, where his biggest client is . . . a prized racehorse?As Tess’s involvement in her father’s business grows, both find comfort in the clients they serve and in each other. But love, loss, and life are so much more complicated than Tess ever thought. Especially after she receives a message that turns her life upside down.

    One HELLO can save a life.Tricia: A girl struggling to find her way after her beloved grandma's death.Emerson: A guy who lives his life to fulfill promises, real and hypothetical.Angie: A girl with secrets she can only express through poetry.Brenda: An actress and screenplay writer afraid to confront her past.Brian: A potter who sets aside his life for Tricia, to the detriment of both.Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).

    Riley has a lot of wishes. He wishes bullies at school would stop picking on him. He wishes Dylan, his 8th grade crush, liked him, and Riley wishes he would stop wetting the bed. But most of all, Riley wishes for his mom to come back home. She disappeared a few months ago, and Riley is determined to crack the case. He even meets with a detective, Frank, to go over his witness statement time and time again. Frustrated with the lack of progress in the investigation, Riley decides to take matters into his own hands. So he goes on a camping trip with his friend Gary to find the whispers and ask them to bring his mom back home. But Riley doesn't realize the trip will shake the foundation of everything that he believes in forever.

    Then Noah → gets hypnotized. Now Noah → sees changes—inexplicable scars, odd behaviors, rewritten histories—in all those around him. All except his Strange Fascinations . . .

    This is Cassie’s chance to stop being invisible and become the kind of girl who’s worth noticing.Stepping into her new identity turns out to be easier than Cassie could have ever imagined… one moment, one choice, changes everything.Cassie’s new existence both thrills and terrifies her. Swept into a world of illicit parties and social landmines, she sheds her virginity, embraces the numbness she feels from the drugs, and floats through it all, knowing that she is now called beautiful. She ignores the dangers of her fast-paced life… but she can’t sidestep the secrets and the cruelty.Cassie is trapped in a swift downward spiral tinged with violence and abuse, and no one—not even the one person she thought she could trust—can help her now.

    But another girl, nine-year-old Madeline Snow, has vanished, too, and Nick becomes increasingly convinced that the two disappearances are linked. Now Nick has to find her sister, before it's too late.

    Miles is the ultimate unreliable narrator—a teen recovering from a schizophrenic breakdown who believes he is getting better . . . when in reality he is growing worse.   Driven to the point of obsession to find his missing younger brother, Teddy, and wrapped up in a romance that may or may not be the real thing, Miles is forever chasing shadows. As Miles feels his world closing around him, he struggles to keep it open, but what you think you know about his world is actually a blur of gray, and the sharp focus of reality proves startling.  Written by the New York Times bestselling author of Tweak, Schizo is the fascinating, and ultimately quite hopeful, story of one teen's downward spiral into mental illness as he chases the clues to a missing brother. Perfect for fans of Thirteen Reasons Why, The Perks of Being a Wallflower, and It’s Kind of a Funny Story.

    . . .While her friends are spending their summers having pool parties and sleepovers, twelve-year-old Carolina — Carol — is spending hers in the middle of the New Mexico desert, helping her parents move the grandfather she’s never met into a home for people with dementia. At first, Carol avoids prickly Grandpa Serge. But as the summer wears on and the heat bears down, Carol finds herself drawn to him, fascinated by the crazy stories he tells her about a healing tree, a green-glass lake, and the bees that will bring back the rain and end a hundred years of drought. As the thin line between magic and reality starts to blur, Carol must decide for herself what is possible — and what it means to be true to her roots. Readers who dream that there’s something more out there will be enchanted by this captivating novel of family, renewal, and discovering the wonder of the world.

    Tar has reasons for running away from home that run deep and sour, whereas Gemma, with her middle-class roots firmly on show, has a deep-rooted lust for adventure. Their first hit brings bliss, the next despair.

    Set in the 1950s and seen through the perspective of the middle child, 11-year-old Corrie, Pearson’s story illustrates how a rich fantasy life both helps and hinders children trying to cope with loss, loneliness, and growing up.While elder sister Roz is growing up and out of the desire for fantasy games, eldest brother Sebastian, who fancies himself Sir Lancelot in their Round Table game, continues to need them as much as ever,

    Some people get to have crushes on boys. Some people have other things they’ve got to do.Seventh-grader Zoey has her hands full as she takes care of her much younger siblings after school every day while her mom works her shift at the pizza parlor. Not that her mom seems to appreciate it. At least there’s Lenny, her mom’s boyfriend—they all get to live in his nice, clean trailer.At school, Zoey tries to stay under the radar. Her only friend Fuchsia has her own issues, and since they’re in an entirely different world than the rich kids, it’s best if no one notices them.Zoey thinks how much easier everything would be if she were an octopus: eight arms to do eight things at once. Incredible camouflage ability and steady, unblinking vision. Powerful protective defenses.Unfortunately, she’s not totally invisible, and one of her teachers forces her to join the debate club. Even though Zoey resists participating, debate ultimately leads her to see things in a new way: her mom’s relationship with Lenny, Fuchsia’s situation, and her own place in this town of people who think they’re better than her. Can Zoey find the courage to speak up, even if it means risking the most stable home she’s ever had?This moving debut novel explores the cultural divides around class and the gun debate through the eyes of one girl, living on the edges of society, trying to find her way forward.--annbradenbooks

    The boy is mauled by Apron, the neighbor's ailing cow whom he helps, alone, to give birth. The grateful farmer brings him a gift—a newborn pig. His father at first demurs ("We thank you, Brother Tanner," said Papa, "but it's not the Shaker Way to take frills for being neighborly. All that Robert done was what any farmer would do for another") but is persuaded. Rob keeps the pig, names her, and gives her his devotion... He wrestles with grammar in the schoolhouse. He hears rumors of sin. He is taken—at last—to the Rutland Fair. He broadens his heart to make room even for Baptists. And when his father, who can neither read nor cipher, whose hands are bloodied by his trade, whose wisdom and mastery of country things are bred in the bone, entrusts Rob with his final secret, the boy makes the sacrifice that completes his passage into manhood.All is told with quiet humor and simplicity. Here are lives lived by earthy reason—in a novel that, like a hoedown country fiddler's tune, rings at the same time with both poignancy and cheer.