That's why we need The School of Life - a real organisation founded ten years ago by writer and philosopher Alain de Botton. The School of Life has one simple aim: to equip people with the tools to survive and thrive in the modern world. And the most important of these tools is emotional intelligence.This book brings together ten years of essential and transformative research on emotional intelligence, with practical topics including:- how to understand yourself- how to master the dilemmas of relationships- how to become more effective at work - how to endure failure- how to grow more serene and resilientThe School of Life is nothing short of a crash course in emotional maturity. With all the trademark wit and elegance of Alain de Botton's other writings, and rooted in practical, achievable advice, it show us a path to the better lives we all want and deserve.

    In some cases, this absence can be dangerous, but in others it can simply mean a different way of seeing the world.In The Science of Evil Simon Baron-Cohen, an award-winning British researcher who has investigated psychology and autism for decades, develops a new brain-based theory of human cruelty. A true psychologist, however, he examines social and environmental factors that can erode empathy, including neglect and abuse.Based largely on Baron-Cohen's own research, The Science of Evil will change the way we understand and treat human cruelty.

    Bingham's strange sense of morbid fancy collides with a gutsy realism; the result is splendid wreckage: a young man is seduced by his first cousin (or maybe it's the other way around) at her brother's wake ("The Other Family"); a bored couple plot to kill a man during their ski-resort honeymoon ("Marriage Is Murder"); a yuppie banker risks his whole perfect life for an affair with a junkie ("The Fixers"); an insurance-company bounty hunter tracks down walk-aways from drug and alcohol rehab ("Preexisting Condition"); and in the title story, an eleven-year-old boy is caught at the exquisitely uneasy intersection of the safety of childhood play and the pain of grown-up love and longing.These lean, potent stories are utterly original, and yet by turns recall Salinger, in their intellectual acuity, emotional depth, and wicked, dark humor; Fitzgerald, in their vivid chronicling of a new, restless social elite; and the work of "transgressive" writers, in their pervasive sense of the imminent possibility of danger and violence, even in the most civilized surroundings. Above all, the stories in Pure Slaughter Value mark the debut of a striking new literary voice--unsparing, bold, ironic, and true--that will haunt us for a long time to come.

    His house was not there.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    Through the stories of victims, perpetrators, law enforcement, and reform movements from across the country, Snyder explores not only the dark corners of private violence, but also its far-reaching consequences for society, and what it will take to truly address it.

    In the first part of the book Jo Davenport writes with raw intensity about Alice's illness and what she hopes is her recovery. At ten, Alice was an easy going, free spirited child with a tremendous sense of humour and adored by everyone who knew her. At eleven, she started to develop her 'rigmaroles' - little rituals which grew into severe Obsessive Compulsive Disorder - and then, at fourteen, turned into anorexia. Jo describes her journey through what she calls Planet Anorexia, recognising the amazing support she received both professionally and personally and telling of the long periods of despair, guilt, anger and, as the mother of a much-loved child, sheer terror. By opening her heart and writing this book her wish is to pass on her experiences as the mother of an anorexic child, to share all her doubts, failures, anxieties and eventually some successes in the hope of supporting other families going through the same trauma. In the second part of the book Alice, now eighteen and on the road to recovery, also looks back over the past eight years. recovery, other sufferers she met, and her relationship with her mother, friends and siblings. Finally, Jo brings the story up to date and offers guidance and hope to others who love and care for an anorexic child.