In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Most lived in shtetls—Jewish communities connected to larger towns—images of which are ingrained in popular imagination as the shtetl Anatevka from Fiddler on the Roof. Brimming with life and tradition, family and faith, these shtetls existed in the shadow of their town’s oppressive anti-Jewish laws. Not Trochenbrod.Trochenbrod was the only freestanding, fully realized Jewish town in history. It began with a few Jewish settlers searching for freedom from the Russian Czars' oppressive policies, which included the forced conscriptions of one son from each Jewish family household throughout Russia. At first, Trochenbrod was just a tiny row of houses built on empty marshland in the middle of the Radziwill Forest, yet for the next 130 years it thrived, becoming a bustling marketplace where people from all over the Ukraine and Poland came to do business. But this scene of ethnic harmony was soon shattered, as Trochenbrod vanished in 1941—her residents slaughtered, her homes, buildings, and factories razed to the ground. Yet even the Nazis could not destroy the spirit of Trochenbrod, which has lived on in stories and legends about a little piece of heaven, hidden deep in the forest.Bendavid-Val, himself a descendant of Trochenbrod, masterfully preserves and fosters the memory of this city, celebrating the vibrant lives of her people and her culture, proving true the words of one of Trochenbrod’s greatest poets, Yisrael Beider: I beg you hold fast to these words of mine. After this darkness a light will shine

    She and her father are among the thousands of Jewish refugees scrambling over the Alps toward Italy, where they hope to be safe at last, now that the Italians have broken with Germany and made a separate peace with the Allies. The Blums will soon discover that Italy is anything but peaceful, as it becomes overnight an open battleground among the Nazis, the Allies, resistance fighters, Jews in hiding, and ordinary Italian civilians trying to survive.Mary Doria Russell sets her first historical novel against this dramatic background, tracing the lives of a handful of fascinating characters. Through them, she tells the little-known but true story of the network of Italian citizens who saved the lives of forty-three thousand Jews during the war’s final phase. The result of five years of meticulous research, A Thread of Grace is an ambitious, engrossing novel of ideas, history, and marvelous characters that will please Russell’s many fans and earn her even more.

    With only their bare hands and the crudest of homemade tools, they sank shafts, forged passports, faked weapons, and tailored German uniforms and civilian clothes. They developed a fantastic security system to protect themselves from German surveillance.It was a split-second operation as delicate and as deadly as a time bomb. It demanded the concentrated devotion and vigilance of more than six hundred men—every one of them, every minute, every hour, every day and night for more than a year.Made into the classic 1963 war film of the same name starring Steve McQueen, James Garner, and Richard Attenborough.

    Dodd becomes America's first ambassador to Hitler's Germany in a year that proved to be a turning point in history.A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the New Germany, she has one affair after another, including with the surprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler's true character and ruthless ambition.Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Goring and the expectedly charming—yet wholly sinister—Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.

    Millions were shoved into ghettos and forced to live under the swastika. Death camps were built and something called "Operation Reinhard" was set into motion. Its goal? To murder all the Jews of Poland.The Commandant of Lubizec is a harrowing account of a death camp that never actually existed but easily could have in the Nazi state. It is a sensitive, accurate retelling of a place that went about the business of genocide. Told as a historical account in a documentary style, it explores the atmosphere of a death camp. It describes what it was like to watch the trains roll in, and it probes into the mind of its commandant, Hans-Peter Guth. How could he murder thousands of people each day and then go home to laugh with his children? This is not only an unflinching portrayal of the machinery of the gas chambers, it is also the story of how prisoners burned the camp to the ground and fled into the woods. It is a story of rebellion and survival. It is a story of life amid death.With a strong eye towards the history of the Holocaust, The Commandant of Lubizec compels us to look at these extermination centers anew. It disquiets us with the knowledge that similar events actually took place in camps like Bełzec, Sobibór, and Treblinka. The history of Lubizec, although a work of fiction, is a chillingly blunt distillation of real life events. It asks that we look again at "Operation Reinhard". It brings voice to the silenced. It demands that we bear witness.

    Thirteen-year-old Lisa has escaped from Nazi Germany on the Kindertransport. She arrives in London unable to speak a word of English, her few belongings crammed into a small suitcase. Among them is one precious photograph of the family she has left behind. Lonely and homesick, Lisa is adopted by a childless couple. But when the Blitz blows her new home apart, she wakes up in hospital with no memory of who she is or where she came from. The authorities give her a new name and despatch her to a children's home. With the war raging around her, what will become of Lisa now?

     Karl Veth, the oldest of three children, was born in Berlin, Germany in 1930. By the time he was old enough to start school and begin his education, Hitler had already established a firm death-grip on the country. Children were fed a steady diet of Nazi propaganda and were often encouraged to turn on their family and friends but contrary to popular belief, not all of them bought into it. Karl is an intelligent young boy who strives to excel in his studies, but he questions everything. Dangerous questions during a time when people are closely monitored. Karl’s father and grandfather are not blind followers and they have their own opinions about Hitler and his regime. The lessons they teach Karl often contradict what he is taught in school, yet they also inspire him to think on his own and form his own opinions. German law mandates that all children must become members of the Hitler Youth and at the age of 10, Karl enters the Jungvolk, the junior branch of the Hitler Youth. He must wade through the propaganda and everything he is taught to decide for himself what is right and what it wrong. Little does he know at the time, but many of his grandfather’s predictions about the future of the Third Reich will eventually come to pass. The lessons he learns now and the opinions he forms will determine his fate in dangerous times ahead. Children To A Degree is the first book in a four-book series. Karl's incredible story continues in: Loyal To A Degree Trust To A Degree Partners To A Degree

    Now they are alone. With the war raging around them, food and shelter are hard to come by. They live in constant fear.Finally, they get word that their father is alive. He has made it to Switzerland. Edek and Ruth are determined to find him, though they know how dangerous the long trip from Warsaw will be. But they also know that if they don't make it, they may never see their parents again.Their gripping story is taken from actual accounts.

    In Such Good Girls, R. D. Rosen tells the story of these survivors through the true experiences of three girls.Sophie Turner-Zaretsky, who spent the war years believing she was an anti-Semitic Catholic schoolgirl, eventually became an esteemed radiation oncologist. Flora Hogman, protected by a succession of Christians, emerged from the war a lonely, lost orphan, but became a psychologist who pioneered the study of hidden child survivors. Unlike Anne Frank, Carla Lessing made it through the war concealed with her family in the home of Dutch strangers before becoming a psychotherapist and key player in the creation of an international organization of hidden child survivors.In braiding the stories of three women who defied death by learning to be “such good girls,” Rosen examines a silent and silenced generation—the last living cohort of Holocaust survivors. He provides rich, memorable portraits of a handful of hunted children who, as adults, were determined to deny Hitler any more victories, and he recreates the extraordinary event that lured so many hidden child survivors out of their grown-up “hiding places” and finally brought them together.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    By the time the war ended in May 1945, he was indicted for 'mass murder'. Hunted by the Soviets, the Americans, the Poles and the British, as well as groups of Jews, Wächter went on the run. He spent three years hiding in the Austrian Alps, assisted by his wife Charlotte, before making his way to Rome where he was helped by a Vatican bishop. He remained there for three months. While preparing to travel to Argentina on the 'ratline' he died unexpectedly, in July 1949, a few days after spending a weekend with an 'old comrade'.In The Ratline Philippe Sands offers a unique account of the daily life of a senior Nazi and fugitive, and of his wife. Drawing on a remarkable archive of family letters and diaries, he unveils a fascinating insight into life before and during the war, on the run, in Rome, and into the Cold War. Eventually the door is unlocked to a mystery that haunts Wächter's youngest son, who continues to believe his father was a good man - what happened to Otto Wächter, and how did he die?

    To court Anielica Hetmanská he offers up his "golden hands" to transform her family’s modest hut into a beautiful home, thereby building his way into her heart. Then war arrives to cut short their courtship, delay their marriage, and wreak havoc in all their lives, even sending the young lovers far from home to the promise of a new life in Kraków. Nearly fifty years later, their granddaughter, Beata, repeats their postwar journey, seeking a new life in the fairy-tale city of her grandmother’s stories. But when she arrives in Kraków, instead of the whispered prosperity of the New Poland, she discovers a city caught between its future and its past, and full of frustrated youths. Taken in by her toughtalking cousin Irena and Irena’s glamorous daughter Magda, Beata struggles to find her own place in 1990s Kraków and in the constellation of Irena and Magda’s fierce love. But unexpected events-- tragedies and miracles-- can change lives and open eyes. And Beata may just find a new way of seeing her family's and her country's history-- as well as a vision for her own role in the New Poland. Whimsical, wise, beautiful, magical, and sometimes even heartbreaking, A Long, Long Time Ago and Essentially True weaves together two remarkable stories, reimagining half a century of Polish history through the legacy of one unforgettable love affair.