Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    but it was more than half an hour distant--perhaps the limit of life itself! From the author of Fahrenheit 451, The Martian Chronicles and The Illustrated Man. Originally published in the Fall 1946 issue of Planet Stories. It was later reprinted under the title Frost and Fire.

    In a world where genetically engineered animals are run of the mill Jerry and his sponsor, the 'World's Richest Woman,' decide that it is time to stand up for anthropoids' rights. In Jerry is a Man Grand Master Robert A. Heinlein explores what it means to be human and the importance of civil liberties.

    It originally appeared in 1950 in Collier's Weekly. It is also the subject of an Alexisonfire song. The protagonist, Professor Arthur Barnhouse, develops the ability to affect physical objects & events thru the force of his mind. He calls his power 'dynamo-psychism'. He makes the mistake of telling the government about his power. When they try to turn him into a weapon, Barnhouse decides that he is the first weapon with a conscience, & goes into hiding. While in this reclusive state the Professor uses his 'dynamo-psychic' powers to destroy large quantities of weapons, & other things used in states of war. He realizes tho, that he will die eventually & decides to pass down his "powers" to an ex-student. The story is told as a report by this ex-student, hence the title.

    When the box fails to return, he constructs another and tests it the same way, but it also fails to return. Believing the entire experiment to be a failure, he discontinues his efforts and gives up on time machines. The first box arrives in the middle of the twentieth century and the second in the latter part of the nineteenth century. Both have had their time-travel circuitry irreparably damaged by the journey.Originally published in the February 1943 issue of "Astounding Science Fiction Magazine.Novelette, Classic science fiction, the basis for the film "The Last Mimsy"

    But who's behind it? Clarke's 1952 novel is read by Nicholas Boulton.

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    as long as the accident is truly accidental. Hugo Award Nominee

    FoxMars Is Heaven! / Ray Bradbury; artwork by Herman VestalPreview of Peril / A. Bertram Chandler; artwork by Alden McWilliamsAgainst the Stone Beasts / James Blish; artwork by DonelBrooklyn Project / William Tenn; artwork by Herman VestalSynthetic Hero / Erik Fennel; artwork by Herman VestalValkyrie from the Void / Basil WellsCartoon: "Here we are the masters!" ; Cartoon: "Er---any trees on the moon?" / artwork by E. P.

    Reprint of 1964 paperback.Contains the short stories:A Pail of Air (1951)The Beat Cluster (1961)The Foxholes of Mars (1952)Pipe Dream (1959)Time Fighter (1957)The 64-Square Madhouse (1962)Bread Overhead (1958)The Last Letter (1958)Rump-Titty-Titty-Tum-TAH-Tee (1958)Coming Attraction (1950)Nice Girl with Five Husbands (1951)

    Here a husband and wife, unable to get their new baby to feed, hit upon a novel and disturbing solution . . .Royal Jelly is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the priceless piece of furniture that is the subject of a deceitful bargain; a wronged woman taking revenge on her dead husband, and others.Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Humor and a somewhat postmodern outlook carried over into his novels as well. One of his stories, "Arena," is officially credited for an adaptation as an episode of the landmark television series, Star Trek. With no more room left on Earth, and with Mars hanging up there empty of life, somebody hit on the plan of starting a colony on the Red Planet. It meant changing the habits and physical structure of the immigrants, but that worked out fine. In fact, every possible factor was covered -- except one of the flaws of human nature. . . ."