Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    Includes complete and unabridgedMary BartonCranfordRuthNorth and SouthSylvia's Lovers Wives and DaughtersAll 6 of her full-length novels-Featuring charming illustrations and photos from the period -Complete, unabridged, and formatted for kindle to improve your reading experience -Linked table of contents to reach your book quickly

    In part one of Young Love in Memphis: Heart on Reserve – Grace, Braille, and Jessica begin their journey into womanhood. Grace’s life had never been normal. She grew up with a father who showed his love only through providing and protecting, and a mother who was so submissive that she allowed her husband to keep her from giving Grace the love and nurture every young girl needs. When Grace was sixteen she left Memphis to be with her boyfriend, Andy. Almost two years later, Grace finds herself sneaking back into Memphis, praying her parents and Andy never find out. But Andy does. And he refuses to let her go easily. Braille grew up with a single mother. Her entire life has centered around loving her Mother, getting good grades in school, and becoming a Nurse. A flat tire on one of the hottest days in Spring causes her to meet Lorenzo, a young dope boy whose life is going down a completely different path, and her life is changed forever because of it. After watching her sister love, lose, and die because of it, Jessica vowed to never fully commit herself to love or a man. Then she met Cameron. And his love and gentle pursuit of her changed her mind. When Cameron left for college she thought she could get back to her normal routine of enjoying life and messing around with whoever she wanted to, but Cameron didn’t want to let her go so easily. As she tries to enjoy her last year of high school and maintain a long distance relationship she meets Vega, Lorenzo’s best friend. Their encounter leaves her in a love triangle she’s not sure she wants to get out of. In this captivating series, these girls are all left with two options – live and love while they’re young, or place their hearts on reserve to live wild and free. Which will they choose? Join them in part one to find out!

    Of late the old lay-sister- Mary Antony- had grown fearful lest she should make mistake in this solemn office of the counting.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    She knows how to maximize her investments and cut her losses - in both her career and her personal life. So when she discovers that Jack Fairfax has deceived her, she's determined to end their relationship. Putting a stop to their budding romance is easy, but breaking up their business deal will be more difficult. Despite all her efforts, she has no luck disentangling herself from Jack's client company, Excalibur. But the situation becomes even more strained when a lethal act of sabotage threatens to put both their companies out of business for good.Lost and Found(Sandra Burr, Joyce Bean, Melissa Coates)Cady Briggs is very useful to Mack Easton - her expertise in art and antiques helps his shadowy, low-profile company, Lost and Found, find missing treasures for high-paying clients. But as Cady's beloved Aunt Vesta warns her, being useful to a client is one thing - being used is another. Still, Cady finds it hard to resist the magnetic pull Mack exerts, an attraction she felt from the first time she heard his voice on the phone. And as their work together puts them in an explosive situation, Cady wonders just how much she'd risk for the thrill of being with this man.Smoke in Mirrors(Aasne Vigesaa/James Daniels; Laura Grafton)A con artist and seductress, Meredith Spooner lived fast - and died young. Now it seems Meredith's last scam - embezzling more than a million dollars from a college endowment fund - is coming back to haunt Leonora Hutton. An email just arrived in which Meredith - in fear for her life - explains that the money is waiting for Leonora in an offshore account ... and a safe-deposit key is on the way. Leonora wants nothing to do with the tainted money. She's already been accused of being in on the theft by Thomas Walker - who, it seems, was a victim of Meredith's knack for both scams and seductions. Eager to prove him wrong, Leonora sets out to collect the cash and hand it over. But she discovers two other items in the safe-deposit box. One is a book about Mirror House - a mansion filled with antique mirrors, where Meredith engineered her final deception. The other is a set of newspaper stories about a thirty-year-old murder that occurred there - unsolved to this day.

    

    Set in frigid New England, both deal with sexual awakening and appetite and their devastating consequences. This text includes newly commissioned notes.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.

    She needed a hero, and quick. But what she had hoped was that at least one person would have answered her plea for help. As the months wore on she had all but given up on finding the husband she so desperately needed, and resigned herself to a lifetime imprisoned by her cruel stepfather. Rancher Wes Roberts couldn’t get the thought of Mary Beth out of his mind, and the desperate nature of the ad she had placed. He figured it wasn’t unusual that he hadn’t received a reply to his letters, given that she had probably already chosen her husband and moved on with her life, but something nagged at him. He would never forgive himself if he didn’t find out for sure that she was safe, even if it wasn’t with him. When Wes arrives, not only is Mary Beth still there, she is more in need than ever. After he rescues her from the desolate life she has been living he realizes that he needs her just as much as she needs him. Please enjoy this sweet, clean, historical western romance novella of 21,128 words (about 90 pages).

     Every action has a consequence and this is the aftermath. My name is Kara Petersen. I am one of life’s survivors, but my life has not been easy. I am the product of a dysfunctional, broken home and parents who don’t care. Fallen from grace, abandoned and betrayed, I am now alone. Then there was hope. A boy, a saviour. He saved me, empowered me, and gave me the strength and courage to leave. To live. His actions will not be in vain. I will do whatever it takes to survive. My name is Sloan Foster. I am one of life’s failures, but my life has not been fair. I am the product of a loving home, a mother and father who adored each other, until death paved the way for the devil. Trapped inside a world with a gilded façade, I have always felt alone. Then there was hope. A girl, an angel, a beacon of pure light in the dark. She subconsciously called to me, reached deep into my soul, unknowingly claiming a part of myself I had let die years ago. I promised I would do whatever it took to be her protector. My promises were unachievable and futile. I will do whatever it takes to find her again. Please note this is a 36,000 word novella, chronicling the lives of Kara and Sloan and the ‘missing’ eight years. It is not a continuation of the present story, and should be read after Fractured and Tormented.

    Nearly 40, she's in a marriage that has stalled with a mother-in-law she despises. Before Janie can make the final step toward divorce, her fate is taken out of her hands. Janie wakes up in her old bedroom and finds it just as it was in her teens. She stumbles downstairs to the kitchen where her mother greets her, looking radiantly young. But it isn't until Janie looks in the mirror, to be confronted by her 15 year old self, sporting the most diabolical 80s perm, that the reality of her situation sinks in. For a woman who scoffs at anything science can't prove, being swept back decades in time is a particularly ironic twist. She's gone back to 1981 and all the signs suggest that it's a one-way trip. But there's an upside—Janie has the chance to make her life turn out the way she wanted it. She's determined to help her parents, make her fortune, and do some good in the world, starting with saving Lady Diana Spencer from her fate. But things don't quite go to plan and pretty soon Janie realizes that even second time around, nothing is guaranteed. Clever and compassionate, this laugh-out-loud novel speculates the possibilities if you could turn back the clock and be given a second chance.

    Part comedy of manners, part social commentary, love story, mystic narration and thriller, it is a sort of Indian version of Oliver Goldsmith's THE VICAR OF WAKEFIELD.

    Adapted by Marty Ross, whose previous audio dramas include Romeo and Jude, Doctor Who, Treasure Island and Arabian Nights: Volume 1, listeners can expect to hear Sinbad the Sailor as they've never done before. In volume 2 of Arabian Nights we return to Sultan Shahriyar’s palace, where Scheherezade is using her spellbinding storytelling abilities to save both her and her sister’s lives. As much as the Sultan wants to kill her, each night he is drawn in by her tales and spares them. Scheherezade weaves a long, winding and exciting tale about Sinbad the Sailor, a reckless young man who has inherited his father’s wealth and spends it foolishly. His debts eventually force him to leave Baghdad and find his way alone. However, his journey quickly takes a turn when he is led to sea by a mysterious woman dressed in blue, which begins his long and dramatic adventures at sea.Starring Abraham Popoola, Adam Sina, Akin Gazi, Alyssa Kyria, Anoushka Rava, Aso Sherabayani, Bamshad Abedi-Amin, Daniel Naddafy, David Ahmad, Firdous Bamji, Gisele Payvandi, Hakan Silahsiz Hemi Yeroham, Ian Abeysekera Jonathan Morrison, Josh Zare Karim Kronfli, Mandana Jones Nezar Alderazi, Raghad Chaar Richard Reed, Sammy Broly, Tara Jaffar and Walles Hamonde.[Please note this drama contains some explicit content.]