Bright lights, loud noise, and lots of exercise are the last thing he wants. But that's exactly what he gets when someone starts shooting at him. Steven is no stranger to death - Mr. D's his boss after all - but when a dead girl saves him from sharing her fate, he finds himself on the wrong end of the barrel. His job is to guide the restless dead to the underworld but now his clients are his own colleagues, friends, and family. Mr. D's gone missing and with no one in charge, the dead start to rise, the living are hunted, and the whole city teeters on the brink of a regional apocalypse - unless Steven can shake his hangover, not fall for the dead girl, and find out what happened to his boss - that is, Death himself. THE BUSINESS OF DEATH includes the first two volumes of the Death Works trilogy, Death Most Definite and Managing Death, as well as the third volume.

    Thowra, the magnificent silver stallion, is king of the brumbies. But he must defend his herd from the mighty horse, The Brolga, in the most savage of struggles. But that is not the only danger. Thowra needs all his speed and cunning to save his herd from capture by man. In a desperate chase through the mountains, it seems there is no longer anywhere for him to run to...

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    Their romances are futher complicated by the tension of war, with American troops in occupation and where anything could be obtained for a price.

    In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.Heat and Light presents an intriguing collection while heralding the arrival of an exciting new talent in Australian writing.

    Daesh has a thoroughfare to the sea and China is Australia's newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, Lovecraft saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he died at the age of 46.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    Ranging over a period of some six years, the story is set during the late 1930s and early 1940s; but it is not so much a tale of this period as Herbert's analysis and indictment of the steps by which we came to the Australia of today. Herbert parallels an intimate personal narrative with a tale of approaching war and the disconnect between modern Australia and its first inhabitants. With enduring portraits of a large cast of local and international characters, Herbert paints a scene of racial, familial, and political disparity. He lays bare the paradoxes of this wild land, both old and wise, young flawed. Winner of the Miles Franklin Award on first publication in 1975, Poor Fellow, My Country is masterful storytelling, an epic in the truest sense. This is the decisive story of how Australia threw away her chance of becoming a True Commonwealth. It is undoubtedly Herbert's supreme contribution to Australian literature.

    Evocative novel set in wartime Australia and its aftermath, seen through the childhood eyes of 6-year-old Rob Coram.

    The comedy of the novel revolves around his attempts to understand English as it was spoken in Australia by the working classes in the 1950s and 1960s. Nino had previously only learned 'good' English from a textbook.The novel is a social commentary on Australian society of the period; specifically male, working class society. Women mostly feature as cameos in the story with the exception of Kay (whose surname is not revealed in the novel), who becomes Nino's wife. In the novel, Nino meets Kay in a cafe in Manly and their introduction is effected by Nino trying to teach Kay that she cannot eat spaghetti using a spoon.The final message of the novel is that immigrants to Australia should count themselves fortunate and should make efforts to assimilate into Australian society, including learning to speak Australian English. However, there is also a satirical undercurrent aimed at Australian society as a country of migrants.

    His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    When a man is found dead in a hansom cab one of Melbourne’s leading citizens is accused of the murder. He pleads his innocence, yet refuses to give an alibi. It falls to a determined lawyer and an intrepid detective to find the truth, revealing long kept secrets along the way. Fergus Hume’s first and perhaps most famous mystery... The Mystery Of A Hansom Cab.